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Book Review: Cemetery Boys by Aiden Thomas

cover art for Cemetery Boys by Aiden Thomas

Cemetery Boys by Aiden Thomas ( Bookshop.org  |  Amazon.com )

Swoon Reads, 2020

ISBN-13 : 978-1250250469

Available:  Hardcover, Kindle edition, audiobook

 

Yadriel is a Latinx trans boy whose community lives in the cemetery and serves Lady Death. When they are fifteen, boys are presented to Lady Death for a blessing to become a brujo and receive a portaje, a dagger that allows them to draw blood to direct their magic so they can cut the ties between spirits and this world to send them to the afterlife before they become malevolent. At the same age, girls who go through the ceremony and receive the blessing become brujas and are presented with a rosary as their portaje, that allows them to heal using blood.  As a trans boy, Yadriel did not go through the girls’ ceremony as he was expected to do, but was not allowed to go through the boys’ ceremony to become a brujo because the community does not accept that he is a boy. Impatient to prove himself, Yadriel secretly goes through the ceremony to become a brujo.

When his cousin Miguel goes missing and is suspected dead, Yadriel searches for him in an old church on the cemetery property. Finding a necklace with a medallion, Yadriel makes a guess that it might be a way to summon Miguel’s spirit. Instead, he accidentally summons a teenage troublemaker from his high school, Julian, who refuses to move on to the afterlife until he knows if his friends are okay. Yadriel has to resolve things quickly and quietly, before his father finds out and Dia de los Muertos begins. There is something much more sinister and terrifying going on than the limited blood magic practiced by the brujx community.

Thomas interweaves issues and messages related to and positive representations of trans, gay, and lesbian characters in general and specifically in Latinx communities. Lady Death and the mythology of Yadriel’s community is not limited to one nationality– immigrants from many countries in the Latinx diaspora participate, and issues related to immigration (like whether the individuals are documented) curtail the options of the members in seeking help from the police, and this is all well-integrated into a unique storyline. There’s also a sweet love story of the kind that LGBTQ+ teens deserve to see more of. The only disorienting moment is near the end when there is a sudden switch in point of view from Yadriel to Julian, but that’s a minor quibble in a high-quality story that can sweep you out of the everyday with its magic. Highly recommended.

 

Contains: Violence, blood, attempted murder

 

Book Review: The Year’s Best Dark Fantasy and Horror: Volume 1 edited by Paula Guran

A note from the editor:

We are getting near the end of November and Monster Librarian still needs to raise the funds to pay for our hosting fees and postage in 2021. If you like what we’re doing, please take a moment to click on that red “Contribute” button in the sidebar to the right, to help us keep going!  Even five dollars will get us closer to the $45 we still need to keep going at the most basic level. We have never accepted paid advertising so you can be guaranteed that our reviews are objective. We’ve been reviewing and supporting the horror community for 15 years now, help us make it another year! Thank you! And now our review of The Year’s Best Dark Fantasy & Horror: Volume 1 edited by Paula Guran.

 

cover art for The Year's Best Dark Fantasy and Horror Volume 1 edited by Paula Guran  ( Amazon.com )

The Year’s Best Dark Fantasy & Horror: Volume 1, edited by Paula Guran, cover design by Jennifer Do

Pyr Books, 2020

ISBN: 9781645060253

Available: Trade paperback, Kindle edition

 

After ten volumes of the series with Prime Books, acclaimed editor Paula Guran has moved to Pyr to continue her relentless search for the best dark fiction published during the previous year (in this case 2019). The present “debut” volume with the new publisher includes 25 short stories that were previously published in various genre anthologies and magazines.

As a confirmed horror fan, it seems to me that this time the balance is a bit too much in favor of fantasy tales, although, admittedly, the boundary between the two genres is often very thin.

Commenting upon such a huge anthology, featuring such a high number of stories, is a difficult task, so I will take advantage of my privilege as a reviewer to pinpoint just my favorite stories.

“The Promise of Saints” by Angela Slatter is a little gem of religious horror featuring a naive girl and  a powerful saint, while “Burrowing Machines” by Sara Saab is an intriguing tale set in the claustrophobic bowels of London, between the Tube and the elusive River Fleet.

