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Book Review: Bent Heavens by Daniel Kraus

cover art for Bent Heavens by Daniel Kraus

Bent Heavens by Daniel Kraus

Henry Holt & Co., 2020

ISBN-13 : 978-1250151674

Available: Hardcover, paperback, Kindle edition, audiobook (  Bookshop.orgAmazon.com )

 

Liv’s father disappeared for four days and returned with vague memories of alien abduction. Becoming more and more erratic, he lost his job and retreated to the shed in his backyard where he built weapons and vicious traps around his house in case the aliens returned. Liv’s childhood friend Doug, neglected by his own parents and ostracized by other kids, adopted Liv’s father as a mentor, helping him with designing and building the traps, with Liv reluctantly along for the ride.  After Liv’s father disappears a second time, Liv and Doug make a ritual out of testing the traps every Sunday to make sure they still work. And at the beginning of her senior year of high school, Liv finds an alien in one of the traps, and she and Doug are determined to find out from the alien what happened to her dad.

Liv has worked to distance herself from her father’s bizarre behavior, making new friends and the cross-country team, but she is a hot mess, with grief and anger balled up inside her without a healthy outlet. Doug has no one holding him back. Having the alien in their power, hidden in the shed, leads to violence, and, as Liv begins to have doubts, complicity. There are explicit scenes of body horror and torture in the book. Seeing her inability to escape participation once it has begun is horrifying.

This is a painful book to read. Kraus shows how human monsters are made in visceral and grotesque detail. Kraus refers to a CIA report on “enhanced interrogation techniques” at the end that I am sure informed the events of the book. The book is made even more painful and heartbreaking by the reveals at the end.

While Kraus does a superior job with the plot focused on Liv, Doug, and the alien, other parts aren’t as strong. The book takes awhile to get going, secondary characters’ motivations are unclear, and parts of the plot don’t make sense.  Still, he has written a powerful and deeply disturbing horror story and condemnation of government secrecy, torture, and complicity.

 

Contains: explicit body horror and torture, violence, sex, alcohol abuse, bullying

 

Reviewed by Kirsten Kowalewski

Editor’s note: Bent Heavens is a nominee on the final ballot for this year’s Bram Stoker Awards in the category of Superior Achievement in a Young Adult Novel. 

Book Review: End of the Road by Brian Keene

cover art for End of the Road by Brian Keene

End of the Road by Brian Keene

Cemetery Dance, 2020

ISBN-13 : 978-1587677939

Available: Paperback, Kindle edition Amazon.comBookshop.org )

 

End of the Road is a memoir consisting mainly of weekly columns horror writer Brian Keene wrote for the Cemetery Dance website to finance his 2016 signing tour, the “Farewell (But Not Really) Tour”,  which lasted from May to December of 2016. It also contains some additional material, including an introduction by Gabino Iglesias and a piece written by Tom Piccirilli, as well as epilogues going through about April 2017.  In addition to chronicling his journeys to bookstores and conventions across the country, Keene shares his experiences with grieving the recent deaths of three close friends including writers Tom Piccirilli and J.F. Gonzalez and his reflections on mortality. He attended the last World Horror Convention during the tour and recalls fond memories of past conventions and friendships, and, as a member of the planning committee for the charity weekend Scares that Care, gives that some space as well.  He writes about meeting up with friends and fans he’s made in the horror genre, the value of independent bookstores and local conventions, and the loss of individuality he sees in towns as he drives across America. His focus is definitely not on the controversies going on in the horror writing community at that time: he is looking back, not forward.

Keene also muses over his generation of horror writers (he had been a published writer and outspoken advocate for the genre for about 20 years at that time), touching on the changes in publishing and selling since he started as both a reader and a writer. From about 2000 on, I watched many of the changes from the sidelines, seeing the conversations on Shocklines on ebook vs. print, the effect of the failure of Dorchester Publications, the changes from almost entirely small-press limited editions to easier availability to a much wider variety due to ebooks.  He describes his own vision of the six “waves” of horror writers, putting himself in the fifth wave, and ready to let go for the and let the most current wave to take over the direction of the horror genre. His prediction is that independent niche bookstores and Amazon will take over and drive chain stores out of business. As a former public librarian, I think it’s telling that none of his signings were in libraries, who often feature local writers and midlisters: maybe neither of his publishers thought he would find buyers there, or lists his titles with wholesalers, but Pressure, the book he was promoting, is the only one of his books available in my public library (on a personal note, my husband, the founder of Monster Librarian, who died at the age of 40 in 2014, loved and reviewed many of Keene’s previous books, and recommended them for library collections).

Keene is at his best in this book when he writes about the people and places he cares about. His description of his grandmother, and of West Virginia, is nuanced and vivid, and his frustration over the lack of recognition for Hunter S. Thompson comes through pretty solidly. His self-proclaimed middle-of-the-road politics make the book pretty much an artifact of the times, but he really puts himself out there in speaking about his grief, his love for family and friends, and his feelings about the horror genre.

I’m not sure why it took so long for the book to come out, given that (according to Keene’s epilogue) the epilogue ends in February 2017 and the foreword was written in April 2017. While it is an interesting read ( and will be reflective of many interested readers’ experiences), it is not likely to be of wide interest outside the horror community. That said, current members of the horror community may enjoy his reminisces and appreciate his musings on the state of the horror genre circa 2016. Keene still has a blog, a newsletter, a Patreon, and does podcasts, so readers who are interested in what’s going on with him currently have many opportunities to do so. End of the Road is really a snapshot of his state of mind at that particular time, and a way to support a writer readers and friends want to support.

