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Book Review: The Cabin at the End of the World by Paul Tremblay

The Cabin at the End of the World  by Paul Tremblay

William Morrow. 2018

ISBN-13: 978-0062679109

Available: Hardcover, paperback, mass market paperback, Kindle edition, audiobook

 

Paul Tremblay is at it again, screwing with the minds of readers, playing a morality game that results in a twisted read worthy of film version due to its close characters, claustrophobic setting, and themes that he refuses to shy away from.

Tremblay’s previous books, A Head Full of Ghosts and Disappearance at Devil’s Rock, both toyed with the reader’s sense of reality and the supernatural. In The Cabin at the End of the World, Tremblay drags the reader into what seems to be a simple home invasion story. Nothing is what it seems, though: this is a tight, utterly uncomfortable, well-told tale of horror that requires the reader’s intellect and intuition to untangle whether there is a supernatural factor to the story

A young girl, Wen, plays outside with her grasshoppers, while her parents, Eric and Andrew, are inside, relaxing on a peaceful family vacation in the woods of New Hampshire. Nothing is supposed to be anywhere near them: no stores, neighbors, or distractions.

Then Leonard arrives. A hulking man, he speaks calmly to her and appeals to her innocence before announcing, “None of what’s going to happen is your fault. You haven’t done anything wrong, but the three of you will have to make some tough decisions. I wish with all my broken heart you didn’t have to.” Three strangers emerge from the woods and enter the cabin. They  inform the family that the end of the world is inevitable, unless the parents make a heart-wrenching decision that will ruin them.  Are these strangers cold-blooded psychopaths who sought out this family, or is there something more at play?

The way Tremblay paints the characters of both the family and the intruders, is what drives the story. To say more would kill the suspense, but suffice it to say, the emotional heft of this tale will leave a scar behind.

Highly recommended reading for readers of great suspense.

 

Reviewed by Dave Simms

Editor’s note: The Cabin at the End of the World  is a nominee for the 2018 Stoker Award in the category Superior Achievement in a Novel. 

Book Review: Disappearance at Devil’s Rock by Paul Tremblay

Disappearance at Devil’s Rock by Paul Tremblay
William Morrow Books, 2017
ISBN-13: 978-0062363275
Available: Paperback, Kindle edition, library binding, audiobook, audio CD

Last year’s Stoker winner for best novel was one of the least anticipated in many years. People who read it knew that A Head Full of Ghosts was a shoo-in; it simply was one of the strongest horror novels in several years.  Paul Tremblay’s characters seemed as real as the next-door neighbors, despite the suggestion of supernatural involvement in the events of the story, the multiple perspectives he used were smoothly integrated, yet somehow formed a disorienting and frightening narrative.

Disappearance aat Devil’s Rock is a definite departure in terms of tone and style. It’s a subtle tale, yet one with plenty of tension and plot twists. From the first page, it’s as if Tremblay is whispering to the reader in a dark and secluded New England pub on a chilly autumn evening. What begins as a simple case of a missing teenager turns into something quite sinister that tears at the fabric of a family’s sanity.

Elizabeth Sanderson receives that dreaded call– Tommy, her teenage son has gone missing.  He disappeared in Borderland Park at his friends’ favorite hangout, Devil’s Rock. One night, pages of Tommy’s journal begin to appear on the floor of the house, opening a box of puzzle pieces that don’t quite seem to fit together.  Elizabeth, her daughter Kate, and her mother Janice, struggle to figure out what the late night pages mean. As Elizabeth delves into the mystery, she finds that everyone has a different version of what happened, and that Tommy’s friends are hiding something, or someone. There are even sightings of him around town: is there a chance that Tommy is still alive?

Where Tremblay succeeds in his novels, and this has been noted in several other reviews, is in focusing on the spaces between words, actions, and characters’ relationships. The supernatural may be a component of Disappearance at Devil’s Rock, or just an illusion. This is a thinking reader’s horror/thriller/mystery/suspense novel, but it is as accessible and quick a read as any bestselling page-turner, and might be the one to break down the genre walls for Tremblay.  Recommended.

