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Book Review: Raising Hell by Bryony Pierce

cover art for Raising Hell by Bryony Pearce

Raising Hell by Bryony Pearce

UClan Publishing, 2021

ISBN-13 ‏ : ‎ 978-1912979547

Available: Paperback  Amazon.com.uk )

 

Four years ago Ivy Mann and her friends Danny and Elena did a ritual to raise their friend Violet from the dead. Violet came back as a revenant and killed Danny before Ivy was able to stop her, and the ritual opened a rift that gives teenagers the ability to spellcast, bringing demons and hellhounds through and raising the dead. Ivy has been abandoned by her parents and Elena, her only company a cat possessed by the spirt of her Gran. Now nineteen, she works as a security guard at her old high school, detecting and confiscating magical contraband to protect other kids. In the case of Norah Ortega, she is too late to stop Norah from manifesting hellhounds in the school hallway. Although she defeats the hellhounds, she accidentally gives Norah a concussion, and Norah’s wealthy older brother Nicholas demands that Ivy be fired. Returning home, her Gran insists that Danny is there.

 

Then Norah shows up at Ivy’s place, asking for help. She is still connected to one of the hellhounds and it is draining her life force away. Nicholas follows shortly, and after surviving another hellhound attack, the three of them are off on a journey, chauffered by Nicholas’ bodyguard Andrews. Norah has to stay on consecrated ground, so Ivy, Nicholas, and Andrews go off to find the mysterious store where Norah got her spellbook, in hopes that the spell can be reversed, and discover Elena, who has found a way to bring Danny back because she believes that the three of them must all be there to reverse the ritual and close the rift.  In the meantime, she’s sold an awful lot of copies of the Necronomicon to unstable teenagers intent on raising the dead. What could possibly go wrong?

 

This fast-paced urban fantasy doesn’t make a lot of sense, but it is a lot of fun and it contained some unexpected surprises, including a political subplot that will probably be better appreciated by residents of England. There’s a fair amount of blood, dead teenagers, and zombie gore– Ivy is not a perfect heroine or superpowered, and she isn’t able to prevent collateral damage from taking place– but she’s funny (her machete is named Matilda), no-nonsense, and kicks butt.  Pearce did a great job bringing her character to life. Pearce’s teenagers are a mix of unlikable and sympathetic– regardless of her previous actions, Norah is grieving the death of her sister– which is pretty realistic, and something I appreciated.

 

The one thing that was really strained was Pearce’s attempt to push Ivy and Nicholas together romantically. Not only did he get her fired over his sister’s actions, but their own interactions weren’t romantic and they had no chemistry. It looks like Pearce has set things up for a sequel, so maybe that will be developed a little more, but that romance has a lot to overcome in order to be convincing. Raising Hell may be enjoyed by young adults who enjoy energetic urban fantasy with a dark edge.

 

Contains: blood, violence, zombie gore, self-harm

Reviewed by Kirsten Kowalewski

 

 

Book Review: The Bone Carver (The Night Weaver, Book 2) by Monique Snyman

cover art for The Bone Carver by Monique Snyman

The Bone Carver (The Night Weaver, Book 2) by Monique Snyman

Vesuvian Press, 2020

ISBN-13 : 978-1645480082

Available: Paperback, Kindle edition Bookshop.org   | Amazon.com )

 

The Bone Carver is the sequel to The Night Weaver, a previous Stoker nominee in the YA category. These two factors mean it has a high bar to jump, as the second book in a series usually isn’t able to stand alone.

In The Night Weaver, seventeen-year old Rachel Cleary lives in the isolated New England community of Shadow Grove. She discovers her neighbor across the street, Mrs. Crenshaw, is a guardian protecting the boundary between our world and the fae realm in Shadow Grove. While out with Rachel, Mrs. Crenshaw’s visiting grandson, Dougal, recognizes the Black Annis, a fae creature who feeds on children. With the help of her former boyfriend, Greg, and Dougal, Rachel realizes there is a pattern of children’s disappearances over time that has been covered up by the town council and the sheriff. Complicating this mess is the involvement of a Orion, a drug-dealing fairy prince who has a strange connection with Rachel. She defeats the Night Weaver and saves the children.

The Bone Carver continues Rachel’s story. Reasonably wanting to escape Shadow Grove and go to college, Rachel has studied hard, but unfortunately she has a panic attack during her SATs.  Dougal is now enrolled in school with her, Greg is attempting to make her jealous, Orion has returned to the fae realm, and a creepy new boy, Cam, is following her around. Entering an abandoned part of her high school, she discovers popular girl Mercia, who has epilepsy, having a seizure, and helps her recover. After the seizure is over, Rachel finds a bone carving of Mercia having a seizure.  Later that day, after Mrs. Crenshaw falls and breaks her hip,  Rachel finds another bone carving. Rachel is convinced a “miser fae” called the Bone Carver is causing the accidents. As more people find disturbing bone carvings of themselves, Rachel and Dougal investigate, and find gory evidence of powerful fae magic. They determine that Rachel needs to enter the fae realm to find Orion.

