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Book Review: Ravenswing by Jonathan Glendening

Ravenswing: a Halloween Adventure  by Jonathan Glendening

CreateSpace, 2014

ISBN: 978-1438237022

Available:  Kindle and paperback

 

On Halloween, Michael is assigned to deliver a package to the mysterious address “Ravenswing” by midnight… or lose his courier job. Even his pregnant girlfriend’s Halloween party mustn’t keep him from his appointed rounds, so off into the wilds of rural England he goes. En route, he collides with another car, rescues an injured girl from the wreckage, and is then pursued by her captors. Meanwhile at Ravenswing, the forces of evil are aligning to restore the sarsens of an ancient stone circle sitting on powerful ley lines. Glendening’s origins as a film director are evident, with enough action-packed chase scenes, shotgun blasts, spectacular explosions, murders and blood to satisfy a Die Hard addict, and the clash of Celtic, Christian, and Satanic lore makes for a particularly gory and spine-tingling climax.  The hero is a lovable guy, worrying about his girlfriend, his unborn child, and the girl he has promised to protect. This first novel by a guy with a brilliant imagination is one to watch. A little polishing of prose and punctuation would have it ready for prime time.

Reviewed by: Julie Adams

 

Women in Horror Fiction: Yvonne Navarro

While we’ve moved on from February and Women in Horror Month, there is absolutely no reason to limit our celebration of women writers of horror to any particular time of year– so even though we interviewed Yvonne Navarro months ago, May is a perfect time to draw attention to an excellent writer of horror who also happens to be a woman.

Yvonne Navarro is a prolific horror author, having written such books as Afterage (2002 Overlook Connection Press), Final Impact (1997 Bantam), and Dead Times (2000 DarkTales Publications).  Her short stories have appeared in anthologies such as Deep Cuts: Mayhem, Menace, and Misery (2013 Evil Jester Press), Skull Full of Spurs (2000 Dark Highway Press), V-Wars (2013 IDW Publishing), and The Haunted Mansion Project: Year One (2012 Damnation Books).

 

1. Can you give our readers a brief introduction?

Hi, everyone.  I’m Yvonne Navarro, and I’ve been writing since way longer than I care to admit.  As of right now, I’ve gotten twenty-two novels published.  Seven were solo novels, and the rest were media-related.  I did seven novels in the Buffy the Vampire Slayer Universe, five of which were originals, and won the Bram Stoker Award for YA writing for one of the Buffy tie-ins.  Some other awards and such—it’s always fun to have people appreciate your work.  I’ve also written a big bunch of short stories, somewhere over 100, but I have no idea of the final count because, well, I’m always going to get around to updating that bibliography document “later.”

 

2. Why do you write horror?  What draws you to the genre?

The first movie I remember watching was Alfred Hitchcock’s The Birds (1963).  I guess I’ve always thought there’s nothing better than a great, pulse-pounding, scary story.  Nowadays it’s a little harder to entertain me in that area, but when I was a kid Creature Features was a staple in our house every Friday night, and I hit the matinee at the local movie house every Saturday without fail.  My mom liked scary movies, so maybe she’s where I got it from, along with the desire to draw and write.  The first adult horror book I read was Scream and Scream Again by Peter Saxon (originally titled The Disoriented Man, 1968).  I saw the edge of it on top of the fridge where my Mom had hidden it.  I was hooked.

 

3. Can you describe your writing style or the tone you prefer to set for your stories?

That’s a hard question because normally I don’t think I have a specific style.  I write the way I like to read—total involvement in the characters and stories, so much so that I forget I actually am reading.  When I write I don’t think about writing.  I “see” the characters in their environment and it’s like I’m just putting down what they see and do in their own element.  I always have a little romance in a story because if a character can’t care about someone else, he or she probably isn’t memorable enough for the reader to care either.

 

4. Who are some of your influences?  Are there any women authors who have particularly inspired you to write?

My biggest influence was without a doubt Robert R. McCammon.  It was his book, They Thirst (1981 Avon Books), that made me want to try my hand at writing to begin with.  When I wrote and asked him questions, he responded positively even though I was an absolute green-behind-the-ears person who was about as much of a non-writer as I could be.  There are lots of good women writers out there.  I “grew up” with Elizabeth Massie, in particular; we met at the first World Horror Convention I attended and have been friends ever since.

 

5. What authors do you like to read?  Any Recommendations?

I still adore the work of Robert R. McCammon (who recently started writing again after taking quite awhile off), and I have an entire collection of Stephen King.  Right now I seem to be on a YA fantasy craze.  I’m reading Cassandra Clare’s Mortal Instruments Series (Margaret K. McElderry Books) and Veronica Roth’s Divergent Series (Katherine Tegen Books).  I’m always looking for the next Barbara O’Neal novel, which isn’t horror but consistently has some small supernatural thing going on.  And I can’t wait for the final Laini Taylor novel in her Daughter of Smoke and Bone trilogy (Little, Brown Books for Young Readers).
6. Where can readers find your work?

