Home » Posts tagged "read alouds"

Book Review: The Poe Estate (The Grimm Legacy, Book 3) by Polly Shulman

The Poe Estate (The Grimm Legacy, Book 3) by Polly Shulman

Nancy Paulsen Books, 2015

ISBN-13: 978-0399166143

Available: Hardcover, Kindle edition, audiobook, audio CD

 

This, sadly, is the last book in a trilogy where the real star is not any particular character, but the New-York Circulating Material Repository, a combination library/museum/pocket dimension of fictional objects. The first book, The Grimm Legacy, introduced high school students Elizabeth Rew and Andre Merritt, who were hired to work as pages in the Repository, as they discovered magical objects from fairytales and fantasy. The second book, The Wells Bequest, introduces science geek Leo Novikov and explores fictional objects found in science fiction tales. This third book, The Poe Estate, ventures into the world of Gothic and early horror fiction. It takes place years later, after Elizabeth has become a librarian. She and Andre travel New England looking for haunted objects and houses to store in the repository’s Poe Annex (a detail I loved was that in order to reach the Poe Annex, visitors must first travel through the Lovecraft Corpus, which is just as creepy and atmospherically terrifying as you would expect). However, unlike the first two books, we get a first-person narrator, sixth grader Sukie, whose protective older sister Kitty died from an inherited blood disease from her mother’s side of the family, the Thornes.  Kitty haunts Sukie, still compelled to protect her even after death. Sukie and her parents, suffering financially, move into Thorne Mansion, which is in a sad state of disrepair, with their mother’s very elderly cousin, Hepzibah Thorne, and Sukie soon discovers another ghost haunting the house.  After meeting Elizabeth and Andre at a flea market, Sukie discovers that the house, and members of her family from generations past, appeared in an unfinished Gothic novel. Sukie, Andre, and Elizabeth go on a treasure hunt, passing through the Lovecraft Corpus, visiting the Spectral Library (a fictional library with a ghostly librarian, containing fictional books that exists inside a story: examples of fictional books include the Necronomicon and The King in Yellow, both of which are better handled by a ghost than a human being), and traveling through the Poe Annex, which contains not just haunted houses, but haunted ships, haunted trains, and haunted islands. There are enough Easter eggs in this book to give any fan of Gothic and early horror fiction plenty to delight in, and the metanarrative is kind of fascinating, although it’s also somewhat confusing.

I personally am absolutely delighted to see the names of some of these lesser-known stories (such as “Afterward” by Edith Wharton and “The Wind in the Rose-Bush” by Mary E. Wilkins Freeman) and authors appear in a middle grade novel, and I love the Repository and its collections. However, Sukie’s story as a girl dealing with grief over the death of her sister, financial difficulties at home, and bullying at school, whose elderly cousin is being pursued by unscrupulous developers, gets shafted by the author’s need to incorporate the Repository into the narrative. Jonathan Rigby, the villain from previous books, doesn’t get much space in the story, and the conflicts and relationships don’t get the attention they deserve. Sukie’s story is definitely a middle-grade story, but its intersection with the Repository storyline mostly derails it in favor of dropping names that might not be familiar even to many adults. Shulman could get away with this in The Grimm Legacy, because most kids have a basic familiarity with fairytales, but I don’t think it works here.

If you are an adult who loves the idea of  fantastic libraries or getting to step into favorite stories (visiting the House of Usher, flying on a broom from Young Goodman Brown, tracking down Captain Kidd’s treasure) then this is a really fun book.  Unfortunately, I think a lot of it will go over the target audience’s head. Polly Shulman does provide a list of authors and titles mentioned in the text, and she got me interested enough in Hawthorne to look some of his stories up (The Scarlet Letter successfully turned me off to Hawthorne in high school), but I have trouble seeing kids in elementary or early middle school  actively seeking these stories out on their own. This isn’t great writing, but it’s a lovely tribute with an enjoyable concept,  one of those books that is best shared between an adult who loves the genre and the kids in their lives.

 

Book Review: All Hallow’s Eve by Jennifer Hughes, illustrated by Agus Prajogo

All Hallow’s Eve by Jennifer Hughes, illustrated by Agus Prajogo

Mascot Books, 2019

ISBN-13: 978-1684011643

Available: Hardcover, Kindle edition

 

October is THE month for storytelling and reading aloud, especially with kids, who see it as THEIR holiday. A majority of picture books for this time of year, however, are either series tie-ins (quality may vary) or standards that have survived the test of time (I will never not read The Hallo-Wiener or The Tailypo if I can get someone to listen)  All Hallow’s Eve is new this year: it’s a tale of trick-or-treating gone creepy. Hughes originally wrote the story in 2000 as a poem for her nieces, who demanded it be read to them over and over again, but set it aside until recently. The sing-songy rhythm and the words hanging on the structure of the familiar poem “A Visit From St. Nicholas” make it a fun and easy read-aloud. The cartoony, colorful illustrations of four little witches off to trick-or-treat are adorable, and the last house on the street is spooky. Readers expecting a predictable ending might find themselves at least a little surprised– and kids will probably giggle– at how the story wraps up. Not terribly scary but very Halloween-y, All Hallow’s Eve is a nice find for the upcoming holiday.

Book Review: The Scary Stories Treasury: Three Books to Chill Your Bones by Alvin Schwartz, illustrated by Stephen Gammell

In honor of Banned Books Week, a review of Alvin Schwartz’s The Scary Stories Treasury, which had a place on the American Library Association’s Top 10 Banned and Challenged Books list from 2000-2009. This review was written about the hardcover edition of the original compilation, with illustrations by Stephen Gammell: it doesn’t appear to be available in hardcover at this time.

