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Book Review: Monster Club by Darren Arnofsky and Ari Handel

Monster  Club by Darren Aronofsky and Ari Handel

HarperCollins, 2022

ISBN: 9780063136632

Available: Hardcover, paperback, Kindle edition

Buy:  Bookshop.org  |  Amazon.com

 

If you’ve seen The Wrestler, Black Swan, or The Whale, you know Darren Aronofsky is a serious director who directs serious films.  Who knew that he and Ari Handel could write such a seriously fun kid’s book?  A loving tribute to the nerdy, role-playing gamers who still hide amongst the ‘cool’ students in junior high schools across the country, it’s impossible to dislike Monster Club.  It has it all: cool, comic-book styled monsters, light, frothy action that’s its easy to enjoy and laugh along with, and of course, the nerdy kid gets the girl!

 

Set against the backdrop of the famed Coney Island boardwalk, Eric “Doodles” King and his junior high pals, who go by the nicknames of Yoo-hoo, Smash, Hollywood, and Beanie, spend their time outside of school playing Monster Club, an RPG game they designed themselves, a cross between Dungeons and Dragons and pro wrestling. Their characters consist of monster drawings created by the players, each with hit points and attack skills, using some dice and a spinner from the old boardgame LIFE to determine their actions as the characters battle it out for superiority. 

 

Fortune strikes in the form of a Sharpie with magic ink, which allows Eric to draw characters that come to life off the page.  Can he use this gift to help save his dad’s carnival, which is threatened by land developers?  

 

The story sells itself with the characters and breezy, happy nature of the writing. It’s easy to root and relate to the Monster Clubbers since we all knew kids like them when we were kids, charming in their goofiness. Brainy Beanie is a member of a club that designs drones and Smash tends to crash her skateboard, often into lockers.  Of course, they get picked on by the big kids, and can’t play sports worth a damn.  The story picks up the pace and shifts into the crazy fun section when the Sharpie falls into the wrong hands, allowing for creatures such as Noodle Monsters and Crumple Noodle.  The last quarter of the book is insane fun,  reminiscent of the movie Gremlins.  You knew that the gremlins were bad and were wrecking the town, yet you had to laugh at how they did it, thanks to the presentation.  It’s the same with the Noodle Monsters as they go wild on Coney Island.

 

However, the Monster Club creations of Brickman, BellyBeast, Robokillz and their ilk stand ready to do battle and save Coney Island.  The fights themselves are some of the best parts.  They aren’t bloody, they are fun, Gremlins-style.  BellyBeast picks his nose and sticks it in Brickman’s ear, while Brickman himself dishes out some pretty mean ball-shots with his cannonball on a chain to neighborhood bullies.  Readers will be enthusiastically cheering on the good guys in their quest to smash those evil Noodle Monsters and save the carnival.

 

Bottom line here: this is lighthearted fun with a lot of bounce to it, and it’s one all readers of this site would enjoy.  It’s oriented towards the middle grade/early teen crowd, but it’s plenty of fun for adults too, especially those who grew up like the main characters, they will see themselves in the story.  Recommended.

 

Reviewed by Murray Samuelson

Posted on September 13, 2023 by , Reply

Book Review: Girls from the County by Donna Lynch

 

Girls from the County by Donna Lynch

Raw Dog Screaming Press, 2022

ISBN: 978-1947879478

Available: Paperback, Kindle edition

Buy:   Bookshop.org  |  Amazon.com

 

The city and the country are not the only dangerous places for a woman, according to Donna Lynch’s Girls from the County. In these poems, girls create a permanent connection to their landscape through the memories of places that “want to kill you” and the tragic deaths that result from ignoring ghostly warnings.

 

Lynch depicts the county as a haunted setting where people continue to tell the stories of horrible events involving nameless women whose lives have been destroyed there or, conversely, whose names became famous only because of the grisly details of their death. These are old stories, but also current ones, which show that some things do stay the same and that the only thing between you and disaster might be, as Lynch tells us, the words of your wise grandmother who knows how to survive. 