 

Reviewed by Kirsten Kowalewski

 

Editor’s note: End of the Road is a nominee on the final ballot for this year’s Bram Stoker Award in the category of Superior Achievement in Nonfiction.

Book Review: The Bone Carver (The Night Weaver, Book 2) by Monique Snyman

cover art for The Bone Carver by Monique Snyman

The Bone Carver (The Night Weaver, Book 2) by Monique Snyman

Vesuvian Press, 2020

ISBN-13 : 978-1645480082

Available: Paperback, Kindle edition Bookshop.org   | Amazon.com )

 

The Bone Carver is the sequel to The Night Weaver, a previous Stoker nominee in the YA category. These two factors mean it has a high bar to jump, as the second book in a series usually isn’t able to stand alone.

In The Night Weaver, seventeen-year old Rachel Cleary lives in the isolated New England community of Shadow Grove. She discovers her neighbor across the street, Mrs. Crenshaw, is a guardian protecting the boundary between our world and the fae realm in Shadow Grove. While out with Rachel, Mrs. Crenshaw’s visiting grandson, Dougal, recognizes the Black Annis, a fae creature who feeds on children. With the help of her former boyfriend, Greg, and Dougal, Rachel realizes there is a pattern of children’s disappearances over time that has been covered up by the town council and the sheriff. Complicating this mess is the involvement of a Orion, a drug-dealing fairy prince who has a strange connection with Rachel. She defeats the Night Weaver and saves the children.

The Bone Carver continues Rachel’s story. Reasonably wanting to escape Shadow Grove and go to college, Rachel has studied hard, but unfortunately she has a panic attack during her SATs.  Dougal is now enrolled in school with her, Greg is attempting to make her jealous, Orion has returned to the fae realm, and a creepy new boy, Cam, is following her around. Entering an abandoned part of her high school, she discovers popular girl Mercia, who has epilepsy, having a seizure, and helps her recover. After the seizure is over, Rachel finds a bone carving of Mercia having a seizure.  Later that day, after Mrs. Crenshaw falls and breaks her hip,  Rachel finds another bone carving. Rachel is convinced a “miser fae” called the Bone Carver is causing the accidents. As more people find disturbing bone carvings of themselves, Rachel and Dougal investigate, and find gory evidence of powerful fae magic. They determine that Rachel needs to enter the fae realm to find Orion.

Mercia reveals that she is a witch able to open a dimensional portal to the fae realm, and Rachel goes through, wanders aimlessly, causes a disaster, is kidnapped by Orion’s older brother Nova, the king of the fairies, and finally leaves with Orion to (hopefully) save the day. During her five days in fairyland, things have gotten exponentially worse, with people, including her mother, ending up in the hospital or acting violent or irrational, and the high school in a shambles. Despite her recent desire to flee Shadow Grove, Rachel decides she is willing to die to take the Bone Carver down and save the town.

The Bone Carver is suitably chilling and gruesome and doesn’t stint on body horror. Snyman has a talent for vivid description, as evidenced by Rachel’s visions of the vicious deaths the Bone Carver has inflicted on the girls he’s murdered. The plot around Jenny, Rachel’s mother, was extremely disturbing. There’s a heavy #MeToo, anti-incel message to the book as well, and the scenes between Rachel and Greg, Rachel and Cam, and Rachel and the Bone Carver thoroughly creeped me out.

However, what most impressed me, was the author’s depiction of Mercia. She is a well-developed character: competent, smart, caring, attractive, and popular, and when Greg gets irrational and handsy with Rachel, Mercia has no problem knocking him out. It’s easy to write a character who is living with epilepsy as an invalid or pitiful and in need of rescue, but Mercia is never written that way or treated like one by other characters. Although she comes from a family of witches (and it irritated me that her epilepsy was magically caused) she isn’t effortlessly “magical”, and she isn’t suddenly “cured” at the end of the story. In fact, her seizures aren’t quite under control, and she needs medication to help. As someone living with epilepsy I can tell you that this is a character type I have NEVER seen in any book depicting someone living with epilepsy in any age group or genre, and it was absolutely a pleasure to read this.

Unfortunately, Mercia is one of the few characters that actually did have character development and purpose in the book. Dougal and Mrs. Crenshaw are out of the picture for a majority of the book, Greg is essentially a plot device, and after all the to-do about going to the fae realm and bringing back Orion, I question whether he was useful enough to justify Rachel’s disappearing for five days while everything fell to pieces. There’s a huge reveal at the end of the book, so I assume he’ll be more involved in book three. While a nice addition to the series, though, The Bone Carver really cannot stand alone as a novel, and doesn’t hold together as well as the first book. For its depiction of a character living with epilepsy, however, I highly recommend it.

 

Contains: body horror, gore, violence, sexual assault, mentions of self-harm and suicide.

 

Reviewed by Kirsten Kowalewski

 

Editor’s note: The Bone Carver (Shadow Grove, Vol. #2) is a nominee on the final ballot for the Bram Stoker Award in the category of Superior Achievement in a Young Adult Novel.