 

Scary Stories Treasury; Three Books to Chill Your Bones by Alvin Schwartz, illustrated by Stephen Gammell

HarperCollins Publishers, 2013

ISBN-13: 978-0060263416

Available: New and Used paperback

 

The Scary Stories Treasury contains three popular volumes of “scary stories”, collected from folklore and urban legends by Alvin Schwartz: Scary Stories to Tell in the Dark, More Scary Stories to Tell in the Dark, and Scary Stories 3: More Tales to Chill Your Bones. Any librarian who isn’t familiar with the books collected in this volume really needs to check them out. Not only are these titles in high demand for older children and teens, but they are an incredible storytelling resource. In fact, in the introduction to Scary Stories to Tell in the Dark, Schwartz writes that scary stories are “meant to be told”.

 

Scary Stories to Tell in the Dark is the best known of the three books, and is the one I’ve used the most. It both starts and ends with “jump” stories, and these are fun to tell to a group. “The Viper” and “The Ghost with Bloody Fingers” are stories I’ve frequently told. Also included are the poem “A Man Who Lived in Leeds”, the song “Old Woman All Skin and Bone”, “The Hearse Song” and the Halloween game “The Dead Man’s Brains”. Other stories in the book include variants on familiar tales, such as “The Guests”, in which a young couple looking for a place to stay the night learn after the fact that their hosts were ghosts, and urban legends like “The Hook”, in which news that a murderer with a hook for a hand is on the loose spoils a date. Finally, there are some truly creepy and scary tales about ghosts, witches, shapeshifters, and the supernatural. While most of these come from folklore, and can’t be mistaken for anything happening today, they can still give readers, and listeners, the shivers.

 

More Scary Stories to Tell in the Dark has longer stories. Some are set in a specific historical period, such as “The Weird Blue Light”, which takes place during the Civil War. Many of them have sudden endings. In “Something Was Wrong”, we follow a bewildered and frightened John Sullivan around, learning only in the last few words that he is dead. Some folktales have clearly been adapted for a modern audience, such as “The Drum” an ominous contemporary variant of the folktale “The New Mother”. Schwartz doesn’t hold back or moralize when he retells a story. “Wonderful Sausage” is a clever and horrifying tale about a butcher who adds a special ingredient to his sausage. This volume also has a few more contemporary tales, ranging from frightening to tragic, and a description of the creepy sleepover game “A Ghost in the Mirror”. While the stories in this volume are more satisfying in many ways, I’d say these tales are aimed at a slightly older audience.

 

Scary Stories 3 continues with more detailed and sometimes complicated stories. In “Just Delicious”, a twist on the folktale “The Golden Arm”, a terrified wife feeds her husband a dead woman’s liver without his knowledge… and the woman wants it back. “Harold” is a chilling story of a vengeful doll. “The Wolf Girl”, set in a specific time and place, has its basis in the lives of real people, as does “The Trouble”, a story about poltergeist activity in the Lombardo household. “Maybe You Will Remember”, a baffling story about a girl whose sick mother disappears from her hotel, becomes truly horrifying when the reader turns to the notes at the back of the book to solve the puzzle. The volume wraps up with a couple of mildly funny stories. Of the three books, I’d say this is my least favorite, possibly because it is so grounded in detail, as details often distract listeners, making it harder to get them engaged in the story.

 

All three books have detailed notes and bibliographies provided by the author. While you don’t have to read the notes to enjoy the stories (with the exception of “Maybe You Will Remember”) they are easy to understand and interesting. All three books also have incredible illustrations by gifted children’s book illustrator Stephen Gammell, done in just black and white ink. It’s his illustrations that make the books so magnetic to kids… and so terrifying. The illustration for “Wonderful Sausage”, as an example,  brings a whole new grotesque dimension to the story. With just a few strokes and some shading, Gammell ups the scare level considerably. Tormented, skeletal faces, ragged clothes, distorted and indistinct figures, glowing eyes and teeth, empty chairs, empty baskets, empty clothes… it’s enough to cause nightmares, and makes much more impact than if we had only Schwartz’s words. Many collections of scary stories from American folklore don’t include illustrations, or at least not effective ones, and that is probably one of the reasons why more of them aren’t well known. The Scary Stories books, however, are notorious, to the point that the series was seventh on the American Library Association’s list of the most frequently challenged books for 2000-2009, and the illustrations are surely a good part of the reason why these books in particular are noticed.

 

The main benefit of owning The Scary Stories Treasury is that you’ll have all three books in one volume. Each book appears to have been faithfully reproduced, with Gammell’s original illustrations. However, there’s no new or additional material here. Readers who don’t have the books and want them might want to consider this volume, but for those who already own them, there’s no reason to purchase it. I highly recommend that libraries of all kinds have at least one copy of each of the books included in The Scary Stories Treasury, and the Treasury itself might make a nice reference volume, and you’ll find that the Scary Stories books are rarely on the shelves. The Scary Stories Treasury is highly recommended to libraries and readers who do not already own copies of the Scary Stories books, and recommended as a reference volume for school and public libraries. Appropriate, based on maturity of the reader, for grades 4 and up.

 

Contains: Violence, gore, cannibalism, deception, the occult, witchcraft, murder.

Review by Kirsten Kowalewski