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Book Review: The Singing Bones by Shaun Tan

The Singing Bones by Shaun Tan
Arthur A. Levine Books, 2016
ISBN-13: 978-0545946124
Available: Hardcover

 

My most memorable previous experience of Shaun Tan’s work was the surrealist graphic novel The Arrival; a touching, wordless tale of an immigrant arriving in an unfamiliar place. The art and story together have a powerful impact in showing the universality of what it means to be a stranger arriving in a strange land, using unique images to communicate what words are unable to. The Singing Bones is completely different, but it also expresses universality using images with a powerful visual impact.

The Singing Bones has an introduction by author Neil Gaiman and a foreword by fairy tale scholar Jack Zipes, clues that the reader is in for a fascinating tour of the Grimm brothers’ tales. Tan pairs snippets from stories by the Grimm brothers with photographs of minimalist sculptures based on the stories. The sculptures were influenced by the styles used by Inuit and Pre-Columbian people. and are mainly made out of paper mache, found objects, and clay, primarily in red, black, and white. Each is presented in a double-paged spread, with the story snippet on the otherwise blank left hand page and the photograph of the sculpture it inspired on the right. The lines and curves in the sculptures are clean and uncluttered. Some sculptures represent the story fully– the one devoted to “Rapunzel” could be a tower, or a girl, or both. Others show a single moment– the one for “The Frog King” depicts the frog’s head poking out of circular ripples at the moment just before he would have spoken to the princess.  The first look is not enough; while the sculptures may seem simple, reading the snippets and spending time looking at the photographs of the sculptures reveals that there is a lot to see in what might seem like uncomplicated objects. Be advised that these are not Disneyfied stories; Tan includes the story “Mother Trudy”, which has a very unpleasant ending for the child protagonist. There’s a very primal, visceral feel to the experience of going through these pages. The photographic spreads are followed by an explanation by Tan of the process used, and then by an index that fully summarizes the Grimm’s tale associated with each sculpture.

I discovered this book in the children’s section of my library, and I’m not sure it belongs there. As an art book and an exploration of Grimm’s tales, it is outstanding, but in a very nontraditional way, and I think many adults would really enjoy it. However, while my nine year old was enchanted by it, it also gave her nightmares, and required considerable discussion and research as a follow-up. It was a good experience for us together, but would have been difficult for her on her own. I can highly recommend it for elementary-aged and middle school children with an adult as a read-and-share title, and as a stand-alone title for ages 14 and older.


Miss Peregrine’s Home for Peculiar Children: What Next?


When I first read Miss Peregrine’s Home for Peculiar Children, I didn’t realize it was intended to be a young adult title, even though the narrator is a teen. Obviously a lot of other people missed out on that too, as it became a bestseller read by teens and adults alike. A sequel, Hollow City, is scheduled to  be released in January, and I expect a lot of the people who were oblivious to the first book will now discover Miss Peregrine and her charges. What to read next, as they impatiently wait for a third book (and there practically has to be a third book, so this can make up a trilogy)?

I think that much of the appeal of Miss Peregrine comes from how atmospheric and surreal it is, while at the same time being grounded in history and reality by the use of real photographs obviously taken long before the advent of the modern camera. The mix is one that will be difficult to replicate, maybe impossible, but I think there are titles that might be of interest to those who enjoyed Miss Peregrine’s Home for Peculiar Children, as well.

 


The Seer of Shadows by Avi.  It is 1872, and Horace Carpentine, taken on as an apprentice by a photographer of dubious character,  discovers, to his disbelief, that he can bring back the spirits of the dead by taking photographs. This is an unforgettable tale of ghostly vengeance, well-grounded in historical fact. While there aren’t actually any photographs in the book, readers will learn a great deal about early photographic processes and how they could be manipulated, something that ought to appeal to people who are curious about the early photographs that appear in Miss Peregrine. While the target audience is (theoretically) ages 9-12, this should appeal to older readers as well.

 

 


Cryer’s Cross by Lisa McMann. In this spine-chilling read, Kendall Fletcher is drawn into a terrifying supernatural situation that stems from incidents in her isolated town’s dark past (yes, I know it’s a trope). Kendall is  a unique and likable character who also has OCD, something that plays into the story without overtaking it. There are creepy alternating chapters from the malevolent force’s point of view, which ratchet up the suspense and give the story a surreal edge. While this is a contemporary novel, the focus that triggers the supernatural is a physical object, and there is a boarding school involved, and Kendall ends up digging into local history to find answers to her questions. The ending is so intense, I almost forgot to breathe. This book is targeted at older teens, but I definitely enjoyed reading it.  All the Lovely Bad Ones by Mary Downing Hahn, while much more of a middle grade novel, is another excellent novel that deals with a similar tragic situation.

 


The Photo Traveler by Arthur J. Gonzalez. Gavin escapes from his abusive adoptive family through photography. He discovers that photography is more than a hobby for him– it gives him the opportunity to travel through time. Although this is also a contemporary novel, there’s family twistiness, time travel, photography, and historical detail, things which will probably be appreciated by someone who enjoyed Miss Peregrine.

