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Book Review: The Deep by Nick Cutter

The Deep by Nick Cutter

Pocket Books, 2015

ISBN: 978-1-4767-1774-6

Available: Paperback, mass market paperback,  library binding, Kindle edition, audiobook

 

With his second novel, The Deep, author Nick Cutter has his modus operandi firmly established: keep the number of main characters to five or less, put them in an isolated setting, add in a biological menace to terrorize the characters, and a dash of blood, and voila, you have a thriller/horror novel.  It’s the formula he uses, and he does it very well.  This book moves at a fast clip: no lengthy expositions or wasted time.  It’s a good thriller from one of the better writers of the genre.

 

The plot: it’s present day, and the human population is being ravaged to extinction by a new disease called the ‘Gets.  The only possible hope for a cure lies in a research station at the bottom of the Marianas Trench in the Pacific, in the form of a new sort of biological organism.  As the book opens, contact with the three scientists at the research station has been lost.  Luke Nelson is the brother of Clayton Nelson, one of the scientists trapped on the bottom.  For reasons unknown to Luke, he’s brought in to make the trip to the bottom and re-establish contact with Clayton and the others.   Once he gets to the station, mayhem results.  The biological organism is not what it seems, and it bends reality for all the humans, causing deadly results.

 

Most of the book takes place in the claustrophobic environs of the research station. The characters quickly realize they are trapped in a station where reality and fantasy, through their dreams and nightmares, quickly meld together: distinguishing between them becomes almost impossible.  Cutter’s skill really shines here.  You start to feel claustrophobic on reading some of the sequences, such as the ones with characters trapped in corridors or ducts.  Add in the terror the characters feel from the creatures (or figments of their nightmares) pursuing them, and you have a first rate thriller.  The descriptions are perfect: Cutter really lets you feel the emotions of the characters as they struggle to survive.  The backstory on Luke Nelson and Clay Nelson is filled in with chapters interspersed throughout the book that reference a point in their lives growing up.  As it turns out, those chapters are not just asides for understanding the characters, but play a part in the overall story thread. These chapters do help flesh the brothers out, but they won’t change your thinking about them.  They are pretty much good or evil: there’s very little in-between.

The only drawback to the book is the ending, which felt rushed and seemed confusing, asking more questions than it answered.  After over 480 pages of excellent writing, the last 10 just felt tacked on.  Outside of that, this is an excellent thriller/horror novel, recommended for adults and teens alike.

 

Contains: violence, mild gore

 

Reviewed by Murray Samuelson

 

Book Review: Disappearance at Devil’s Rock by Paul Tremblay

Disappearance at Devil’s Rock by Paul Tremblay
William Morrow Books, 2017
ISBN-13: 978-0062363275
Available: Paperback, Kindle edition, library binding, audiobook, audio CD

Last year’s Stoker winner for best novel was one of the least anticipated in many years. People who read it knew that A Head Full of Ghosts was a shoo-in; it simply was one of the strongest horror novels in several years.  Paul Tremblay’s characters seemed as real as the next-door neighbors, despite the suggestion of supernatural involvement in the events of the story, the multiple perspectives he used were smoothly integrated, yet somehow formed a disorienting and frightening narrative.

Disappearance aat Devil’s Rock is a definite departure in terms of tone and style. It’s a subtle tale, yet one with plenty of tension and plot twists. From the first page, it’s as if Tremblay is whispering to the reader in a dark and secluded New England pub on a chilly autumn evening. What begins as a simple case of a missing teenager turns into something quite sinister that tears at the fabric of a family’s sanity.

Elizabeth Sanderson receives that dreaded call– Tommy, her teenage son has gone missing.  He disappeared in Borderland Park at his friends’ favorite hangout, Devil’s Rock. One night, pages of Tommy’s journal begin to appear on the floor of the house, opening a box of puzzle pieces that don’t quite seem to fit together.  Elizabeth, her daughter Kate, and her mother Janice, struggle to figure out what the late night pages mean. As Elizabeth delves into the mystery, she finds that everyone has a different version of what happened, and that Tommy’s friends are hiding something, or someone. There are even sightings of him around town: is there a chance that Tommy is still alive?

Where Tremblay succeeds in his novels, and this has been noted in several other reviews, is in focusing on the spaces between words, actions, and characters’ relationships. The supernatural may be a component of Disappearance at Devil’s Rock, or just an illusion. This is a thinking reader’s horror/thriller/mystery/suspense novel, but it is as accessible and quick a read as any bestselling page-turner, and might be the one to break down the genre walls for Tremblay.  Recommended.

Reviewed by Dave Simms

 

Book Review: A Congregation of Jackals by S. Craig Zahler

A Congregation of Jackals by S. Craig Zahler
Dorchester Publishing, 2011
ISBN: 978-0843964158

Editor’s note: This reviews the 2011 novel from Dorchester Publishing, now defunct. The cover image links to a new edition published in 2017 by Raw Dog Screaming Press.

A Congregation of Jackals is an intricate, cautionary, Wild West tale of what can happen if evil is left unchecked, and people allow themselves to grow complacent towards wickedness.

Rancher Oswell Danford and his brother receive a telegram from a former member of their old gang, inviting them to his wedding in Montana. Within the telegram, however, is the hidden message that a reckoning is coming to all of them. The deeds that led to this reckoning are explained by Oswell himself in a letter that he writes to his wife as he is traveling to the town of Trailspur. In a narrative never told to her before, he describes how, as bank robbers, their moral borders were progressively blurring, to the point that they even committed cold-blooded murder during their robberies, until they were offered a job by a man named Quinlan. (“I had never been involved with wickedness, with evil, until I meet [sic] the man that wrote that note,” Oswell writes.)

    After the job, faced with the absolute extreme of what they could become, the men are “scared straight” and go on to lead fairly normal lives for several years. Oswell and his men, in their own ways, have tried to repent for their past transgressions by leading specifically-structured lives (i.e. marriage, becoming religious, not bearing children), but fate interrupts their self-granted pardons.  Their choice to go to Montana and try to protect themselves and the people of Trailspur on their own, like all of their dealings with Quinlan (and the episodes surrounding him) has catastrophic results. What makes this story more troubling is that the sheriff of the town and other law enforcement officers, all seasoned enforcers, see the signs that something is wrong, but either choose to ignore it altogether or underestimate the malevolence that waits to destroy them all.

This story does not contain a supernatural element, nor does it need one: the characters, even down to Zahler’s paladin, the white-charger riding Deputy Goodstead, contribute in their own ways to the chilling, savage events that are worse than any mere ghost or goblin could contrive—to battle the Ruthless, the Just eventually become ruthless themselves. All of the characters are complex: the four men of the Tall Boxer Gang did horrendous things, and do not totally acknowledge the damage they caused, but the reader is sympathetic nonetheless. Even Alphonse, the sadistic Frenchman that creates “art” out of living subjects, has a moment of incredible but genuine concern for Quinlan, which somehow does not seem totally out of place (at least to me) despite his sociopathic tendencies.

There are several themes in this complex work that cannot be addressed in a short review. A Congregation of Jackals explores the nature of evil and how far-reaching and destructive its taint can be, especially to the innocent. In the end, according to Zahler, the Devil will have his due…and then some. When that occurs, everyone is damaged and satisfaction is achieved by no one, even the damned. This novel is recommended and would be interesting fodder for an adult-aged book club or any fan of horror who likes more meat in their novels than the superficial, hack-and-slash fare.

Contains: graphic violence, gore, sex

Reviewed by: W. E. Zazo-Phillips