Reviewed by Dave Simms

 

Musings: Earthseed: The Complete Series (Parable of the Sower and Parable of the Talents) by Octavia E. Butler

Earthseed: The Complete Series (Parable of the Sower and Parable of the Talents) by Octavia E. Butler

Open Road Media Sci-Fi and Fantasy, 2017

ASIN: B072NZBPFG

Available: Kindle edition

 

Editor’s note: Parable of the Sower and Parable of the Talents are also available individually in paperback and Kindle edition

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Horror is a very personal thing. What is terrifying and disturbing to one person may not be to another. Our reactions can also depend on the time in our lives in which we read it. For instance, Disappearance at Devil’s Rock left me thoroughly terrified because at the time I read it, my son, who was near the same age as the boy who disappears, was also obsessed with Minecraft. It hit far too close to home.

Having recently finished Octavia Butler’s Earthseed duology, Parable of the Sower and Parable of the Talents, I can tell you it also hits far too close to home. Parable of the Talents begins in a California town in 2024, with climate change and a lack of water causing weather to run out of control, particularly with earthquakes and fires, a federal government dedicated to eliminating regulations that would protect workers and the environment in order to benefit corporations, and an indifferent, corrupt local government that requires ordinary citizens to take survival into their own hands to protect themselves by arming themselves and building walls to keep out lawless murderers, drug addicts, thieves, and arsonists.

It’s behind one of these walls that fifteen-year-old Lauren Olamina, who possesses hyperempathy (a delusion in which she feels other people’s pain when she sees it) begins to develop a religious philosophy that differs dramatically from that of her father’s (he’s a Baptist minister) and a belief that the end of their little community will come sooner than the other members believe. She’s right. The dangers of the world outside the walls escalates, her father has disappeared, and finally her neighborhood is burned and almost everyone in it is murdered. Lauren and two other survivors decide they will stay together and walk north, to find a safer place. The three of them must constantly be on the lookout, because no one can be trusted– almost anyone might rob or kill them for supplies or money, and there is always the possibility that they could be captured and sold to slavers or raped. Despite their caution, though, they end up inviting other travelers to join them on their walk north. Lauren uses the time of their perilous travel to work out and share her new religion, Earthseed. She believes that change is the only thing that is eternal, and that people can either shape change or be shaped by it.

By the end of the first book, many of the characters have developed solid relationships with each other, and under Lauren’s leadership, they choose to stay together to found a community based on her beliefs. It’s an optimistic ending to a book that contains some pretty terrible events– Butler does not pull her punches, and she is matter-of-fact about appalling things like cold-blooded killing, rape, and corpse-robbing– and the future she describes has aspects that seem all too possible. I read this book for a book group, and the violence and destructiveness were so overwhelming and close to home that no one else was able to finish it and actually reach that ending.

Still, if Butler had ended her story there, it would have ended with the possibility of hope. Parable of the Talents manages to pretty definitively stomp out the likelihood of any happy ending. In this book, a new president decides it’s time to “make America great again” (yes, in those exact words) by restoring a white, Christian nation with any means necessary, including sending those who don’t fit that definition to “re-education camps”. I can’t tell you much more about it without giving away the plot, but suffice it to say that it is not for the faint of heart, or stomach. Lauren’s community and chosen family are broken apart, and a great deal of time is spent on the search for their children. There is a frame story where Lauren’s daughter offers her perspective on Lauren’s writings, which make up most of the book, and it is terribly sad on all sides. This book was so difficult for Butler to write that, despite originally planning to make it a longer series, she ended it here.

I’ve never read any of Butler’s other work. She is a powerful writer with a prescient sense of the future here, but I wish it weren’t so bleak. While these aren’t her final books, she wrote them nearer the end of her career than many of the others that she is known for (Parable of the Sower was published in 1993, Parable of the Talents was published in 1998, and she died in 2006). One feeling I came away from this with is that as an African-American who had already lived through decades of oppression and violence, maybe she saw this as a logical progression of where things were headed, even then, as many white people (including myself) couldn’t have imagined the world she created as close to reality until the past few years.

Compelling, occasionally baffling, brutal, and hopeful for a better world, the Earthseed duology is well worth reading, but it’s not light reading. Expect it to stay with you long after you have finished it, if you can finish it at all.