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Book Review: C.H.U.D. Lives! A Tribute Anthology edited by Joe Mynhardt, compiled by Eric S. Brown

C.H.U.D. Lives!: A Tribute Anthology edited by Joe Mynhardt, compiled by Eric S. Brown

Crystal Lake Publishing, 2018

ISBN-13: 978-1642550337

Available: Paperback, Kindle edition

 

C.H.U.D., or “Contamination Hazard Urban Disposal,”  more commonly termed by people on the streets as “Cannibalistic Humanoid Underground Dwellers,” is a cult classic horror film, featuring flesh-eating monsters that call the sewers below New York home. New York police officer Bosch, and Reverend, the manager of a homeless shelter, join forces to investigate the disappearances of the homeless population only to discover cannibalistic monsters devouring anything that moves and mutating those who try to stop them.

This anthology expands the story of the movie with tales of humanity dealing with, or, let’s be honest, being consumed by, these underground dwellers. We are reintroduced to familiar characters like Bosch, the Reverend, and others, as well as meeting a new cast of hapless or up-to-no-good characters. Between those who desperately attempt to get the word out about the danger to the place they call home, and the suits and top brass who are involved in the great governmental cover-up, what’s a city to do?

C.H.U.D Lives! is full of amazing stories. I’ll only highlight my favorites in this review, but I recommend giving this a read to get the full effect of the anthology. “Dog Walker”, by Robert E. Waters, centers on Captain Martin Bosch’s wife, Flora, who is unhappy in her marriage. With a fella on the side, she’s feeling guilty, but not enough to tell her overworked cop husband. She decides to ignore his warnings and takes their dog, Bull, out at night for walkies. What’s the harm in taking little Bull out tonight, just for a bit? She finds out when she gets too close to a manhole. What struck me is that this is actually the opening scene of the film, and the perfect opening to this anthology.

Nick Cato’s “The Dwellers” introduces us to a new hardcore band, The Dwellers, who are playing their first official gig. Tommy couldn’t be more excited, but he faces two problems. The first is his father, who, less than enthused that his son thinks he’s a rock star, needs him to do a job at the warehouse moving some pretty hefty barrels. The other problem is what’s in the barrels. Tommy doesn’t feel so good when he gets on stage later that night. Soon, the packed crowd won’t fare any better.

“Date Night”, by David Robbins, centers on schoolteacher Angela Swinton, who teaches the special needs homeless children in the neighborhood. She braves the street to get to the Anything Goes nightclub to engage in some less than scholarly activities. She picks up Lance, an outwardly brave man who makes it all the way to Angela’s “home away from home” to spend the night with the attractive, yet matronly, teacher. Lance doesn’t know that he is on the syllabus.

Dr. Varlerius Alexkavich discovers new cult activity in Christopher Fulbright and Angeline Hawkes’ “Strange Gods.” The good doctor talks with his student, Karen, who has been attending worship services with a group who revere the strange gods Gog and Magog. When he accepts her invitation to witness her “Purification of the Soul” ceremony, he discovers more than he expected…much more.

In “Step Ate”, by Chad Lutzke, Harlan and Darlena used to be together, but heroin and poor life choices drove them to different lives. Harlan is wracked with guilt for the pain he put her through; she’s still a junkie working the streets for her next fix, while he’s cleaned up and working a regular job. When she turns into a raging, frothing, beast, he may have found a way to make his amends.

“You Will Never Leave Harlan Alive”, by Jonathan Maberry and Eugene Johnson, focuses on the newly minted Sheriff Bosch, working a case in the middle of nowhere. With Deputy Singer at his side, he ventures out to Senator Alvin Joseph’s cabin. There, they meet Lynch, a man claiming to be the senator’s bodyguard, and encounter a gruesome crime scene: the mutilated body of the senator’s driver. Who, or what, did this, and where is that shrill scream coming from? This one is set in 1989, sometime after the end of the film. It’s comforting to know someone made Bosch a sheriff after the ordeal he went through at the end of the movie, but it’s not comforting to know the whole thing had been called “the incident” and all of the evidence was burned and hidden from the public. This is definitely one of the strongest of the stories in this anthology. The authors capture Bosch to the letter, and the tension between the new sheriff and Lynch is palpable.

Other authors who contributed to this incredible anthology include Ryan C. Thomas, Greg Mitchell, Alex Laybourne, Michael H. Hanson, Ben Fisher, Tim Waggoner, Jason White, Mort Castle, David Bernstein, Martin Powell, JG Faherty, and Ross Baxter. There are also interviews with Parnell Hall, C.H.U.D.‘s screenwriter, and the late Andrew Bonime, the film’s producer. The book is dedicated in loving memory to Andrew Bonime, who died before the completion of this project.

Anyone who loves cult classic horror, especially C.H.U.D., will enjoy this book. For readers who haven’t come across this cult classic, check out the trailer from IMDB here (https://tinyurl.com/y8lgohcy).

