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De-constructing Monster High

I don’t hang out in the toy aisle at Target often, mostly because I hate seeing blatant gender division (the pink “girls’ ” Legos are shelved with Hello Kitty and Barbie, and all the other Legos get their own shelving unit on the clearly labeled  “boys'” side, for instance, and that makes me cranky). But I was there anyway, and my six year old daughter had to get birthday presents for her friends… And that’s when I saw this.

 

 

I have written about the reservations I have about Monster High in the past, but I’ve also noted that there isn’t much else out there for monster-loving girls. Monster High is a multimedia franchise with not just dolls but webisodes, books, and much more– a true multimedia franchise– and it is a franchise that continues to grow. It seems like a  possible way to catch the interest of girls in classic monsters, both movies and books. But then I walked in to the toy aisle, and there was this: the “Create-A-Monster” set.

I had read that the dolls were so skinny that you had to take the hands off to put on the clothes, but this goes way beyond that. This “Create-A-Monster” set completely disassembles two of the dolls into their assorted parts with various fashion accessories included. On a feminist level, I can’t see how a toymaker could possibly have managed to depict the extreme of objectification you can see here. The parts are interchangeable, which I guess would allow for some creativity, but kids playing “create-a-monster’ here are working with a limited number of options, with their goal to create the dolls as they appear on the box. There are other “Create-A-Monster” sets, so I suppose that with an unlimited supply of money and imagination, a kid could purchase many sets, toss the pieces together in a box, and build all kinds of crazy monsters, as this little Victoria Frankenstein did (start the video at 3:20) kind of like my husband does with various specialty sets of Legos. That’s gruesome and disturbing, but in kind of a cool way. But is that how the girls who play with Monster High actually used these dolls in their imaginary play?

Now, because both my husband and son are kaiju lovers, I have seen many Youtube videos done by kaiju loving enthusiasts where the creators actually film movie battles (usually using very stop motion animation of various quality, such as this one) using their existing action figures (don’t feel that you have to watch the whole thing). Now, granted, kaiju have kind of a limited palette of activity available to them if you stick with the original creators’ narratives, since most of what they do on screen is battle other kaiju and destroy things. You can’t dress them up easily, the parts aren’t interchangeable, and they’re more likely to step on a shopping mall than shop at one. That hasn’t stopped my kids from making and acting out stories about Mommy Godzilla and Baby Godzilla going to haunted houses, amusement parks, and movie theaters, and solving mysteries with Scooby Doo and Geronimo Stilton. That’s all kind of unexpected. Kids can do what they want with the toy and the narrative that goes along with it once it’s in their hands. What kind of play do the Monster High dolls inspire, though? I saw review videos, acting out of traditional high school drama, and other rather mundane things that come along with owning a collectible fashion doll. NPR called the dolls “goth Barbie”. I object to their characterization as “goth” but it does look like in most ways they are being played with much in the same way as Barbie and other fashion dolls are. The Monster High dolls, then, are domesticating monsters rather than inspiring creative play that provides an opportunity to take an existing and tired narrative and remake it in new and exciting ways. Although there are always a few who will take what you give them and run with it. As this music video  for Ke$ha’s song “Cannibal” shows, there are creative ways to use those extra body parts.

Monster High appears to be subverting the “normal” fashion doll narrative, but it’s only, for the most part appearance. But that can be reclaimed! Rather than letting corporate media and marketing determine how the girls you know play with the dolls, show the alternate narrative that comes alive when girl monsters come into their own. Children’s and school librarians, check over your library collection and see what you can find. The girls may be hard to find, but I guarantee they’re out there.

 

The Scary Stuff: What’s Really Too Hard for Kids To Handle?

There are always limits we place on children’s reading.  Sometimes those limits can be pretty arbitrary. Children of course, aren’t necessarily interested in why we make those limits. They just want to read what they want to read,

One reason we place limits  is that it makes us uncomfortable. At least, it makes a lot of us uncomfortable. Mostly we want to protect our children from the evil of the world, not give them the opportunities to unsettle or terrify themselves.

Fear is a strange creature. I can hear gleeful stories about undead robot zombies daily from my seven year old, but faced with a bumblebee he freezes. The line is very thin sometimes. Larry the pet werewolf has joined my son’s odd cast of imaginary friends. Sometimes Larry is a friendly puppy. Sometimes he’s a protector. And sometimes he’s scary, mostly to my five year old, who gets freaked out by the howling in the dark at bedtime. We appear to be stuck with Larry, a creature who embodies all the contradictions to the ways my son deals with fear. Kids’ reactions to what they read and what they see can be so different from ours, and what we find disturbing may be a key clicking open a lock on a door to a room they need to visit. Alternatively, it could really frighten them. But life is less rich if we avoid everything that might evoke emotions that can be difficult to deal with.

