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Graphic Novel Review: Lugosi: The Rise and Fall of Hollywood’s Dracula by Koren Shadmi

Cover art for Lugosi by Koren Shadmi

Lugosi: The Rise and Fall of Hollywood’s Dracula by Koren Shadmi

Life Drawn, 2021

ISBN-13: 978-1643376615

Available: Paperback, Kindle, comiXology Bookshop.org  |  Amazon.com )

 

 

Lugosi: The Rise and Fall of Hollywood’s Dracula is a graphic biography of one of the most recognizable men to portray Dracula, Béla Ferenc Dezső Blaskó, or simply Bela Lugosi. Shadmi tells the story of the young Bela fleeing Hungary after a failed Communist revolution in 1919. Upon coming to the United States, he “reinvents himself”, acting on stage and screen, eventually being cast as the titular vampire count in 1931’s Dracula. However, Lugosi’s constant vices and failed marriages haunted him throughout his career and beyond.

 

Shadmi did not hold back with Lugosi, opening with Lugosi in 1955 admitting himself to the Motion Picture and Country House Hospital in an attempt to defeat his heroin addiction. From there, we are taken to Lugos, Hungary in 1893 where a young Bela is acting in a field after becoming entranced by a traveling acting troupe that recently left. A group of bullies attack him, and then he returns home to his strict, banal parents. Soon after, Bela faces the death of his father and the hatred of his mother. At this point, he takes some of his possessions and leaves home. The story then switches back to Bela in the hospital where he is facing detox, hallucinations, and the physical and emotional pain that tortures him. The rest of the book follows in this manner, going from sepia colored modern day to crisp black and white telling of the past. More of Bela’s past is revealed, including affairs, drug addiction, arrival in the United States, struggles with Hollywood, his rivalry with Boris Karloff, acting for the notorious Ed Wood, Jr., and more, while Lugosi faces his demons in the hospital. It is a powerful biography fans of Lugosi should read.

 

Shadmi has become one of my favorite creators. Lugosi: The Rise and Fall of Hollywood’s Dracula will be another graphic biography on my bookshelf. Highly recommended.

 

Reviewed by Lizzy Walker

Book Review: Only the Dead Know Burbank by Bradford Tatum

Only the Dead Know Burbank by Bradford Tatum

HarperCollins Publishers, 2016

ISBN: 9780062428752

Available:  Paperback, Kindle edition

 

Only the Dead Know Burbank starts out in post-World War I Germany, after the Spanish flu epidemic has passed. Maddy Ulm, a young woman whose mother cast a mysterious spell on her before her premature death, pulls herself out of her own grave. She discovers she cannot die, but she also cannot age, and when she eats, she tastes nothing but ash. She knows nothing of where her mother has gone; she is alone. She sets out to find…something? Someone? She’s not quite sure. She eventually meets and joins up with street performers, including Mutter, an injured soldier with a love of theatrics. Together, they perform dramatic traumas and seeming resurrections on the small stage. Then Maddy discovers film, and her love of the horrific. When Universal Pictures discovers one of her masterpieces, Maddy travels to Hollywood. There, she meets and works with some of the Hollywood greats, creating some of the most memorable images in horror history. She channels her innate knowledge of the supernatural, fear, death, and undeath into her art, but is never allowed to head the projects she loves so much. She wants more. Throughout her story, she catches glimpses of her mother, occasionally meeting with her and her father. As the story progresses, Maddy discovers more about herself, her family, and what she is capable of.

I was apprehensive about this at the beginning. Maddy’s childhood is nothing more than a mother providing for her child and surviving the only way she knew how—through sex, death, and art. Maddy was never shielded from anything happening, and was even present at times. It would be fair to say Maddy was never treated as a child. She came into the world observing the adult world through her mother, a very cold woman who withheld any kind of affection from Maddy. Dealing with her mother makes Maddy a survivor, and she develops skills that aid her through the rest of her life, leading her to become an extremely strong female character.

Mutter is another character in this story worth mentioning. Mutter, before his injury, was a German soldier who Maddy encountered briefly when her mother was entertaining the troops. Maddy feels a strong attachment to Mutter, and he acts as a protector to her, providing her with the familial love that she never experienced as a child.

The historic figures written into the story are fantastic. Cheney was given a very respectful characterization, but I think Tatum was even more sensitive to Boris Karloff. Being an avid fan of Karloff’s, I was pleased with the sensitivity and respect he gave to his characterization of one of the genre’s greatest actors. Maddy is especially drawn to him because of the kindness in the man’s eyes, and his physical stature. She was looking for someone to play the creature in Frankenstein, rejecting the director’s demand for the horrific, and instead obtaining someone with a certain sorrow in the eyes, something which Maddy herself comes to grips with along the way in her own life. Tatum clearly did his research on early horror cinema in both Berlin and Hollywood, and combined with his original approach and well-drawn characters, this is a pleasure to read. Recommended.

