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Excerpt: “Annabel Lee” by Edgar Allan Poe, from Poems to See By illustrated by Julian Peters

I am so delighted to be able to share this with you, not ust because it ties in so well to National Poetry Month, which is right around the corner, but because I do love Edgar Allan Poe, not just for his short stories but for his poetry, which sends chills down my spine. My daughter points out that this is more the product of an obsessive and frankly disturbed mind than a romantic heart, and she’s 100% right, but I still love “Annabel Lee” and its doomed, fairytale quality.

Thus when this excerpt from the soon-to-be published Poems to See By: A Comic Artist Interprets Great Poetry by Julian Peters was sent my way,  I felt I had to share it. There are just too many people (and too many middle-schoolers and teens, for sure) who are ready to write off poetry entirely, and this is a wonderful way to draw them in. The book is a collection of 24 classic poems, not all (or even most) of them dark, but I was given permission to share with you all the pages illustrating “Annabel Lee”.

 

Annabel Lee page1

Annabel Lee page 3

Annabel Lee page3

Annabel Lee page4

Annabel Lee page5

Annabel Lee page6

Graphic Novel Review: Neil Gaiman’s Snow, Glass, Apples by Neil Gaiman, illustrated by Colleen Doran

Snow, Glass, Apples by Neil Gaiman, illustrated by Colleen Doran

Dark Horse, 2019

ISBN-13: 9781506709796

Available: Hardcover, Kindle edition, comiXology

 

Adapted from Gaiman’s short story in the collection titled Smoke and Mirrors, Snow, Glass, Apples is a dark fairy tale version of Snow White. The Queen, terrified of her monstrous stepdaughter, has her heart set on saving her kingdom from a creature hell bent on devouring everyone in her path. This is not the Snow White tale we are familiar with. While the young girl appears innocent and sweet, she harbors a thirst for blood, and no one is safe from her appetite. Even her father, the King, is not safe from his own flesh and blood.

The most interesting part of Gaiman’s story is his take on who and what the Queen is and how she can scry. She is an enigma herself, but she is certainly not the evil queen we are familiar with in various media. She’s complicated, to put it mildly. As mentioned above, Snow is not the softhearted young lady depicted in stories and film. She is cold, calculating, devious. She’s also a seductress as see when the Queen asks her mirror about what is attacking the Forest Folk.

The artwork in this book is beautiful. It’s easy to get lost in the highly detailed panels. Doran’s work is reminiscent of Harry Clarke’s artwork. In fact, there is a nod to one of the artist’s famous pieces in the 1923 edition of Poe’s Tales of Mystery and Imagination. She writes about his influence in her artwork in the sketchbook included in this volume.

This is a fairy tale not meant for children. Adult themes are found throughout the story. It is heavy on sexual content, and there is implied incest between Snow and the King, her father. While it is an uncomfortable subject, it helps illustrate how hedonistic and animalistic this version of Snow White is. I would recommend this to readers who like alternative versions of fairy tales, with the understanding that, despite the bright colours Doran uses in her artwork, the content is far darker than expected. Recommended

Contains: blood, gore, implied incest, nudity, sexual content

Reviewed by Lizzy Walker

 

Editor’s note:  Neil Gaiman’s Snow, Glass, Apples was nominated to the final ballot of the 2019 Bram Stoker Award in the category of Superior Achievement in a Graphic Novel.

Book Review: Exhalation: Stories by Ted Chiang

Exhalation: Stories by Ted Chiang

Alfred A. Knopf, 2019

ISBN 978-1-101-94788-3

Available: Hardcover, Kindle edition

 

The answers to some of the most intriguing questions about human thought and behavior are so complex that they have remained central to storytelling for hundreds of years. Ted Chiang’s Exhalation is a fascinating collection of science fiction short stories that raises many ideas related to these questions through thought-plots, reporter-narrators, and both ancient and modern elements of storytelling.

 

Chiang’s ability to spark the imagination and engage the reader in deep thought leads to entertainment of the highest order. The opening story, “The Merchant and the Alchemist’s Gate” is reminiscent of the Arabian Nights and tells overlapping tales of time travel that show the interconnectedness of people’s stories with a surprising twist on the definition of alchemy. The title story “Exhalation” and “Dacey’s Patent Automatic Nanny” focus on the human elements of robots and machines and what they share with their human creators. Readers are introduced to a robot society about to be extinguished as the narrator ponders the end of time and to the creator of a mechanical nanny who hopes to raise rational children by eliminating the emotional aspects of child rearing. “The Lifecycle of Software Objects,” the longest story, engages the reader in the lives of digital entities and their owners, including discussions about setting emotional boundaries for these “digients,” parental strategies for the owners, and determining digients’ maturity and readiness for certain experiences.

 

Two other stories show characters reflecting on the serious developments in life that have come about through technological innovation. “The Truth of Fact, The Truth of Feeling” considers the negative effects of assistive technology on people who have access to videos of their entire life. In a parallel plot line in the same story, a character from Tivland is being taught to write for the first time and struggles with the contrast between the culture’s prized oral tradition and their doubts about the quality and truth of written stories. “Anxiety Is the Dizziness of Freedom” takes a look at paraselves who can be contacted for a limited time through prisms and suggests the fallout that might occur if we see our lives lived out in other versions that might not conform to our picture of ourselves. The examination of truth in storytelling continues in “Omphalos” in which an archaeologist who examines the first creations of God, trees without rings and mummies without bellybuttons, defines science as a search for truth and purpose but develops doubts that lead to a crisis of faith. Finally, in “The Great Silence,” the narrator reflects on the divine as it manifests in sound or the loss of sound that is the extinction of a species. Interestingly, it is a parrot that points out the human process leading to greatness as a creative force originating in myths, imagination, and aspirations.

 

This collection of stories is so effective because it taps into what is familiar and applies it to what is unfamiliar, thus revealing the layers of thought which are at work in any human endeavor but particularly in those involving science and what Chiang calls the “technology of writing.” The stories are a goldmine of allusions to scientific, literary, and religious thought such that the more a reader can bring to them, the richer the experience of reading. By bringing the craftsmanship and truth that he writes about to his own storytelling, Ted Chiang creates a collection that deserves to be read more than once. Highly recommended

 

Reviewed by Nova Hadley

Editor’s note:  Exhalation: Stories was nominated to the final ballot of the 2019 Bram Stoker Award in the category of Superior Achievement in a Fiction Collection.