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Book Review: Goblin by Josh Malerman

Goblin

 

Goblin by Josh Malerman
Earthling Publications, October 2017
ISBN: Not available
Available: Limited edition numbered hardcover copies, direct from publisher only

 

It’s the time of year when horror is in the air, a celebrated author is called up, and Earthling Publications turns out another Halloween masterpiece. This year, the newest superstar in the genre, Josh Malerman, takes the helm and delivers one of the best offerings in the history of the series. Malerman, fresh off the success of his second novel, Black Mad Wheel,  and the news that his novel Bird Box will soon be a major motion picture, displays consummate skill in Goblin, a book comprised of six novellas all taking place in the small town of Goblin, Michigan.

 

Goblin, Michigan is Derry. It’s Oxrun Station. It’s Cedar Hills. It’s Green Town. It’s all of us in our hometowns, and yet, it’s something brand new.. Think of Goblin as Derry’s disturbed little brother, filling the reader with uneasy pleasure from cover to cover.

 

“A Man In Slices” shows that friendship can be a tricky concept, as a boy does whatever he can to help his lonely friend, at any cost. “Kamp” is a lighter tale, about a man petrified of a seeing a ghost. Everyone in Walter’s family has, and he knows his time is coming. How he copes with the expectation will make many readers feel a bit better about their own issues with  things that go bump in the night.”Happy Birthday, Hunter” displays the heart and obsession of a man who cannot give up the hunt. Nash’s addiction comes to a boiling point during his 60th birthday party, when he decides to kill Goblin’s most prized game in the north woods, a place from which no one ever returns.”Presto” is a love affair with magic, the oldest and darkest kind, where a young boy seeks to learn the secrets behind his favorite performer in a story that channels classic Bradbury.”A Mix-Up At The Zoo” details the inner struggle of Dirk, a man who switches jobs to become a tour guide in a zoo, a far cry from his other employment in the slaughterhouse. He finds a talent for understanding the mighty beasts within the cages but feels a certain darkness brewing when he drifts off in thought. In “The Hedges,” mazes, both ones built out of corn and the famed topiary in the film version of “The Shining,” emerge. Young Margot claims to have solved the unsolvable creation by Wayne Sherman.  What she finds at the end causes her to alert the Goblin police.

 

The mythology about Goblin’s history is richly drawn within these stories and connects them effectively, with a style that keeps the pages turning. Malerman has created a town that may even be darker than something that King, Grant, and Bradbury have created. Goblin should be listed on every horror reader’s itinerary, with the lights turned low and the night breeze creeping into the room. An incredible Halloween find for all. Highly recommended.

 

Reviewed by Dave Simms

Book Review: Clive Barker’s Next Testament by Mark Alan Miller

Next Testament

Clive Barker’s Next Testament by Mark Alan Miller
Based on the BOOM! Studios graphic novels by Mark Alan Miller and Clive Barker
Earthling Publications, 2017
ISBN-13: Not Available
Available: Limited, Deluxe, and Lettered versions (direct order from Earthling Publications here)

Is there truly a God? If there is, what is he like?  Why would he put up with the hell on earth for the past millennia, and what would he think of what humanity has become? Clive Barker and Mark Miller have posited these questions in The Next Testament, and answer them in a fascinating tale.

Clive Barker’s Next Testament is a novelization of  BOOM! Studio’s graphic novel series of the same name. While Miller has written the actual novel, Barker’s touch is everywhere here: he drew the artwork both for the cover and interior, which is typically disturbing and splendid. With an introduction by the iconic F. Paul Wilson, readers are in for a special experience.

The story itself is horrific and bombastic, bleeding weird imagination all over the place. In the scorching desolation of the desert, billionaire Julian Desmond is driven to uncover a truth that has eluded humanity for ages, something he doesn’t quite understand himself.  Desmond digs up a strange structure in the middle of nowhere, falling into a darkness that feels like nothing he’s ever imagined. There he meets Wick, a man covered in myriad colors, but not in tattoos; a true illustrated man. Wick claims that he is God, the one true being who sculpted the world, and that he needs to witness what has happened to his creation.

Readers may wonder why he needed to be released from this structure and who locked him up… but not for long.  When Wick is introduced to the modern world, he is enraged, and his actions are those of an Old Testament deity. Julian’s son Tristan and Tristan’s fiance Elspeth may be the only ones with a chance of stopping this destructive god.

Miller and Barker’s creation is brutal, in the fashion of Barker’s classics, such as Books of Blood and Hellraiser. The Next Testament is bloody, unflinching, and unhinged in its free-flowing swath of “hell-on-earth”. This is classic hardcore horror with a philosophic bend to it that will draw Barker’s faithful, but introduce many more to the talents of Miller. The Next Testament is a welcome, and recommended, return to the horror that readers have been craving.

Contains: graphic gore, extreme violence

 

Reviewed by David Simms

Book Review: They Say A Girl Died Here Once by Sarah Pinborough

They Say A Girl Died Here Once by Sarah Pinborough
Earthling Publications, October 2016
ISBN-13: 978-0996211833
Available: $35 signed & numbered hardcover; $400 lettered edition

It’s time once again for Earthling Publications’ Halloween present to horror readers. For the past 11 years, Paul Miller has given the gift that keeps on frightening; not once has he chosen a story, or author, that has disappointed. Every year, Earthling offers something different– a new twist on the classics, or a story that delves into a dark corner of the genre’s history.

This time, he has chosen author Sarah Pinborough, who has penned novels in various genres but always seems to return to horror, where she originally staked her claim, through a number of paperbacks from the defunct Leisure line, as one of those “writers to watch.”

With the success of Mayhem and The Forgotten Gods trilogy, she proved she wasn’t a flash in the pan. She is a master of thriller writing. Her ability to create a dark, horror-infused atmosphere lifts every one of her novels into a realm few writers have reached. Last year’s Death House pushed her into the ranks of the horror-writing elite, and should have swept the awards.

Now she’s back, with They Say A Girl Died Here Once, a ghost story that is as much a psychological thriller and a mystery as it is a horror novel. This disturbing family drama centers on teenage Anna and her family: her mother, little sister, and grandmother. While the tale of a family moving into a house with a dark past is a common trope, Pinborough sidesteps the expected, and delivers a new take on haunting, dark, family secrets.

Anna and her family have moved into a new town to escape the “thing” that happened to her back home: an incident that has fractured all her relationships, as well as her own sanity. She attempts to fit in with the teens she meets, and to participate in the normal activities of high school. Anna’s mother works odd hours, so Anna is also tasked with taking care of her grandmother, Evelyn, who is in the advanced stages of dementia. Evelyn’s behavior becomes increasingly erratic. She begins wandering the house, often winding up at the basement door, and speaking phrases that make little sense. The discovery of what has happened, both in the house and in the town, makes Anna curious enough to delve into the mystery, as she attempts to decipher the words of what has been speaking through her grandmother. What ensues pushes the tale down a new avenue in ghost stories. Each relationship Pinborough weaves is tenuous at best, from the creepy handyman who courts Anna’s mother, to the rebellious friend, to the other teens bent on finding out what the “thing” is in her past.

In lesser hands, They Say A Girl Died Here Once could have been just another ghost story. With her exquisite writing, Sarah Pinborough molds it into something special and unexpected. Her deft hand in creating atmosphere as a character is on display here, along with the individual characters who drag the reader into the depths of her nightmarish visions.

With this author, and Earthling as the publisher, this novel is very much recommended. The only downside is the limited print run, so pick it up quickly.

Reviewed by David Simms