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Musings: Discovering A Brave New World

bookcover for Brave New World

 

The Monster Kid just took an unofficial poll of his peers (mostly college freshmen) and asked if any of them had read a book in the last year. With one exception, they said they had not read a book in years. How they graduated high school without reading a book is unclear to me. Certainly my kids have had novels assigned, and I know they’ve read them. Maybe they aren’t counting fanfiction, webnovels, or graphic novels?

 

This was part of a discussion I was having with him over the book he had just discovered– a revelation! After years of reading and rereading 1984, he has just discovered Brave New World and is comparing them to each other and current events. To discover a book that is a source of wonder is a rare thing once you have passed the gates of childhood, where everything you encounter is for the first time.

 

Looking back to books we loved in the past often reveals the flaws we missed when the story first swept us away (how did I miss the antisemitism in Oliver Twist?} especially once we have encountered a wider context, both in the world around us and through other books we’ve read (I’ve suggested Julia, The Handmaid”s Tale, Fahrenheit 451, The Parable of the Sower, and others to him), but once he pulls his nose out of his schoolwork and stack of screenwriting books, I guess he will have to discover those on his own as well. It’s pretty exciting to see a face light up like that, regardless,

 

I would love to see everyone read widely, to discover that book that suddenly clicks and carries you away, and then be able to come to terms with its flaws, if you can. It saddens me that so few of the Monster Kid’s peers have given themselves that opportunity. I hope that every one of you do, as well.

Book Review: Sacrilege by Barbara Avon

Sacrilege by Barbara Avon

Self published, 2020

ISBN: 9798690309411

Available: Paperback, Kindle edition

Buy:    Bookshop.orgAmazon.com

Sacrilege is a depressing psychological drama that takes you down, down, and further down.  There are no monsters or boogeymen in this one, just the mental demons that inhabit the characters.  It’s a pretty good read for those who prefer human interest/interaction stories.

 

Almost the entire story focuses on the two leads: wayward priest Cris Corelli, and Jules, the lady who owns the boarding house he stumbles into.  The author sets the tone right out of the gate: mentally, these two are trainwrecks, for various reasons.  As the story progresses, the death of someone close to both of them pushes Cris and Jules further down into depression.  They start drinking and drugging to numb the pain, only finding minimal comfort in each other.  However, it’s the best either of them can hope for, unless they somehow are able to use each other to pull out of their respective tailspins.

 

The stark manner in which the dialogue between Corelli and Jules is written is an unusual choice.  Often, books like this rely on fairly long and in-depth conversations, as a way to explain how the characters became, and where they are heading.  The author goes against the grain here, as most talks are fairly quick and clipped, not really revealing a lot about the characters.  Then again, maybe they don’t need to, the characters’ actions may speak louder than any lengthy dialogue in this case.  It’s an interesting choice for this type of book, and works reasonably well for the narrative, giving it a unique flavor.

 

I felt the “big reveal” at the end of the story was anticlimactic. You could tell it was supposed to be fairly important, due to Corelli’s actions after he discovered it, but it just didn’t seem like anything that should alter the story’s trajectory, or what the characters do for the rest of the book.

 

The bottom line is…this will appeal to a certain segment of readers.  If you enjoy depressing psychological dramas, this might work for you.  If your idea of horror is fast-paced, with monsters and supernatural craziness, then this probably isn’t your cup of black ichor.

 

 

Reviewed by Murray Samuelson

 

 

Book Review: The Demon by Victory Witherkeigh

 

 

The Demon by Victory Witherkeigh

BookBaby, 2024

ISBN-13 ‏ : ‎ 979-8350951110

Available: Paperback, Kindle edition

Buy:  Amazon.com

 

The Demon  is a sequel to The Girl, a coming-of-age story grounded in Tagalog folklore and mythology, about a Filipina-American girl whose family has promised her body to a demon on her 18th birthday as part of fulfilling an ancestral pact, but will have to choose whether to fulfil it. I haven’t had the opportunity to read it, but I suspect The Demon makes much more sense if you’ve read The Girl. 

 

The Demon starts with the demon, Hukloban taking over the physical body of the girl, who is nameless in the book. It isn’t an easy transition, and not only is the demon now overwhelmed with the physical sensations of her mortal body, but she has lost her memories and most of her demonic powers. Since Hukloban cannot remember anything, it’s unclear why the girl was taken over, what bargain she made, or who she is. Second-in-command to Sitan, the Master of Death, when he asks her she cannot remember why she wanted to be part of the mortal world. Thousands of years old, the demon will have to find her way in the human world, while satisfying her demonic needs and fulfilling her end of the bargain, made with Filipino hero Lapu-Lapu, to keep his bloodline prosperous. As in her previous book, it is a story about making choices, self-determination, and being human. How does a death goddess manage the body, mind, and emotions of a teenage girl?

 

I found this compelling, but also confusing. Witherkeigh has written an ambitious story and is juggling a lot of balls: Hukloban’s story as a college student in the modern world, trying to reconstruct herself; her relationships with the girl’s family (there are a lot of them), where the girl’s relationships are entangled with her dulies to fulfill the bargain; the far past, when she initially met Sitan (I didn’t realize they were part of the Tagalog pantheon); the confusion of her love affairs and friendships; her frustration about the benefit Lapu-Lapu’s bloodline has taken from colonizers and dictators because of the bargain; the lack of choice available to women. There are some very adult themes and conversations about death, as well as BDSM, addiction, abortion, toxic relationships, and grooming.

 

While I found The Demon to be an interesting book, it wasn’t an immersive one, as I had to keep stopping to look things up, and I found the ending unsatisfying. It was unusual enough that it kept me reading, but other readers may find it’s too much work. Witherkeigh is talented, though, and I know we will see more from her.

 

Reviewed by Kirsten Kowalewski