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Book Review: The Last House on Needless Street by Catriona Ward

cover art for The Last House on Needless Street by Catriona Ward

The Last House on Needless Street by Catriona Ward

Tor Nightfire, 2021

ISBN-13 ‏ : ‎ 978-1250812629

Available: Hardcover, Kindle edition, audiobook Bookshop.org |  Amazon.com  )

 

The Last House on Needless Street takes as its starting point the abduction of a little girl, Lulu, from the beach, ten years before the events of the present. Lulu’s disappearance was a turning point in the lives of two children at the beach that day: her older sister Dee, and a young man, Ted Bannerman, who was briefly suspected of carrying Lulu off.  Since then, Dee has been obsessed with finding Lulu and the man who abducted her. A photograph from a news article about the search for Lulu sends Dee in Ted’s direction, and she moves into the house next door to observe him and look for evidence of Lulu.

The book alternates between a variety of first person narrators, and the reader will soon pick up that none of them are reliable. Tragic, violent, and terrible things happen but it’s not clear to whom or when. Characters are not who they seem to be and their actions and thoughts are often scrambled or inexplicable. Ward has constructed an intricate, layered, maze of a book with tragedy, horrific abuse, and trauma at its core.

Mental illness is often demonized in the media and especially in horror fiction and Ward avoids that, writing with compassion and respect. Her author’s note indicates that she did detailed research before writing the book. While it’s possible to read through this quickly, it deserves the time it takes for the reader to process. It will stick with you long after you are done. Highly recommended.

 

Contains: emotional and physical abuse, child abuse, suicide. violence.

Book Review: Dear Laura by Gemma Amor

Dear Laura by Gemma Amor

Self published, 2019

ISBN: 978-1-797875-7-12

Available: Paperback, Kindle edition

 

There are a lot of horrors in modern reality that don’t require monsters and boogeymen.   When combined, child abduction and fear of the unknown are two of the most effective ones.  In Gemma Amor’s quick 120 page novella, she uses them well.  This is a fast story with no drag between the pages, although the minimalist style she writes with may be off-putting to readers who prefer heavily developed stories.   Those who get squeamish about child abduction and murder in their fiction may want to look elsewhere, although there are no gory details.

 

Laura is a 14-year-old girl, who has the misfortune to leave her best friend and first boyfriend, Bobby,  alone at the bus stop for five minutes.  She returns to see him violating the #1 rule for kids: don’t ever get in a van with a stranger.  The van leaves, and that’s the last anyone ever hears from Bobby.  It’s not the last Laura hears, though.  On her birthday, she receives her first letter from ‘X,’ who claims to have taken Bobby.   Thus begins a bizarre game of quid pro quo, where X reveals a little more of Bobby’s fate with each yearly letter, as long as Laura leaves a personal object he requests at a specified location.  Some of the objects are mundane, and some require a personal and painful sacrifice of a physical nature from Laura.  This continues for decades, until the story resolves in the final few pages.

 

The story is told in the third person, and only from the point of view of the protagonist, it never shifts away from Laura.  The narration throughout Dear Laura is a very stripped-down, bare bones type of writing.  There is little time given to description in this book, and the backstory to the characters is essentially non-existent.  Dialogue?  Forget about it, there’s only ~10-15 lines of dialogue scattered throughout Dear Laura‘s 117 pages.  This is very straightforward writing: it tells what is happening, and doesn’t elaborate on anything.  Does the simplistic style weaken the writing?  No, it doesn’t.  Considering the bleakness of the subject matter, the basic style that author Amor uses lends to the curiously odd appeal.   People always seem to want answers to everything in life, and when people read books, they don’t want to just know what the villain did; they want to know WHY he did it.  Amor doesn’t waste time elaborating on such niceties, as they would get in the way and slow down the story.  That’s why her sparse writing style really shines with the novella’s subject matter. Sure the reader will have more questions than answers at the end of the story, but often, that’s what life is like anyhow.  Considering how often people in this world do evil things for no particular reason, the overall lack of explanation for actions of certain characters in Dear Laura make it all the more interesting…and realistic.

 

For readers that want an interesting, quick-paced story with no wasted time, Dear Laura should land right in their wheelhouse.  Most readers should find this appealing, the only exceptions being people who require densely layered stories and no plot holes.  Recommended.

 

Contains: violence, child abduction

 

Reviewed by Murray Samuelson

 

 

Editor’s note: Dear Laura was nominated to the final ballot of the 2019 Bram Stoker Award in the category of Superior Achievement in a First Novel.