 


The Replacement by Brenna Yovanoff. Mackie Doyle has a secret– he’s a “replacement”, or changeling child, in a town where, for the sake of keeping the residents prosperous,  a human child is traded away every seven years. Kind of like “The Lottery”, which has always given me the chills. When another child is stolen, Mackie and his friends decide to rescue her. This novel plays up the surreal and the atmospheric setting has been described as one of  misery and hopelessness. According to Yovanoff, there is no sequel in the works, but maybe this is a good lead-in to introducing readers to her other books (she has a new one coming out soon).

 


Asylum by Madeleine Roux. This is about a teenage boy who is sent to a camp for gifted students inside a former mental hospital. Because nothing could possibly go wrong by sending gifted kids to an insane asylum for summer break. Roux has written two books for adults, which we read and reviewed (and I highly recommend the first one, Allison Hewitt is Trapped), and this is her YA debut. I haven’t had the opportunity to read it, but reviews seem to be all over the place as to whether it works as a crossover title. It does take advantage of the photo-novel aspect of Miss Peregrine’s Home for Peculiar Children, however, with both genuine and (in this case) altered photographs from early asylums. I imagine that increases its creep impact at least tenfold. While it doesn’t have the realism that photographs offer the readers of Asylum, another excellent book, aimed at middle grade students, with the similar background of gifted youngsters isolated in a haunted school is Down a Dark Hall by Lois Duncan.

 

 


Talking Pictures: Images and Messages Rescued from the Past by Ransom Riggs. This is a book of “found” photographs that captured an important moment in the photographed person’s life, noted by an annotation or message written on the photograph. These are not the bizarre photos used in Miss Peregrine, but people intrigued by the photos in Miss Peregrine may be interested to see into the lives of other people, who live on through photographs that might otherwise be filed away in a shoebox.

 


Pretty Monsters by Kelly Link. Putting aside the visual and historical aspects of Miss Peregrine completely, there is a surreal feel to many of the stories in Pretty Monsters that some readers of that book might appreciate. Illustrations by Shaun Tan, a brilliant visual artist, complement the stories beautifully. Link’s stories will ring true to a lot of readers, and many of the stories in Pretty Monsters first appeared in editions published for adults. I’d also like to mention Shaun Tan again here, as he has produced some gorgeous and surreal artwork both on his own and in collaboration with author Gary Crew. The Viewer. The Viewer is not easily available, but does play with images, and did involve photography in its production (I will note here for clarity that Amazon’s suggested age range of ages 6-11 is radically different than what I (or most people) would suggest as an appropriate title for children– I wouldn’t give The Viewer to any child under age 10, and then only if I planned to sit down, read it with them, and discuss it afterwards).

 

Interested in some additional suggestions? Check out BookRiot’s booklist here. And enjoy the wait for Hollow City by enjoying (and recommending) a few of these.

 

 

Kelly Link, Small Beer Press, and Weightless Books

Kelly Link is one of the most original writers I have come across in many many years of reading all kinds of things. She started out writing for small press, and in the past few years had a collection of short stories for teens, called Pretty Monsters, published by Penguin, and reviewed here. I first discovered her work when I was looking for books published by Shaun Tan (I had just experienced his graphic tale, The Arrival) and once I started reading, I couldn’t stop with just one story. I told everyone who would listen to me about the book, and was very excited to have the opportunity to interview her last summer when the paperback edition of Pretty Monsters came out.

Pretty Monsters was not her first book. Stranger Things Happen, her first full length collection, was published in the small press, by Small Beer Press, in 2001. This is the book Karen Russell described and read from on NPR recently (here’s a  link to Karen Russell’s introduction. If you’d like to listen to her read from the book, you can do that from this page too). Karen claimed that Kelly’s work transcends a librarian’s ability to catalog it. Which is nonsense. To quote one of my favorite essays “Librarians can catalog anything… They can even catalog you.” Even though we can (and do) catalog Kelly’s work, though, she is an amazing, boundary-defying writer. In addition to writing, she also is a college professor, and runs both a zine (Lady Churchill’s Rosebud Wristlet) and Small Beer Press, with her husband, Gavin J. Grant.

When I learned about the story on NPR, I was inspired to revisit Kelly’s website, where I learned that Kelly and Gavin had published an ebook called Sea, Ship, Mountain, Sky. A new book I could try… I had to find it. A link sent me to Weightless Books, which I had never heard of. But it’s a pretty neat place! It’s a small, independent online bookstore, and it provides an opportunity for writers to publish things that don’t fall into established categories, for small presses to make their works available, and for readers to acquire DRM-free ebooks that can be downloaded in a variety of formats to a variety of devices. Weightless Books does appear to be selective about the authors and publishers they will accept, but also appears to be slowly expanding its offerings, and many of their titles fall into genres such as science fiction, fantasy, speculative fiction and, yes, horror. It’s an interesting place to explore, and I encourage you to check it out. I think Sea, Ship, Mountain, Sky is a fantastic story,  and I like the philosophy behind the site. Amazon.com is well-known, and library wholesalers capture a significant chunk of the library market. Places like Weightless Books will make it possible to fill in gaps for audiences who want to read interesting authors and books from interesting presses, that aren’t available easily in any other way.

Once again, Kelly, and Gavin J. Grant (who runs the site) rock.