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Book Review: Samhain Screams edited by Greg Chapman and Cameron Trost

cover art for Samhain Screams edited by Greg Chapman and Cameron Trost

Samhain Screams edited by Greg Chapman and Cameron Trost

Black Beacon Books, 2025

ISBN: 978-0-9756118-2-1

Available: Kindle edition (pre-order release October 17, 2025)

Buy: Amazon.com

 

Samhain Screams is an anthology of Halloween and Samhain-inspired stories, focusing on the creepy and terrifying rather than the superficial aspects of this spooky time of year. Editor Greg Chapman, an Australian, brings a perspective distinct from the typical American experience of the season. It’s a strong collection, with plenty of hits and very few misses. Many of the authors have created atmosphere and suspense that will hook the reader and keep them on the line.

 

Favorite stories include Mia Dalia’s “The Last Pumpkin”, in which a horror writer encounters his biggest fan; DJ Tyrer’s “The Knock”, in which a mystery knocking in the narrator’s apartment building leads to disappearances; Matthew R. Davis’ “Hauntology”, which reveals the secrets of a shopping mall; Hannah Baxter’s outstanding ” The October Shadows”, in which a film studies student is taken over by an obsession with a 1922 horror movie that caused a disturbing riot at its only showing; Kevin M. Folliard’s “Vengeance of Halloween”, an entertaining nightmare about monsters going corporate and planning to take over the world in an ‘eternal October’;  Brian Moreland’s “Sweet Tooth”, in which Helen’s obsession with candy saves her from a serial killer; and C.E. O’ Conaing’s “The Hollows”, where three kids trick-or-treating in a newly-built development have a terrifying experience. The point of view character in this story was in a wheelchair, and her character development was great. The last story in the collection, S.B. Watson’s “The Day You Die’, won me over. I was glad I hadn’t skipped through to the end– it was a perfect “last bite”. Recommended.

 

 

Reviewed by Kirsten Kowalewski

Book Review: A Liar’s Twisted Tongue (The Fated Blood Trilogy #1) by Caroline Cusanelli

Cover art for A Liar's Twisted Tongue (The Fated Blood Trilogy #1)

 

A Liar’s Twisted Tongue (The Fated Blood Trilogy #1) by Caroline Cusanelli

Caroline Cusanelli, 2025

ISBN-13 ‏ : ‎ 979-8990027831

Available: Hardcover, paperback, audiobook, Kindle edition

Buy: Bookshop.orgAmazon.com

 

Desdemona’s community is barely surviving under the noses of the brutal Nepenthes. One day, Desdemona’s mother hands her a protection necklace and pushes her through a portal as the monstrous Arcanes descend on their home. The portal opens onto the grounds of Visnatus Academy, a school for the elites of Ilyria, Folkara, Eunaris, Draevia, and Nepthara, all of whom have different magical powers. Desdemona has a letter identifying her as the secret child of a famous Folk general that gains her probationary admission to the academy, but she just wants to go home to her mom.

 

Despite the letter, I wasn’t convinced that Desdemona, thrown headfirst into a disorienting situation she could not possibly understand, could have survived the brutal Visnatus Academy for even a few minutes without being caught out, or that she would immediately find allies despite her behavior and attitude. She’d need My Fair Lady levels of training, and she barely has a believable cover story.

 

Meanwhile, Lucian, crown prince of Ilyria, has had an unpleasant surprise: his marriage has been arranged with Princess Calista of Folkara, while his sister Lilac will be marrying Prince Kai, Calista’s brother. Lucian is resigned to doing whatever his abusive mother, Queen Isa, tells him to, as she has the magical ability to drain his life force, but misery over their impending marriages inspires him to throw a party in the woods. There,  he is drawn into Desdemona’s attempt to open a portal back to her mom. While she is traveling in the portal, Lucian has a vision of them in the Void, an empty dimension where the powerful, monstrous Arcanes are trapped. Desdemona is able to communicate with her mother through the vision, and Lucian decides he needs her power to take his revenge on the Arcanes, who murdered his real parents, leaving him at Isa’s mercy. Desdemona’s power is over fire, and she doesn’t know how to control it (leading to some terrifying situations). Lucian, whose power allows him to manipulate and influence other people, offers to teach her if she will help him.

