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Book Links: Stoker Awards 2018 Final Ballot for Superior Achievement in a First Novel

We’ve finished reviews for all the titles in the category of Superior Achievement in a First Novel. I’m so excited to have these all up and available to you now! You can find links to the individual reviews below. I hope you’ll check them out!

If you’d like to see our nonfiction reviews, we were only able to review four of the five, but you can find links to them here.

Enjoy!

 

The Rust Maidens  by Gwendolyn Kiste

 

The Moore House by Tony Tremblay

 

Baby Teeth by Zoje Stage

 

What Should Be Wild  by Julia Fine

 

I Am The River  by T.E. Grau

 

 

Book Review: Baby Teeth by Zoje Stage

Baby Teeth by Zoje Stage.

St. Martin’s Press, 2018

ISBN-13: 978-1250170750

Available: Hardcover, paperback, mass market paperback, Kindle edition, audiobook

 

Stage enters the collection of novels about creepy kids with a solid entry that is tough to categorize. Some might call it horror, others a thriller, but many would consider it to be a family drama– all depending on what the reader discerns is the true dilemma facing the family between the covers of this engrossing book.

While it may be compared to The Bad Seed and The OmenBaby Teeth doesn’t attempt to mimic either story. It is content to narrate its own tale, that gradually and organically grows from something trite and familiar, into a final product that will either have readers scratching their heads, or shaking them with disbelief. Both could be a good thing– or utterly frustrating.

The Jensens are a normal family, at least until little Hanna comes along. Suzette and Alex have no idea what’s in store for them when this little seven-year-old unleashes her terror on them– well, just on Suzette. Hanna worships her daddy and shows him only the sunshine in her damaged soul. She saves the darkness for mommy.

The alternating point of view between Hanna and Suzette might recall shades of Gone Girl, but the story is not as complex. It is, however, almost as twisted. Stage constructs a story that takes the reader on a mind-bending journey that flits between reality and something that might be just a little into the realm of horror. Is little Hanna possessed by the spirit of a witch who was burned at the stake in the 17th century? Is she pure evil? Or is she something different?

When the Jensens’ home situation dissolves into pure hell, Hanna targets her mother, but in a subtle manner, choosing to remain mute, except for in a special instance. Suzette and Alex send her off to a special school, only to have her return soon afterwards, for reasons that remain mysterious.

Readers who are seeking pat answers and conclusions that will cross every T and dot every I might find some issue with Baby Teeth in its construction, yet that’s also what makes the novel work so well. While it has more in common with Gone Girl and domestic suspense than horror or supernatural stories, that isn’t a bad thing. Stage’s writing renders the plot lean, and the characters strong. He takes chances with styles and pulls off more hits than misses. This novel breathes new life into a sub-genre that has long needed a book to spin a new angle. Recommended.

 

Reviewed by Dave Simms

 

Editor’s note: Baby Teeth is a nominee on the final ballot of the 2018 Bram Stoker Awards in the category of Superior Achievment in a First Novel.

Women in Horror Fiction: Debbie Cowens

 Debbie Cowens is a New Zealand-based writer and teacher. Her short stories can be found in the collection  Mansfield with Monsters with Matt Cowens and Katherine Mansfield (Steam Press  2013) , the novella At the Bay of Cthulu with Matt Cowens and Katherine Mansfield, and the anthologies  Baby Teeth (2013 Paper Road Press), Steam Pressed Shorts with Matt Cowens (2012 Amazon Digital), and Shades of Sentience (2010 lulu.com).

 

1. Can you give our readers a brief introduction?

I’m a writer of a variety of genres – horror, SF, fantasy and crime. I co-authored the book Mansfield with Monsters, published by Steam Press, which is a collection of Katherine Mansfield’s short stories, adapted to include the monstrous and the macabre. I have also written numerous short stories, including the story “Caterpillars” in the recent horror anthology Baby Teeth. I’m currently working a short novel, Mother of the Baskervilles, a darkly comic mashup of Pride and Prejudice and Sherlock Holmes, which casts the Mrs Bennett-style mother as a ruthless serial killer and Elizabeth as an aspiring detective.

