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Book Review: Grimmworld: The Witch in the Woods by Michaelbrent Collings

cover art for Grimmworld  The Witch in the Woods by Michaelbrent Collings

Grimmworld: The Witch in the Woods, by Michaelbrent Collings

Shadow Mountain Publishing, March 2024 (not yet released)

ISBN: 9781639932320

Available: Hardcover, Kindle edition

Buy: Bookshop.org |  Amazon.com

 

Michaelbrent Collings writes good thrillers, and writes them fast: his pace has always been Dean Koontz-like. Grimmworld is his first attempt at a middle grade fantasy novel, and not surprisingly, it’s very good.  Collings has no trouble shifting his high-octane writing to fantasy, Kids and adults both will love this.

 

The book is a nifty new way to use Grimm’s Fairy Tales for backdrop.  The first 90 pages are a bit slow, but it’s just the setup for the real story.  Twins Jake and Willow Grimm are living in a new town, where their parents are involved in top secret research.  Through a collision of multiverses, the twins wind up in Grimmworld, where all the old fairy tales actually happen, for real.  However, the endings are very different in Grimmworld, and not happy ones, either– the original Brothers Grimm changed the endings when they wrote them.  Once the story shifts to Grimmworld, it takes off, and kicks into high gear. Jake and Willow do get some scientific explanation for the different worlds from a friend and wizard, Old Eli.  Collings does a nice job balancing a plausible scientific theory and making it understandable to young readers..  The ‘bubble’ analogy the author used really helps tie this section together.  The lovable, enigmatic mole-rat, Chet, also helps the twins, although his Cheshire-cat style of talking does drive them somewhat nuts.

 

The last half of the book is fantastic, with Jake and Willow attempting to save Hansel and Gretel from the witch’s oven.  There are a lot of outstanding riddles and puzzles in this section: riddling hasn’t been this much fun since Bilbo went toe to toe with Gollum all those years ago.  The ‘slow camel’ race and magic tree demonstrate real planning on the author’s part, and they are simple enough for readers to follow.  It’s the perfect wrap-up to a very good story.  Thankfully, this isn’t the end: Collings has already promised another if he gets a good response from readers.  Based on this, he won’t have any trouble getting it.

 

Bottom line is, this does what a good middle grade fantasy should do: thrill younger and older readers alike.  Schools should have this, to help kids see that reading has a LOT more to offer than staring at cell phones.  As for the author, who knows what else he has in his bag of tricks? Recommended.

 

Reviewed by Murray Samuelson

Book Review: You Can’t Kill Snow White by Beatrice Alemagna, translated by Karin Snelson and Emilie Robert Wong

 

You Can’t Kill Snow White by Beatrice Alemagna, translated from French by Karin Snelson and Emilie Robert Wong

Unruly, 2022

ISBN: 978-159270381

Available: Hardcover

Buy: Bookshop.org

 

 

You Can’t Kill Snow White puts a spin on the traditional story of Snow White by telling it from the Queen’s point of view. Alemagna reminds us of the darkness of the original Grimms’ tales and attempts to recapture and extend it by exposing the Queen’s evil plans, demented intentions, and murderous mind. We see her relishing the liver and lungs of the boar killed in place of Snow White that she believes are her victim’s and celebrating how “alive” and “renewed” she feels after feasting on them.

 

Although the idea of focusing on the Queen as narrator has great potential for enhancing the terror of the story and forcing the reader to feel the fear that children are protected from by modern re-tellings, Alemagna’s version does not go far enough. The fact that the focus on the queen cannot be maintained because she is not present at key points, like when the huntsman decides not to murder Snow White, causes breaks in the build up of tension. These breaks become longer and more difficult to bridge when the dwarves enter the picture and we are told by the queen that her heart is filled with “unspeakable pain” and she is full of “dread.” Are we meant to sympathize with her or to see her as so damaged that she is dangerous? Either way, the lack of development of the character does not shed much more light on her than we have had in the past.

 

It seems that rather than creating a new take on the story of Snow White, Alemagna has used it as an opportunity to showcase her art. The illustrations are plentiful and create a dark moodiness in a palette primarily of murky browns, reds, blues and golds with jolts of reds and pinks. The dwarves are Eastern European folkloric type figures, mainly bearded. The human beings typically suggest nightmares with elongated bodies, impossibly long hair, gaping mouths, and giant hands. There is much frenetic movement: sweeping, gorging, and screaming that is a much stronger portrayal of emotion and much more effective at eliciting it from the reader than the writing is able to do.

 

You Can’t Kill Snow White is published by Enchanted Lion Books under their new picture book imprint, “Unruly,” intended for older readers and adults. These publishers are on the right track by engaging the many readers who have, even since childhood, loved the way in which illustrations add depth and beauty to storytelling. What better way to draw out our deepest fears than to experience on the page the horrible pictures  we can only imagine from descriptions?

 

Reviewed by Nova Hadley

Book Review: House of Hollow by Krystal Sutherland

cover art for House of Hollow by Krystal Sutherland

House of Hollow by Krystal Sutherland

G.P. Putnam’s Sons, 2021

ISBN-13 ‏ : ‎ 978-0593110348

Available: Hardcover, paperback, Kindle edition, audiobook Bookshop.org  | Amazon.com )

 

 

House of Hollow was shortlisted for the Bram Stoker Award for Superior Achievement in Young Adult Fiction this year.

 

Ten years ago, Grey, Vivi, and Iris Hollow mysteriously disappeared, reappearing a month later without clothes, covered in strange white flowers, and with their hair and eye colors changed. Their father, shortly after, died by suicide. Grey, Vivi, and Iris all have the power to seduce people into doing what they want.

 

Grey is now a model and fashion designer, estranged from their mother. Vivi is a nomadic rock musician. Iris still lives at home and attends school. One day Vivi, Grey, and Iris arrange to meet and Grey never shows. It’s a sign that something is very wrong.

 

The body horror is strong in this. Girls coughing up decayed plants, flowers growing out of wounds, ants crawling from inside the skin, constant descriptions of rot and decay, flayed bodies. And yet it’s also very much a fairytale, with the girls walking through a portal and finding themselves in a lost place. It’s gruesome and yet also gorgeous, and a horrifying tribute to just how far sisters really will go for you.

 

 

Reviewed by Kirsten Kowalewski