 

Contains: blood, cannibalism (please don’t tell me you’re surprised), gore, some body horror

Highly recommended (for die-hard C.H.U.D. fans especially)

Reviewed by Lizzy Walker

Book Review: October by Michael Rowe


 
October by Michael Rowe

ChiZine, 2017

ASIN: B076ZMWGPN

Available: Kindle edition, audiobook, MP3 CD

 

Michael Rowe is one of those writers who can swing from the eloquent prose of a Peter Straub to the brutality of a Richard Laymon. His novels Enter, Night, and Wild Fell were excellent examples of pushing the envelope while holding onto what makes the genre so good. October is the best of Rowe’s writing yet: a traditionally-styled tale, with some surprise twists. At only 151 pages, it can, and should, be read in one sitting, for the reader to feel the full impact.

Mikey Childress is a bully’s dream. He’s not exactly the most popular kid in town; he’s undersized, and a bit odd. His one friend, Wroxy, isn’t much different from him, but she is much more comfortable with who she is. Mikey wants more out of life; he wants to be accepted, to be loved for who he is, and to not have the crap kicked out of him on a daily basis.

When Mikey stumbles upon a black mass in the woods of his town, he’s terrified.  When the bullies’ beatings of him intensify, though, becoming more dangerous, Mikey investigates what happened during the summoning he witnessed. October truly takes off then; a new friend shows up at school, someone who Mikey has always wanted and needed in his life, who may be just a little too good to be true. The novel could have become cliched at that point, but instead, Rowe takes a hard left into the unexpected, forcing the characters to examine what they truly want and need in their lives, and has a surprise ending. While a twisty novel like this one can only truly surprise the reader on a first read, October is worth reading a second time. Highly recommended.

Reviewed by Dave Simms

Book Review: Evangeline of the Bayou by Jan Eldredge, illustrated by Joseph Kuefler

Evangeline of the Bayou

Balzer + Bray, 2018

ISBN-13: 978-0062680341

Available: Hardcover, Kindle edition, audiobook

While the supernatural Southern Gothic tradition and Louisiana setting are well-known in adult and YA fiction, I have never come across a supernatural Southern Gothic middle-grade novel like Evangeline of the Bayou,  that so beautifully evokes the wilderness of bayou country, so that it is almost a character itself ( I was reminded of Carl Hiaasen’s descriptions of the Everglades in Scat and the descriptions of the swamps of  Texas in Kathi Appelt’s Keeper and The Underneath,  also middle-grade novels, but otherwise these are very different kinds of books).

Eleven-year-old Evangeline Clement lives in the bayou with her grandmother. Evangeline is the last in a long line of  “haunt huntresses”, women with the power and skill to defeat the supernatural creatures of the bayou, and is anxiously waiting to come into her powers and meet her familiar, which must happen by the time she turns 12. Her disastrous attempts to overcome supernatural creatures on her own suggest that she’s not quite ready to operate independently, though. When her grandmother volunteers to help with a supernatural problem in New Orleans, Evangeline, as her apprentice and assistant, accompanies her to the Midsomer family’s luxurious mansion to try to discover what might be ailing the beautiful Mrs. Midsomer. At the Midsomers’, Evangeline encounters Camille, the solicitous housekeeper; Julian Midsomer, the maddening, bluntly honest, routine-bound son of her hosts; the skeptical Mr. Midsomer; the distressed Mrs. Midsomer, who is running out of time; and Laurent Andreas, leader of the exclusive krewe to which Mr. Midsomer belongs. She is not impressed with the trappings of wealth, and her inner commentary on it is great, but she has a good heart and genuinely wants to help.

When Evangeline’s grandmother breaks her leg just before things are about to go out of control, it is up to Evangeline, unwillingly accompanied by an unbelieving Julian, to stop things before it’s too late.  The tension builds slowly in the Midsomers’ mansion at first, but once we’ve met all the characters, the story moves at a breakneck pace, and exposition is tied in so skillfully that you almost don’t notice. As dark as the story gets (and it gets pretty dark) it still has moments of humor, and strongly demonstrates the power of love and self-sacrifice. There are certainly some outrageously unbelievable moments; for instance, Evangeline’s grandmother is far more resilient than anyone could possibly expect from an ordinary human being. In a story populated with banshees and revenants, though, I’m willing to cut Eldredge a little slack.

Author Jan Eldredge avoids writing in dialect, which I think works fine for this book, but the names of the creatures Evangeline encounters are so unusual that I didn’t realize that the supernatural creatures in the book are all grounded in Cajun folklore until I reached the glossary at the end (searching the Internet for more information on these creatures was a challenge, and there were many I couldn’t find). As a native of Louisiana, perhaps it didn’t occur to Eldredge that children interested in monsters and cryptids who are not from the area would have trouble tracking additional information down.

While Evangeline, the bayou, and the supernatural creatures of Louisiana are the most convincing characters in this book, as far as I can tell, it is unique in its combination of genres in middle-grade fiction. Try it with kids who are interested in ghost stories, cryptids, supernatural creatures, monsters and monster hunters, books set in the American South, and American folklore. This book has an audience out there, just waiting to find it. Recommended.

Contains: Violence, murder, death in childbirth, blood