As a parent I see these contradictions and the accompanying discomfort differently than I do as a librarian. As a librarian I might try to guide a child to something that seems more age appropriate or warn them that the book she’s chosen has intense content, and that it’s okay to put it down, but I don’t think I would completely refuse to give a child a book. I have to trust that parents are aware of and supportive of their child’s reading. As a parent I have absolutely told my kids that there are some books, movies, television, that they are not ready for yet. The Monster Kid is angling to watch Night of the Living Dead, and that is not going to happen.

It’s important to include kids in the discussions of why you think they aren’t ready to read or watch something. They can learn from you, and you can learn from them. The knowledge can make us better at understanding the other person and respecting boundaries. And to express all this better than I really can, I’m going to share a link to a blog entry by Mini Lee, who I think has some interesting things to say about all of this from the kid’s point of view. As uncomfortable as some of the books and media kids are interested in may make you, the essential thing is that there has to be enough trust and respect there to be able to hold a conversation about it.

Media Tie-ins and Monster High

So, one of the things that we talk about at MonsterLibrarian is the value of using media tie-ins and cross-platform media to get people involved in reading horror fiction. Given the way our world is evolving today, the natural targets for marketers are kids. I watch kids who do a great job integrating existing media characters and stories into completely different scenarios (the Monster Kid’s many stories about the classic mystery solving team of Detective Baby Godzilla and Scooby Doo come to mind) but, frankly, Godzilla and Scooby Doo are small potatoes when it comes to marketing to kids today.

In a discussion of this very topic, two very different people recently asked me  “What about Monster High”? I’ve actually read quite a bit about the problematic nature (to put it mildly) of Monster High, but I hadn’t done any real digging on the topic. Fashion dolls representing the “hip,” teenage children of Universal Horror monsters? I was done on a personal level when I saw the words “fashion dolls”– those are code words for “Barbie”.  In spite of her popularity, Barbie and friends aren’t coming into my house anytime soon. And Barbie is wholesome looking next to the dolls for Monster High. However, the dolls are mainstream, and they are a riff on the Universal Horror monsters, who in turn are tied to some of the great horror stories of our time. For example, there’s Operetta, the daughter of the Phantom of the Opera; Draculara, Dracula’s daughter; and the imaginatively named Frankie Stein who… well, I’m pretty sure you can guess her famous relative.

What I didn’t realize is how overwhelming the presence of Monster High is now.  I knew it was more than dolls– I see licensed items all over the place (and apparently even my daughter’s best friend has a Monster High backpack. My daughter is five). I even knew there were webisodes. But a musical? A possible movie? A series of books? This is merchandising that outstrips what Scholastic did with Goosebumps, or at least comes darn close. Are these dolls really drawing girls to explore the horror genre? I have no clue. MonsterHighMom, a commenter on a post about Monster High on Peggy Orenstein’s blog said she used the dolls to introduce her 6 year old to the Universal monsters (you’ll have to scroll down– she actually made several comments regarding sharing the dolls, and horror movies, with her 6yo), but that doesn’t seem to be part of  Mattel’s marketing scheme. Mattel is trying really hard to push the line as having an anti-bullying theme, but researchers and marketers are getting opposite messages from the actual content Mattel is putting out. “Mean girls” given monster guise to raise the “cool factor” of a toy line are, well, icky. Mean girls are monsters without looking like them.

But the idea is kind of a neat one, even if the execution isn’t. My own daughter is surrounded all the time by monster action figures and images from B movies (which she’s only mildly interested in, although she’ll play Mommy and Baby Godzilla anytime). But she also likes Tinkerbell and princesses. I think maybe there are a lot of girls who are elementary aged who like monsters and also like dress-up. I think there’s a place for a doll– not an action figure, or a miniature, or a model, but a doll.  If you look at the Universal Monsters franchise, there aren’t really any girl monsters (except the Bride of Frankenstein, but she’s not exactly a dynamic character). A doll could create a place for girls where it really doesn’t exist, and provide the opportunity for all kinds of creative storytelling. I might be convinced to buy a monster doll for my daughter if it wasn’t all sexed up. Melissa Wardy of Pigtail Pals, in meeting with Mattel about Monster High, told them something similar. Her daughter, who is not that much older than mine, loves monsters too.

It’s been suggested that the Monster High franchise could be used to teach media literacy, and it’s probably necessary to do that to get kids to think about the messages they’re internalizing. But how would you feel about promoting Monster High as a way of introducing young girls to the monster genre? I think it would make me uncomfortable, in a way that Goosebumps doesn’t. All media franchises are not equal, and Monster High’s adult messages aimed at little girls bother me a lot. There are so many strong, creative, and intelligent women in the horror genre that I think it’s really important for girls to feel like there’s a place for them there as readers, writers, and creators. Monster High is the mainstream, and I don’t feel like it creates that place for them: my question is, what are the alternatives to this powerful media franchise?