Most of my solo novels are out of print but I still have copies of lots of stuff (signed, too) available off my website at http://www.yvonnenavarro.com/offerings.htm.  I’m notoriously bad about updating the blog on my main website page (just like my bibliography), but I do keep up with Facebook at http://www.facebook.com/yvonne.navarro.001.  And I’m always trying to cook up something new.  I have big plans for this July, when I’ll be a Writer In Residence for two weeks at the Golden Apple Studio in Bangor, Maine.  I plan on world-building and cooking up a brand new series while I’m there.  I also write the Double X Chromosome column for Dark Discoveries magazine (http://www.darkdiscoveries.com).

 

Thanks, Yvonne, for your patience, and for participating in our Women in Horror project, even though it’s already May!

 

Book Review: Definitely Not Kansas: Book One in the Nocturnia Cycle by F. Paul Wilson and Thomas Monteleone

Definitely Not Kansas  Curses! The problem with missing out on getting up a review in a timely fashion is that this book, Definitely Not Kansas: Book One in the Nocturnia Cycle, initially published in a limited edition, is not currently available. I hope the publishers will put it out as a trade paperback or at least an ebook soon, though, as that’s the best way to reach the market this is actually intended for. Most readers of YA or middle grade fiction aren’t seeking out small presses for their reading material, and this sounds like a book that would definitely snag their interest. Here’s the review for Definitely Not Kansas, anyway, though, because with a recommendation this enthusiastic, certainly those outside the horror community ought to know about it. You know, like librarians. Who can’t purchase a book that is out of print, so come on, great publishers, and get that book out in a more easily available edition! Read on for a great review and go hassle these folks into getting it out into more hands.

–The Editor

 

 

Definitely Not Kansas: Book One of the Nocturnia Chronicles by F. Paul Wilson & Tom Monteleone

Borderlands/Gauntlet Press, 2013.

 

We’re definitely not home anymore, and I doubt Dorothy would last a minute in Nocturnia. Munchkins would likely find themselves on a menu in this imaginative, fascinating homage to Oz.

The last time Borderlands Press and Gauntlet Press combined their talents to produce a single book, readers were treated to Shadow Show, which garnered a Bram Stoker Award.  So when the two presses decided to collaborate again, fans wondered how the presses could top that title.  The result of their partnership is a young adult novel penned by two well-known authors.  F. Paul Wilson and Thomas F. Monteleone are no strangers to awards, blockbuster books, or each other.  Where many collaborations fall short due to varying factors, these two created a fantastic, delightfully horrific world , with writing that flows effortlessly. It could be due to the fact that they’ve been buddies for decades or that they both know how to tell a lean, mean, story.  Merging styles is difficult– here, however, the writing is seamless and it feels like a single author penned the entire novel.  Not once does the reader feel as if he or she is holding a book; instead, the covers disappear as the reader falls into the grand world Wilson and Monteleone have created.

Definitely Not Kansas owes something to The Wizard of Oz, of course, but that inspiration is merely jumping off point.  Nocturnia is a much darker, more frightening place and when the tornado drops Emma and Ryan into the strange world, the similarities end and all bets are off.  On a quest to find Telly, their missing older brother, Emma and Ryan are pulled through a vortex where reality ceases to exist. Nocturnia operates in parallel to Emma and Ryan’s world, separate and deadly, as readers discover the origins of these creatures on Earth and even the flowers can kill.  The nation of monsters is a nation of states which exist uneasily with each other and something much darker frightens them all.

Humans are considered slaves and cattle, bred for labor– and food — in a land inhabited by vampires, werewolves, zombies, and more. This could be considered a “kitchen sink” story, cashing on popular tropes, and likely would be just that in lesser hands. Yet here, the setting is character, and the creatures reside in a well-constructed world where they are anything but clichés.

Emma and Ryan propel this tale as they take the reader along a journey of survival and discovery. Both are strong lead characters and the cast of monstrous villains are anything but cookie-cutter caricatures. Surprises await around every corner and one can only imagine where the next book will travel.

An interesting afterword is included, on how the series was created by both authors, and will only further intrigue the reader. Monteleone and Wilson obviously love living in Nocturnia, and it shows on the pages.  It’s doubtful that readers will be able to resist, either, on this frightening, but fun, ride.

Nocturnia takes the reader by the throat and the heart, and never relents. Anyone who loves a good story, and who still embraces the youth within, will tumble head over heels into the vortex for this new series.

 

Reviewed by Dave Simms