 

Romantasy leans heavily on tropes, but in any credible love story the reader should be able to figure out why the romantic leads like each other. That just isn’t present here. Desdemona is consistently hostile, rude, manipulative, and ungrateful. Lucian is arrogant, reckless, manipulative, and sometimes cruel. Both are dealing with trauma and repressed memories, acting in survivor mode, but not with empathy toward each other. While they occasionally have a tender moment, the memorable scenes are the ones that cross between violence and  their magnetic attraction to each other. This was offered to me as a “dark academia romantasy” It certainly has the atmosphere expected of an ominous boarding school for elite students found in dark academia, but leans harder into the outside fantasy world than into academic obsession, and is more focused on the dynamics of the leads with each other.

 

Romantasy fans who like morally gray characters  with heightened emotions will enjoy the intricate world-building, the high stakes, and the developing relationship between the two main characters. The end held some intriguing surprises, and readers who like this can look forward to a sequel.

 

Reviewed by Kirsten Kowalewski

 

A Graveside Gallery: Tales of Ghosts and Dark Matters by Eric J. Guignard

Cover art for A Graveside Gallery by Eric J. Guignard

A Graveside Gallery: Tales of Ghosts and Dark Matters by Eric J. Guignard

Cemetery Dance, 2025

ISBN-13 ‏ : ‎ 978-1949491616

Available: Hardcover, paperback, Kindle edition

Buy: Bookshop.org  | Amazon.com

 

For those who love short stories of the darker kind, Eric J. Guignard should be a household name. Not only has he written some of the finest, and most varied, stories in the past decade, but he also is at the helm for the popular Horror Library and the Exploring Dark Short Fiction series, working diligently to promote the best of modern horror writers. His skill in creating atmosphere and quirky characters is in the top tier of horror writers working today, but his stories are not bound by genre. A Graveside Gallery epitomizes that scope and demonstrates the breadth of Guignard’s talent.

 

These stories are a rollercoaster ride of tone, voice, and overall storytelling, many with notes of The Twilight Zone and Night Gallery, not to mention the “you are there” feeling of Joe R. Lansdale.

 

The highlights for this reviewer, which changed upon a second read-through:

 

“Penny’s Diner” is a gut punch that sets the stage for the rest of the collection. It is reminiscent of Richard Matheson’s work, and winds up quietly before a sucker punch takes the breath out of the reader. The less known about this tale, the better.

 

“If I Drive Before I Wake” is much too timely. I’m sure there’s a certain tech mogul who won’t much appreciate this tale of automated vehicles and their dangers, but it’s more than a cautionary tale. It’s chilling in its near-future worldview, with a nerve-wracking conclusion.

 

“Bummin’ to the Beat of The Road” suggests Black Mirror, and is a mind f*ck in its imagery. Readers’ teeth will never feel the same in this sensory-driven horror.

 

“Perchance to Dream in Voices of a Fiend: A Fanciful Epilogue to Frankenstein.” Wow. An homage to the great Mary Shelley and her creation. The author finely captures her voice while retaining his own in an epilogue to the famous novel.

 

The others are well worth the read, although mileage obviously will vary. There’s one story within that will remain unnamed, that lingered through the evening and caused a nightmare. For those of us who live and breathe horror, reading and creating it, that’s a pretty tough task to achieve! 

 

Read a few, let them digest, and read some more. Each is its own complete universe of story and emotion, and to delve deeper into the individual tales would disturb the potent magic.

 

Guignard is a powerful force in writing. It’s about time more people know. Highly recommended.

 

 

Reviewed by David Simms