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Book Review: Arterial Bloom edited by Mercedes M. Yardley

Arterial Bloom edited by Mercedes M. Yardley ( Bookshop.org | Amazon.com )

Crystal Lake Publishing, 2020

ISBN-13: 9781646693108

Available: Paperback, Kindle, comiXology

 

Arterial Bloom is another great anthology from Crystal Lake Publishing, edited by Bram Stoker Award-winning author Mercedes M. Yardley. This is the first anthology with Yardley at the helm, and she curated some beautiful and horrific tales. A unique feature of this particular anthology is that it does not rely on a cohesive theme to direct the tales in its pages. I was dubious at such a risky decision, especially as this is Yardley’s first anthology as an editor. However, it is clear she is in touch with the genre. The anthology contains 16 stories. Rather than discuss all of them, I will highlight the ones that were particularly enthralling.

In “The Stone Door” by Jimmy Bernard, three sisters must keep a bike equipped with a lever system operating in order to keep a monster behind a door. The door must remain closed. When one of the sisters falls ill, they worry about how much longer they can keep this up. “Dog (Does Not) Eat Dog” by Grant Longstaff is told in a post-apocalyptic world where two old friends find themselves at a dangerous crossroads. Linda J. Marshall’s “Kudzu Stories” entwines three separate lives where they come to different ends when the kudzu gets entangled in the human condition. In “Welcome to Autumn” by Daniel Crow, a mysterious bandaged stranger posing as a journalist visits the wife of a brilliant artist who has gone missing under mysterious circumstances. “The Darker Side of Grief” by Naching T. Kassa tells the story of George, a young boy who grieves his recently deceased mother and finds himself haunted by something that calls itself his mother. On top of that, George and his sister Mindy have a new babysitter, Carla Runningdeer. He’s heard all of the rumors about their new caretaker’s violent tendencies and wonders if they are true. Ken Liu’s “In the Loop” tells the story of a young girl watching her father turn into an abusive monster who eventually kills himself. He had been a drone strike operator for the military and suffered from severe PTSD. She signs up with a company whose representative tells her they are making software to completely replace humans at the controls, something that Kyra believes will free others of experiencing the tragedy and guilt of wartime. She develops the algorithm for their drones to recognize threats, but when two of those drones kills a group of children, things get messy.

Other authors include Christopher Barzak, Armand Rosamilia, Jennifer Loring, Kelli Owen, Jonathan Cosgrove, Steven Pirie, Dino Parenti, Todd Keilsing, and Carina Bissett, all of whom contributed powerful stories. Yardley did an excellent job selecting stories that resonate with the reader, despite not having a theme behind them. I also didn’t find myself questioning character motivations or wondering why a story was included. Yardley has a good eye for horror, and I hope she continues as an editor as well as a writer. Highly recommended.

Contains: domestic violence, implied child abuse, discussion of prostitution, murder of a child, PTSD, suicide

 

Reviewed by Lizzy Walker

Book Review: Frozen Hell: The Book That Inspired “The Thing” by John W. Campbell, Jr., illustrated by Bob Eggleton

Frozen Hell: The Book That Inspired “The Thing” by John W. Campbell, Jr.,  illustrated by Bob Eggleton (Amazon.com)

Wildside Press, 2019

ISBN-13: 9781479442829

Available: Hardcover, paperback, Kindle edition

 

Frozen Hell is John W. Campbell, Jr.’s original and previously unpublished novel that became the novella “Who Goes There?”, and the basis for three movies (The Thing from Another World (1951), The Thing (1982), and The Thing (2011)). The book includes three extra chapters at the beginning. The story opens with McReady, Vane, Barclay, and Norris arriving at a camp to investigate a magnetic anomaly that has occurred in the area. Upon their excavation, the team unearths a piece of highly polished metal and a frozen creature with blue skin and three red eyes. The description of the Thing is fantastic, and I don’t do it justice here, but I also don’t want to take away from the reader experience. Blair and Copper arrive at the camp later, and they make the decision to take the body back with them. Little do the men know that by returning to basecamp with the body the hell that will be unleashed. Paranoia and isolation run rampant through the camp after the body is found to be missing. When they do realize what is happening, it may already be too late.

Material that is included in this volume are, as mentioned, new chapters that detail the discovery of the Thing and its metal spacecraft, as well as rich description of the Antarctic landscape and atmosphere. Some reviewers felt that this took away from the story, but I felt that it added a slow burn element, and I’m a sucker for deep description of landscapes. I understand this element isn’t for everyone, however. The book includes a preview of a sequel written by John Betancourt. Alec Nevala-Lee provides a great discussion of how he found the manuscript in Campbell’s archival collection in Harvard’s Houghton Library. Robert Silverberg introduces the book, and the illustrations and wraparound full colour cover by Bob Eggleton add a nice spooky touch to the book. The text and table of contents needed an additional review by an editor, but otherwise the book was put together well. I would recommend this as a great companion piece to Campbell’s “Who Goes There?”.

Recommended

Reviewed by Lizzy Walker

Book Review: In the Vines by Shannon Kirk

Cover image of In The Vines by Shannon Kirk

In The Vines: A Thriller by Shannon Kirk (Bookshop.orgAmazon.com )

Thomas & Mercer, Seattle, 2018

ISBN-13: 9781503901940 (hardcover)

ISBN-13: 9781503900752 (paperback)

Available: Hardcover, Paperback, Kindle edition, compact disc, MP3 CD

 

In The Vines: A Thriller by Shannon Kirk is a murder mystery with a sprinkling of horror and gore. Fans of Edgar Allan Poe will recognize the technique of peeling away the layers of an onion, slowly revealing past sins, guilt, self-doubt and escalating violence. The main characters are Mary Olivia Pentecost, aka Mop, and Lynette Viola Vandonveer, aka Aunty Liv. They are descendants of Boston Brahmins, both with scions  who seem to have guilty secrets, as well as privilege and power. Their character traits and secrets lead to tragedy.

 

Mop is a recent college graduate searching for her own identity She is to marry her childhood sweetheart, a son of a nouveau-riche family with an adjoining estate in Rye, New Hampshire. Aunty Liv is an unmarried nurse having an illicit affair with a Boston surgeon, and is spying on her lover’s wife. The novel begins with Mop bleeding from a leg wound, dragging an unconscious, unnamed companion out of hiding during a nor’easter. An unidentified, shrouded figure wields an ax over them. Who are they? How did they come to this? What will be the story’s denouement?

 

The author uses the voices of Mop and Aunty Liv to narrate the story. The story jumps back and forth between scenes from the present, two years in the past and two weeks ago. Kirk’s technique is disconcerting, but it is important in slowly revealing the characters’ secrets and building a sense of frustration, anxiety and anticipation in readers. The main characters are well-drawn, and readers will understand why they make seemingly bad decisions that often lead to disaster.  The author describes the ocean, beach, rocks, cliffs, trees and brambles of New England’s coast beautifully. They become participants in the story. Highly recommended for adults.

 

Contains: Moderate gore, moderate violence, mild profanity

 

Reviewed by Robert D. Yee