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Book Review: The Hunger by Alma Katsu

The Hunger by Alma Katsu

G.P. Putnam’s Sons, 2018

ISBN-13: 978-0735212510

Available: Hardcover, paperback, Kindle edition, audiobook

 

The release of Alma Katsu’s new historical horror novel brings with it comparisons to The Terror by Dan Simmons, even including both of them in social media ads. Do not be fooled. Yes, both authors bring impeccable research to fine stories and put you right there in the moment with ease, and both examine the human condition and how people can easily be turned to embrace their shadow selves, the monsters within the person.

However, there are a couple of major differences. First, The Hunger will not take the entire summer to read. At nearly a thousand pages, The Terror, while amazing, could be used as a weapon to literally knock someone out. Katsu’s story trims the fat, leaving a lean but thoroughly detailed and realistic story that doesn’t skimp on the details of the western mountains or pioneer life. Instead, she focuses on the relationships and the rot that crisis can reveal.

Many readers will be at least partially familiar with the story of the unfortunate Donner Party, a caravan of travelers who attempted to traverse the Sierra Nevada mountains, but were ill-prepared for the journey.

In a story where the ending is already written and most of the facts are substantiated, Katsu keeps the reader’s attention with compelling characters, and takes her time in building the burn. She introduces the many characters and allows them to maneuver through the plot, growing and festering in readers’ minds as they turn the pages. Her weaving together of the players in this horrific chunk of history creates a bloody tapestry that will intrigue the reader.

The most vividly drawn characters are Charles Stanton, a bachelor with the dark secret; Tamsen Donner, wife of George, who strongly believes in the supernatural and witchcraft;  James Reed, another party leader with a dark path; and Tamsen’s youngest daughter, who can hear the dead speak to her. Toss in some other players, and the stew simmers to a rich boil that threatens to destroy the group even before the true tragedy hits.

Katsu inserts the supernatural, or at least the vibe of it, which elevates the novel from pure historical fiction to historical horror, but she keeps the story lean. Reading it, one can almost feel the desolation of the mountains and the desperation their journey. By the time the climax unfolds, Katsu delivers on the promise hinted at in the beginning– a bit of a twist,  but just enough to create wonder Recommended reading for any thriller or history fan.

 

Reviewed by David Simms

Editor’s note: The Hunger is a nominee for the 2018 Bram Stoker Award for Superior Achievement in a Novel.

 

Graphic Novel Review: Victor Lavalle’s Destroyer by Victor Lavalle, illustrated by Dietrich Smith

Victor Lavalle’s Destroyer by Victor LaValle, illustrated by Dietrich Smith

BOOM! Studios, 2018

ISBN-13: 9781684150557

Available: Paperback, Kindle edition, comiXology

Victor LaValle’s Destroyer is set in a world where Victor Frankenstein is real, and so is his Creature. Having survived by living under the frigid environment of Antarctica, he becomes angered when a whaling vessel invades the waters and sheds blood of the ocean creatures he is seen swimming with in the first pages. Here begins the journey of the Destroyer, his only goal to eliminate humanity from the planet.

But Destroyer isn’t simply the story of Frankenstein’s Creature and his revenge. At the center is Dr. Josephine Baker, who herself is a descendant of the Frankenstein family, and her resurrected son, Akai. He had been gunned down by the Chicago police after a paranoid woman called them insisting a Black man was brandishing a firearm in her neighborhood. Dr. Baker brought him back using nanotechnology, plus a little of her ancestor’s methods. Two scientists, Percy and Byron, believe they’re searching for Dr. Baker to protect her from the Destroyer, but they discover their mission may be greater than they thought. Add to the mix Akai’s estranged father, the Bride, and a ruthless agent who will stop at nothing to get her hands on Dr. Baker’s creation, and you have yourself one amazing story.

LaValle does not shy away from sociopolitical commentary in Destroyer. Strong themes in this graphic novel include misogyny, racism, and police brutality, all of which are timely and necessary topics. LaValle expertly weaves a tale of modern-day United States fear and hatred with the original Frankenstein story using elements and names familiar to readers of Shelley’s original work. The artwork supplied by Smith creates the perfect accompaniment to a gripping story.

I watched a keynote given by LaValle during the Library Journal Library Con Live! 2018 where he discussed the graphic novel. I highly recommend seeing him speak if you have the chance.

Contains: blood, gore, misogyny, police brutality, racism, violence

Highly recommended

Reviewed by Lizzy Walker

Editor’s note: Victor Lavalle’s Destroyer is on the final ballot for the 2018 Bram Stoker Award in the Graphic Novel category. 

Book Review: Brainchew by Wol-vriey

Brainchew by Wol-vriey

Burning Bulb Publishing, 2017

ISBN: 978-0-9977-7304-0

Available: Paperback, Kindle edition

With Brainchew, Nigerian horror author Wol-vriey has really hit his stride.  He’s toned down the sometimes excessive levels of blood and pain that could be found in his other horror fiction, created a new monster that fans will enjoy, and kept his dark sense of humor intact.  With Brainchew, he’s created his most memorable creature to date : this is an excellent read, and one that should be on the shelves of any horror fan who delights in campiness and carnage.

The plot: four small-time crooks who specialize in safecracking descend upon eastern Massachusetts with a deal for the “big score.” Their assignment: break into a mansion, crack the safe, steal two specific diamonds, then meet their employer at the Sunflower Motel in Raynham, Massachusetts, for the drop. One of the robbers gets killed during the heist, so his partners dump the body in a Raynham cemetery and then go to the hotel to wait to for the drop.  Unfortunately for them, the hotel owners are sleazebags who have figured out what is going on, and have their own designs on the loot.

Up to that point, the story is pretty standard.  But then it takes a very different turn, and the fun really begins.  Brainchew is a monster that somewhat resembles the creatures from the Alien series, minus the stinging tail.   Awakened from slumber in the cemetery by blood leaking into the ground from the dumped body, Brainchew is hungry for…brains, of course!  Naturally, Brainchew proceeds to the Sunflower Motel to wreak havoc in the goriest method possible, throwing the plans of both the motel owners and the robbers into disarray.

The story moves quickly, without wasting time on lengthy expositions or deep conversations.  There is just enough backstory given on the protagonists to make them seem like more than cardboard cutouts. You might find yourself disliking many of them, as they have few redeeming qualities.  That’s what makes this such fun: you might find yourself rooting for Brainchew as he chews human genital regions, gulps urine, crushes skulls, and flings cranial carnage everywhere.   All of this is done with Wol-vriey’s usual messy intensity, although it is toned down a bit from his previous books.  There’s enough bloodshed to keep gorehound readers happy, but not enough to enter the realm of excess that so many hardcore horror authors today seem to delight in.  The real delight in the book is when Raynham’s residents see Brainchew.  They know who he is already: he is a secret that the town tried to bury years ago.  Their reactions are priceless: it’s not “oh my god, what is THAT?”  but “oh no, that damn thing is awake and at it again!”  It’s nice to have a book where the characters don’t react in the same fashion as usual when a monster is encountered.

Brainchew is a fast, messy, wild ride, with an entertaining and original monster.  The only thing that may put some readers off is the graphic sex does seem excessive at times, and pulls away from the overall story thread.  If you can overlook that, this is a story that most gorehound horror fans will enjoy.  Recommended.

Contains: graphic violence, graphic sex

 

Reviewed by Murray Samuelson