Mercia reveals that she is a witch able to open a dimensional portal to the fae realm, and Rachel goes through, wanders aimlessly, causes a disaster, is kidnapped by Orion’s older brother Nova, the king of the fairies, and finally leaves with Orion to (hopefully) save the day. During her five days in fairyland, things have gotten exponentially worse, with people, including her mother, ending up in the hospital or acting violent or irrational, and the high school in a shambles. Despite her recent desire to flee Shadow Grove, Rachel decides she is willing to die to take the Bone Carver down and save the town.

The Bone Carver is suitably chilling and gruesome and doesn’t stint on body horror. Snyman has a talent for vivid description, as evidenced by Rachel’s visions of the vicious deaths the Bone Carver has inflicted on the girls he’s murdered. The plot around Jenny, Rachel’s mother, was extremely disturbing. There’s a heavy #MeToo, anti-incel message to the book as well, and the scenes between Rachel and Greg, Rachel and Cam, and Rachel and the Bone Carver thoroughly creeped me out.

However, what most impressed me, was the author’s depiction of Mercia. She is a well-developed character: competent, smart, caring, attractive, and popular, and when Greg gets irrational and handsy with Rachel, Mercia has no problem knocking him out. It’s easy to write a character who is living with epilepsy as an invalid or pitiful and in need of rescue, but Mercia is never written that way or treated like one by other characters. Although she comes from a family of witches (and it irritated me that her epilepsy was magically caused) she isn’t effortlessly “magical”, and she isn’t suddenly “cured” at the end of the story. In fact, her seizures aren’t quite under control, and she needs medication to help. As someone living with epilepsy I can tell you that this is a character type I have NEVER seen in any book depicting someone living with epilepsy in any age group or genre, and it was absolutely a pleasure to read this.

Unfortunately, Mercia is one of the few characters that actually did have character development and purpose in the book. Dougal and Mrs. Crenshaw are out of the picture for a majority of the book, Greg is essentially a plot device, and after all the to-do about going to the fae realm and bringing back Orion, I question whether he was useful enough to justify Rachel’s disappearing for five days while everything fell to pieces. There’s a huge reveal at the end of the book, so I assume he’ll be more involved in book three. While a nice addition to the series, though, The Bone Carver really cannot stand alone as a novel, and doesn’t hold together as well as the first book. For its depiction of a character living with epilepsy, however, I highly recommend it.

 

Contains: body horror, gore, violence, sexual assault, mentions of self-harm and suicide.

 

Reviewed by Kirsten Kowalewski

 

Editor’s note: The Bone Carver (Shadow Grove, Vol. #2) is a nominee on the final ballot for the Bram Stoker Award in the category of Superior Achievement in a Young Adult Novel.

 

Book Review: Dispossessed by Piper Mejia

Cover image for Dispossessed by Piper Mejia

Dispossessed by Piper Mejia

IFWG Publishing Australia (2021)

ISBN: 978-1-925956-83-2

Available:  Paperback, Kindle edition Bookshop.orgAmazon.com )

 

Dispossessed is a character-driven debut YA novel from New Zealand author Piper Mejia.

With unusual traits and a rapidly changing physical presence, sixteen-year–old foster child Slate is a perpetual loner who is used to rejection. When Malice, a woman claiming to be from social services, picks him up to take him to another home he isn’t surprised. But when she reveals she is taking him to his grandfather in New Zealand, he is introduced to a band of strangers living a nomadic lifestyle, and possibilities for a life he never imagined. There Slate finds a diverse group of people with unique traits and surprising abilities: people who are supposedly his kin.

Like Slate, no one understands Warnner, an institutionalized boy with a history of abandonment. When Warnner finds the community Slate has recently joined, he is intrigued and drawn to the people running it, because of the uncanny traits they appear to share with him. Unlike Slate’s restless distrust, Warnner’s interest in joining is almost immediate, and conflict brews between the two. The community’s world and way of life is soon pitted against a group of fanatics out to hunt, violate, and destroy them, forcing rivalries into the background as tense and tentative cooperation among the dispossessed becomes required for the community’s survival.

At times poignant, this tale is driven by rich cast of characters and a strong sense of place.  Mejia centers otherness and relies on the surreal in this carefully constructed society, using some Māori terminology, but with a minimal presence of the indigenous population. Instead, Mejia addresses marginalization as experienced by this community of outsiders, the dispossessed, and builds an intricate world where misfits find community and individual variances do not impose limits so much as they open doors to alternatives. A vividly imagined YA fantasy about kinship, community, and the differences that make people who they are, Dispossessed may resonate with readers of varied backgrounds who have felt alienated or misunderstood. Recommended for ages 13-18 who enjoyed the work of Daniel José Older’s Shadowshaper and The Stars Never Rise by Rachel Vincent.

 

Contains: violence, torture, violence directed at the dispossessed, a marginalized group.

 

Reviewed by E.F. Schraeder

 

 

 

 

Key words New Zealand. YA. Urban Fantasy. Fantasy.