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Book Review: The Grave Digger by Rebecca Bischoff

The Grave Digger  by Rebecca Bischoff

Amberjack Publishing, 2019

ISBN-13: 978-1948705523

Available: Pre-order, hardcover and Kindle edition

 

It’s 1875 in Circleville, Ohio. Captain Cooper’s mother is ill,  and the doctor has to be paid. Although Cap is not yet thirteen, his father has decided it’s time for him to join him and his partner Lum as a “resurrectionist”, a person who digs up dead bodies in order to sell them to medical schools for dissection. The plan is to dig up the bodies of those who won’t be missed (mostly “colored” people), but the dead don’t appear to be staying dead. Cap’s classmate Jessamyn comes back to life after he touches her, and the next body wakes up while they are actually digging. The secret activities of the grave diggers are out, and they have to cover them up and find other ways to acquire the bodies. Cap is spooked, but his mother’s medical bills still have to be paid, and his father insists this is the only way they can raise the money. Beyond acquiring the bodies, Cap realizes that there is a larger conspiracy at work, involving not just unsavory characters, but also some of the most respected individuals in town. While the newspaper stirs up the town, it is mainly the “colored” people who are affected, and their demands for a cemetery guard are left unanswered. We can all be grateful that this is a middle-grade novel and that, while a book about grave robbing, burying people alive, and human dissection will obviously have some disturbing moments, it doesn’t get gratuitously gruesome.

Racism in Circleville’s general population doesn’t rear its head in overtly violent ways, but in white people’s daily choices and conversations, like the Coopers’ housekeeper’s resentment of and unwillingness to interact with Jardine, an African-American woman who is a friend and hear of Cap’s mother, comments about “those people”, and the choice to zero in on body-snatching the African-Americans in the cemetery.  It intersects with sexism as well, with Jessamyn’s mother feeling that the only choice she has to support her child is sex work (it’s referred to indirectly), and Jardine’s daughter Delphia, after telling Cap of her ambition to be a doctor, bracing herself for the expected comment “but you’re a colored girl!” and laughing when he says “but you’re a girl!” instead (either way, in 1875, ten years after the Civil War ended, she’d be unlikely to get into medical school, but the book treats it like it’s a real possibility– props to Bischoff for that).  It is noticeable (and relevant to the present day) that there are so few consequences for anyone who participated in the grave-robbing scheme and lived to tell about it.  That’s probably realistic, and in a middle-grade novel you want things to turn out for the protagonist, but I think this ending requires a conversation. There is a myth in the Midwest that because the Underground Railroad had a strong presence that there must not have been other race-baced issues (I can’t tell you about Ohio specifically, but it’s definitely the case in Indiana), and this book exposes that.

There are a lot of schools that can’t officially celebrate Halloween (my district doesn’t allow it) but that doesn’t mean there aren’t ways to celebrate the season. The Grave Digger is a great historical fiction choice with a macabre touch to promote to the right elementary and middle-schoolers at this time of year.  Highly recommended.

Book Review: The Big Book of Monsters: The Creepiest Creatures from Classic Literature by Hal Johnson, illustrated by Tim Sievert

The Big Book of Monsters by Hal Johnson, illustrated by Tim Sievert

Workman Publishing, 2019

ISBN-13: 978-1523507115

Available: Hardcover, Kindle

 

The Big Book of Monsters features twenty-five spooky creatures from classic literature, all with their own stories explained in a concise, simple way. Each entry includes a full-colour portrait, monster ratings (scare factors with skull ratings), educational sidebars with further information, and “beyond the book” details. The latter includes information on literary history, language, and other important details pertaining to the specific monster or authors of the stories. Creatures include the Golem, Cheops the Mummy, Grendel, the Headless Horseman, Dorian Gray, Lamia, Medusa, and more. Frankenstein’s Monster has his own entry, although I would argue Dr. Victor Frankenstein is the true villain of the piece. At the end of the book, the author includes a timeline that includes the chronological order from which these monsters’ tales were created from 1750 BCE to 1915 CE; a list of further reading; a list of monsters that didn’t make the cut, notes on translations used in the entries, and a comprehensive bibliography of texts discussed in the book.

This provides a great introduction to spooky literature for young readers. A lot of research and care went into the creation of this volume. The artwork is vibrant and appropriately spooky for all monster kids, regardless of age. I reviewed an ARC copy in which Dorian Gray did not even register a skull rating. I don’t know if this was an oversight or if he was just too charming to earn a spooky rating. Highly recommended.

 

Reviewed by Lizzy Walker

Graphic Novel Review: H.P. Lovecraft’s At the Mountains of Madness Volume 1 adaptation and artwork by Gou Tanabe, translation by Zack Davisson

H.P. Lovecraft’s At the Mountains of Madness, The First Volume adaption and artwork by Gou Tanabe, translated by Zack Davisson

Dark Horse, 2019

ISBN13: 978-1506710228

Available: Paperback, Kindle, comiXology

In this Cthulhu mythos tale, an expedition team from Miskatonic University headed by Professor William Dyer travels to Antarctica early in 1931. Lake, a member of the team, becomes increasingly obsessed with discovering the secrets of a rock sample they excavate early in their exploration. He leads a separate team to push forward to find more. They find looming black mountains, seemingly unnaturally formed caverns, and a complete zoological sample of a large creature that resembles a creature described in the famed Necronomicon housed at Miskatonic University. As scientists are wont to do, Lake dissects the specimen. The two camps had been communicating regularly via radio contact, but when Lake stops responding, Dyer and the rest of the team make the trek to Lake’s camp. When they arrive, however, they come across a grisly scene: the crew and sled dogs assigned to the camp are dead, and the bodies are mangled or dissected. The team also finds a star shaped mound of snow near the scene which turns out to contain an inhuman discovery. After recovering the remains of eleven bodies, they find that one of the members of Lake’s camp, Gedney, is missing.

Volume 1 of Gou Tanabe’s manga adaptation of H.P Lovecraft’s novella At the Mountains of Madness is a beautiful and haunting version of this story. Tanabe’s artwork is an interesting and effective balance between the darkness of the caves and confined spaces to vast and breathtaking landscapes. A major difference, which I found to enhance the story, was that it was told from the point of view of both camps. The original was told from the perspective of only the main camp. This, combined with the added dialogue between the camps and artwork depicting the emotional reactions of the characters involved, created more of a sense of fear and foreboding than Lovecraft’s work. I can’t wait to see what Tanabe does with the continuation of this story in Volume 2. I would recommend this title for those who enjoy cosmic horror, manga from the horror genre, or different interpretations of Lovecraft (even those that he clearly based off of other works—in this case, Edgar Allan Poe’s The Narrative of Arthur Gordon Pym of Nantucket). If you are a purist, this probably isn’t for you. Highly recommended.

 

Contains: corpses, dissected human body

 

Reviewed by Lizzy Walker