 

The county girl, as Lynch points out, soon realizes that what passes as tradition, ritual or symbol is darker than it seems and even darker when you trace it to its roots. Men play a big role in this hidden evil – of violence by the river,  “animal screams” mixing with unidentified screams in the woods, and things known by county girls that can’t be proven in order to save them or get them the justice they deserve. Even ordinary parties are characterized as events where county girls are likely to be “devoured” by men.

 

There is an occult connection between these horrors and old parts of a county – old burial grounds, old home sites now vacant, old houses where someone might think there was “something” scary in the window, old quarries and old cars that might be hiding dead bodies, and even gatherings of women trying to use the dark arts to protect themselves or to take revenge, not knowing whether they are really unleashing even more destruction.    

 

Lynch’s short, free verse poems that often read like prose narratives describe the county as a place where girls are held “in captivity” and want to escape, where the “beauty queen” finds out how her good looks are also a curse, and where people talk to you one day and disappear or abandon you the next. There are threats that make these girls stay silent about what they know, that warn them to avoid being “dramatic” by not making accusations without “evidence,” that cause them to be concerned about their safety if they are “pretty” or “sad” because being perceived in those ways opens them up to being targeted by a predator.

 

With menacing poem titles like “The Thing about Girls with Hammers” and “When the Cloud Comes for You,” a reference to a Dorothy in Oz who does not want to go home, Girls from the County depicts the county as a place where there is a barely contained fear, a lurking anxiety, a sense that every person, location, and situation is a potential threat to girls. In “Thirty-two Years (Eighteen Years Reprise)” the speaker worries, “What if / what we really saw / were all the things / we could not escape” and realizes that, ultimately, the “hurt” “waited for us in the trees,” and so, these girls have no choice but to run while the past always follows closely behind.

 

Reviewed by Nova Hadley

 

Posted on September 11, 2023 by , Reply

Book Review: The Monsters We Defy by Leslye Penelope

 

The Monsters We Defy by Leslye Penelope.

Redhook, 2022

ISBN-13 ‎978-0316377911

Available:  Paperback, Kindle edition, Audible

Buy:   Bookshop.org |  Amazon.com

 

The Monsters We Defy takes place in an alternate Washington, D.C. during the Harlem Renaissance. This world has Enigmas (similar to demons) who will offer you a gift (Charm) always in company with a catch (Trick). Clara has the second sight. Her Charm is a mystery, but her Trick is to help anyone who asks. A woman brings her son, who has become unresponsive, to Clara for help, but there is a ward around the cause that prevents her from helping. The condition spreads through the poor Negro population, with the “Afflicted” then being collected in trucks and disappearing. The Enigma who holds Clara’s debt, the Empress, tells her a ring worn by Miss Josephine, an opera singer in cahoots with the mob, is the cause of the Afflicted. The Empress says she will clear Clara’s debt and that of any who help her acquire the ring, except the Enigma called the Man in Black.

 

Clara meets Israel Lee, a musician in debt to the Man in Black, who also wants the ring and to prevent the Empress from getting it. Israel’s gift is to be able to hypnotize with his music and be admired by all, but his Trick is that he cannot have true friends. In addition, she meets Jesse Lee, who can erase memories, at the expense of his true love being able to recognize or remember him, and Aristotle, an actor who can play any role but never be seen as himself. They, and Clara’s albino roommate, a former circus freak, plan to take back the ring at a party for the Luminous 400, the wealthy Black upper class.

 

Clara is based on Carrie Johnson, a 17 year old girl , who shot and killed a detective who broke into her bedroom during the Red Summer of 1919. She was convicted, but got a second trial where she was freed. Langston Hughes also appears as a minor character. There’s also a “drag bsll” which is pretty cool! Zelda is a really fun character and learning about Black albinism was really interesting. Penelope had challenges with researching during the pandemic, but the world-building is great, and this is a fascinating read. Recommended.

 

Reviewed by Kirsten Kowalewski

 

Posted on September 6, 2023 by , Reply
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