In the short but effective “Haunt” by Carmen Maria Machado we meet a ghost who’s not a ghost, and in the disturbing “The Coven of Dead Girls” a group of murdered girls is haunting the house of their serial killer.

To me, the best story is Pat Cadigan’s “About the O’Dells”, a superbly written piece in which a murder from the past casts shadows on the neighborhood and affects the mind of a young girl.

As with any anthology, this one is a mixed bag, but well worth reading. Recommended for adult readers.

 

Reviewed by Mario Guslandi

 

 

Book Review: The Grace Year by Kim Liggett

 

A note from the editor:

We are getting near the end of November and Monster Librarian still needs to raise the funds to pay for our hosting fees and postage in 2021. If you like what we’re doing, please take a moment to click on that red “Contribute” button in the sidebar to the right, to help us keep going!  Even five dollars will get us closer to the $45 we still need to keep going at the most basic level. We have never accepted paid advertising so you can be guaranteed that our reviews are objective. We’ve been reviewing and supporting the horror community for 15 years now, help us make it another year! Thank you! And now our review of The Grace Year by Kim Liggett.

 

 

cover art for The Grace Year by Kim Liggett

The Grace Year by Kim Liggett (   Bookshop.org  | Amazon.com  )

Wednesday Books, 2019

ISBN-13 : 978-1250145444

Available: Hardcover, Kindle edition, audiobook

 

 

At first glance, The Grace Year seems like a YA take on The Handmaid’s Tale crossed with The Lord of the Flies. It takes place in an alternate society where women and girls are divided into groups by the colors of their hair ribbons: white for girls, black for wives, and red for grace year girls. Grace year girls are sent to an isolated camp as a group when they turn sixteen, after boys and men their age and older have an opportunity to choose one to marry from among them. Some girls are “veiled” and the rest know they will be assigned to manual labor tasks. The younger sisters of the girls who don’t return run the risk of being sent to the outskirts, where they will struggle to survive and are expected eventually to sexually service men no longer satisfied with their wives.

Protagonist Tierney is about to begin her grace year. She does not aspire to be veiled, but would rather labor outside when her grace year is done, as wives’ movements and speech are very restricted and she has always enjoyed spending time outdoors, learning useful skills from her father and spending her time alone and with her friend Michael, whose family is very high status. Rather than choosing Kiersten, the girl his family has picked out for him, though, Michael chooses Tierney to keep her safe, not realizing that he has actually made her a target during the grace year.

The supposed purpose of the grace year is for girls to come into their magic and work it out of themselves without risking the men, so the girls are “safe” to be around, but girls know that things too terrible to talk about must happen, because of each group of girls that leaves, fewer come back, and the ones who do are traumatized and refuse to speak about it. In addition to their isolation, the girls must stay within a fence, because they are being hunted by “poachers” who will skin them alive, dissect them, bottle the parts, and sell them back to the men in town as aphrodisiacs. There is the obligatory section of a YA speculative survival novel where a character whose job it is to exterminate a girl actually saves her and heals her and they fall in love, but it is particularly gruesome because there is no hiding the fact that he’s there to skin, dissect, and bottle her for consumption– he even has diagrams. The body horror is strong in this book, although most of the actual damage is done offscreen.

It is difficult to write about the characters and society in this book, both women and men, because from best to worst every one of them is so poisoned by patriarchy. The gaslighting of women and girls is so extensive and ingrained that it can’t really be separated out. Would Kiersten be so cruel if she hadn’t been trapped by society’s constraints since she was a child? Would so many of the girls have been so eager to believe in their magic if they hadn’t been powerless their entire lives? Even “good” men like Michael, with the best of intentions, can’t undo the damage. In 800+ pages (Amazon says there are 416, my Kindle says 815) there was not a single character in this book whose decisions could be trusted, including Tierney’s. The ending was absolutely crushing to me. I have to hope that YA readers who get all the way through to the end will develop a strong desire to examine their decisions and choices in light of the damage patriarchy does to all of them in the present, rather than waiting for the next generation. Whether they do or not, given the number of comparisons to The Hunger Games, I am sure many will find it a compelling read. Recommended.