 

Contains: physical and psychological abuse, some sex

Reviewed by Lizzy Walker

 

 

Frankenweenie as a Gateway to Literature and Life Lessons

We watched Frankenweenie last night (I explained to the kids that some parts would be sad or scary and they voted to try it) and both during the movie and this morning it was interesting to see what they had picked up. I don’t think Tim Burton was trying to teach my kids about the literature and movies of the horror genre, or offer them life lessons, but Frankenweenie opened up opportunities to talk about these things.

Most people probably don’t have kids who immerse themselves in everything they can find out about monster movies and stop motion animation. But I do have one of those kids. To be clear, he hasn’t seen the Universal monster movies, but he is fascinated by them and reads everything he can find. He’s watched a lot of the Japanese monster movies and cheesy science fiction movies of the 1950s and 1960s, and has managed to see many of the movies Ray Harryhausen worked on. He also has started to notice plays on words, and he saw a lot of things in Frankenweenie that he picked up on right away, like, say, a main character named Victor Frankenstein who digs up a body in a graveyard and brings a creature back to life during an electrical storm. “This movie is like Frankenstein! The name is the same!” He noticed that Victor’s dog is named Sparky, “like electricity has sparks, and Sparky has electricity.”  The turtle that comes back to life is gigantic “like Gamera”! It’s also named Shelley “because turtles have shells”. I told him that Shelley was also the last name of Mary Shelley, the author of Frankenstein. “Oh yeah! That’s cool! The name is both of those things!” We also talked about how Elsa’s last name, Van Helsing, is the name of the vampire slayer in Dracula, and that she gets kidnapped by a bat; that the mayor is called the Burgermeister, like in Rankin-Bass’ stop motion Christmas special “Santa Claus is Comin’ to Town”; that the movie, which is a stop-motion animation movie, starts with Victor showing a stop-animation film; that the movie is black and white, like the original Frankenstein movie; and that the science teacher looked a lot like Vincent Price. That’s a lot to unpack from an animated children’s movie.

The movie had a much different effect on my daughter. The attack of the reanimated pets on the town really scared her and I had to leave the room with her for awhile. She asked “did anybody get hurt”? Well, the attack is scary, but nobody is really hurt, and parts are even a little funny. Then she wanted to know why the animals turned out differently from Sparky. So we talked about how Victor decided to bring Sparky back because he loved him, but the other kids brought their pets back because they wanted to win the science fair. That was something the science teacher had talked about, the importance of doing science with love, and doing the right thing. Then she asked if bringing Sparky back, even out of love, was the right thing. At that point in the movie, Sparky had escaped from Victor’s house and returned to the cemetery. It seemed like that was where he wanted to be, at rest in the cemetery. “Sparky wasn’t ready to die. But he did, and he wants to be at rest, so maybe he should be at rest. Victor should let him.”  Smart little girl.

Later, both kids asked why the parents made the science teacher leave, because “it’s important to learn science”. It’s hard to explain to kids that adults don’t always want to understand the world, or want their kids to understand. “But science is good”! I reminded them that the science teacher had said that science is neither bad nor good– and that’s why you should be careful with how you use it.

That message gets somewhat lost at the movie’s ending, because after Sparky saves the day at the expense of his own life, and Victor is able to finally let go of his grief, his parents convince the rest of the adults in town to bring back Sparky once again. The same unthinking adults who got rid of the science teacher out of fear reanimate a dead dog without any further thought as to whether it’s right or wrong (I didn’t discuss this part with my kids). In spite of the pasted-on happy ending, though, Frankenweenie, quite unexpectedly, offered a lot of food for thought as well as entertainment value.

Although most people aren’t watching scary movies to improve their cultural literacy or provide them with opportunities for deep philosophical discussions, we can watch out for those teachable moments. It doesn’t take forever to point out a literary or cultural reference when you see it, and if your kids are interested, the Internet makes it easy to explore further. If your kids come up with a question that they really want to talk about, take it seriously and do your best to help them figure things out.  In Frankenweenie, Tim Burton provided a gateway, but I held my kids’ hands as we walked through to a larger world.

Here are a few other scary movies for kids that might lend themselves to more than just entertainment. As always, not every movie is appropriate for every child.

 

Toy Story

Monsters, Inc

Spirited Away

The Neverending Story

Coraline