 

2. Why do you write horror? What draws you to the genre?

 

I’ve always been fascinated with the horror genre. One of the first films I remember making a strong impression on me as a child was the Christopher Lee film version of Dracula, which I watched unbeknownst to my parents as a five year old at my uncle’s house. It didn’t scare me as so much as enthrall. I would often sneak up after bedtime to watch the late night horror movies as a kid and most of the books I would choose to read had a horror or mystery element. As soon as I started writing my own stories, they tended to focus on monsters, which unfortunately worried one of my teachers who didn’t think seven year old girls should be writing about blood and guts or scary things. However, what draws to me the genre is as much the human element as the darker content. I’m fascinated by people and what drives them. Placing characters in truly terrifying situations often reveals more about who they really are and what matters to them than their everyday life. Our fears are an important part of human nature and often the monsters themselves reflect a lot about people and society. The scary ‘other’ in horror is often just a twisted and magnified reflection of ourselves.

 

3. Can you describe your writing style or the tone you prefer to set for your stories?

 

I’m a bit of a writing chameleon, adapting my style to suit the characters and scenarios I’m writing. In Mansfield with Monsters I faced the challenge of blending my writing with that of one of the pioneers of Modernism. I’d say the linking element in a lot of my fiction is a sense of humour, often dry and somewhat dark, and a compassion for the characters – even when they are being murdered by possessed children, torn apart by zombies or facing their werewolf packmate and husband drifting away despite the thrill of the chase and the promise of blood. While I love stories of horror and harm, I do tend to like a glimmer of light at the end of the tunnel – a suggestion that the sun might rise again, that there might be, if not salvation, then at least a reprieve before the next onslaught. Like a weekend, or a holiday break away from the being killed.

 

4. Who are some of your influences? Are there any women authors who have particularly inspired you to write?

 

I really enjoyed reading Margaret Mahy as a kid and The Haunting was one of my favourites. As a teenager, I devoured a lot of Stephen King and I’m still a fan of his writing. Frankenstein by Mary Shelley was one of the first classic horrors that I read. I loved it; it was moving and compelling, and both beautiful and horrific at the same time. I’m also really fond of the nineteenth century horror classics like Poe and Lovecraft. The Cthulhu mythos sort of redefined my notions of what terrible monsters could be in terms of scale, strangeness and terrifying power. In terms of writing style, I’m more influenced by more modern or at least less florid prose and storytelling.

 

5. What authors do you like to read? Any recommendations?

 

I enjoy reading a wide variety of books – anything from historical mysteries, young adult, fantasy, science fiction and of course horror. I like a lot of writers who blur the boundaries between genre and literary like Kate Atkinson, Margaret Atwood and Haruki Murakami. I’ve also recently read a lot of translations of traditional Japanese ghost stories, which are fabulous, and the short stories of Ryunosuke Akutagawa. I just finished two brilliant novels by fellow New Zealand Writers; The Unspeakable Secrets of the Aro Valley by Danyl McLauchlan and The Wind City by Summer Wigmore. Both weird, surreal and darkly humorous tales with more moral complexity than I had anticipated. Next on my to-read list is Wake, a horror novel by New Zealand author Elizabeth Knox.

 

6. Where can readers find your work?

 

Mansfield with Monsters is available from Steam Press or on Amazon. At the Bay of Cthulhu, a Lovecraftian take of a Katherine Mansfield novella is available of Amazon. Baby Teeth, the horror anthology is available from Paper Road Press   and a selection of my stories are included in Steam Pressed Shorts on Amazon, which includes a range of horror, steampunk, SF and fantasy short stories.

Interested in learning more? Check out Debbie Cowens’ Amazon page, and  her blog. For a little more detail on Mansfield with Monsters, take a look at this interview, or this video, which also include her collaborator, Matt Cowens.