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Book Review: Ash House by Angharad Walker, illustrations by Corey Brickley

The Ash House by Angharad Walker

The Ash House by Angharad Walker, illustrations by Corey Brickely

Chicken House, 2021

ISBN:  978-1338636314

Available: Hardcover, audiobook, kindle

 

A chilling and impressive debut.

 

Angharad Walker’s debut novel The Ash House is a strong middle grade horror tale about a group of abandoned children. Stranded at an unusual orphanage, the residents seem to have internalized the strict moralistic ideology of their captors. With newly dubbed names like Freedom and Wisdom, each child acts within prescribed roles and duties to maintain upkeep of the property. They watch recordings instead of attending school and have limited memories of the world outside the smoky mansion. Ash House’s residents complete their chores with single-mindedness and nearly religious obsession, performing “nicenesses” and avoiding “nastiness.” This creates a rigid framework against which the newcomer, renamed Solitude (nicknamed Sol) rebels. As Sol questions the mindset, he also discovers alliances, potential dangers, and the secrets of the house. When the much-feared, cruel Doctor reappears to “help” Sol, the revelations are slow, winding like ivy up a manor, and the payoffs are worth the patience. Brickley’s bleak black and white illustrations and smoke-swirled chapter headings offer exquisite visuals to Walker’s foreboding, atmospheric descriptions.

 

Abandoned children, a missing headmaster, an arrogant and brutal doctor conducting torturous medical experiments, monitored by bird-like drones, hunted by strange beasts in the woods: Ash House is not for the faint of heart, but this immersive world and carefully crafted plot provides a steady study of how friendship, trust, and cooperation clashes with hyper-rule orientation and authoritarianism.  Readers who enjoyed Ransom Riggs’ Miss Peregrine’s Home for Peculiar Children or who are ready to step into a more speculative world than Snicket’s Series of Unfortunate Events or Golding’s 1954 Lord of the Flies will find much to enjoy in The Ash House. Recommended for ages 8-12.

 

Contains violence, medical torture.

 

 

Reviewed by E.F. Schraeder

 

Book Review: House of Salt and Sorrows by Erin A. Craig

cover art for House of Salt and Sorrows by Erin A. Craig

House of Salt and Sorrows by Erin A. Craig

Delacorte, 2019

ISBN-13 ‏ : ‎ 978-1984831927

Available: Hardcover, paperback, Kindle edition, audiobook

( Bookshop.org | Amazon.com )

 

House of Salt and Sorrows is the strangest version of the fairytale “The Twelve Dancing Princesses” I have come across to date.

 

The Duke of Salten had twelve daughters. His wife died in childbirth with the last, and the girls have, one by one, died terrible deaths, until only eight of them are left: Camille, Annaleigh, Rosalie, Ligeia, Lenore, Honor, Mercy, and Verity (yes, there are some very Edgar Allan Poe-influenced names). I’ve seen some complaints about the lack of character development in the girls, but the original tale doesn’t make most of them more than placeholders.

 

Inheritance in Salten goes to the eldest child, regardless of sex. With the death of her sister Eulalie, whose funeral starts the book, Annaleigh, the narrator, is sixteen and now second in line to inherit, after Camille. Annaleigh’s father has recently remarried a much younger woman, Morella, who is now pregnant with twin boys and decides that after years of mourning, another year set aside to mourn Eulalie is a year too long, and it’s time to put the black away.  She orders them special dancing slippers, and plans a party to invite eligible suitors. Annaleigh isn’t ready to set her grief aside, but she isn’t given a choice.

 

Annaleigh believes Eulalie was murdered, and investigates with Cassius, a young man visiting Salten, who is soon entangled in the family’s intrigues (he is also the required love interest for the main character in a YA novel). She also discovers her sister Verity has been drawing disturbing portraits of their dead sisters, insisting that she is seeing their ghosts. A rumor has spread that the girls are cursed, and though invitations to Morella’s party are accepted, no one wants to speak or dance with them. Frustrated with their situation, the girls look for a magical door, find it, and go through it to discover it is an elegant ball where they can dance all night.

 

Or is that really what’s going on? I can’t say more without spoiling the story except to say that Annaleigh is an unreliable narrator and this book is really dark, disturbing, and disorienting. I’m still unclear on how much of the ending was real. The grief in the book felt authentic and the author’s world building was incredible. Salten is on an island in the ocean, and the People of the Salt have their own customs and religious traditions. “Aesthetic” is a popular concept on social media right now, and the aesthetic for this book is what I’d call island gothic. The ocean and the tall cliffs of the island permeate everything. This is a very dark tale, and while it doesn’t get violent or disgusting often, when it does, the imagery is vivid, so it isn’t for everyone, but it may be a treat for those who like their fantasy drenched in darkness.  Recommended.

 

Contains: Images of and references to suicide, murder, body horror, childbirth, stillborn children,  sexual situations, violence, gore, sexual situations, blood, decay.

 

Reviewed by Kirsten Kowalewski

 

 

 

Book Review: The Fatal Move and Other Stories by Conall Cearnach

cover art for The Fatal Move and Other Stories by Conall Cearnach

The Fatal Move and Other Stories by Conall Cearnach

Swan River Press, 2021 (reprint, originally published in 1924)

ISBN: 978-1-78380-037-7

Available: Hardcover  Swan River Press )

 

 

Reprinted for the first time in nearly one hundred years, The Fatal Move is a slim collection of six ghostly tales penned by Conall Cearnach (the pseudonym of F.W. O’Connell, a peculiar and versatile Irish clergyman and scholar).

 

Thus, lovers of ghost and supernatural stories have the opportunity to get a taste of a different author rather than keep reading the classic works of the usual suspects.

 

The title story, “The Fatal Move” effectively portrays two bachelor friends, both passionate chess players, in love with the same woman. In a final chess game, an ingenious trick bound to bring death to one of the players will select the survivor(and winner of the woman’s heart).

 

The excellent “The  Fiend That Walks Behind” describes the obsession of a psychiatrist whose fame has usurped that of the real author of a scientific discovery, and becomes the object of a paranormal haunting and vengeance.

 

“The Homing Bone”,  a traditional type of ghost story– featuring an anatomist stealing a femur from a grave site– is  so well-told it entices the reader despite its predictable outcome, while “Professor Danvers’ Disappearance” is an intriguing, clever mystery, with a supernatural veneer.

 

The volume is enhanced by a number of quite enjoyable short essays by the author, addressing topics such as dreams, sleeplessness, nervous children, and the power of languages, plus an Irish alternative view of Dante’s Divina Commedia, “ The Vision of Merlino”.  The book is prefaced by an exhaustive, learned introduction by Reggie Chamberlain-King. “F.W. O’Connell: Master of Strange Tongues”.

 

A delightful change from the usual stuff published nowadays.

 

Reviewed by Mario Guslandi