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Graphic Novel Review: Beasts of Burden: Animal Rites by Evan Dorkin, art by Jill Thomspon

Beasts of Burden: Animal Rites by Evan Dorkin, art by Jill Thompson

Dark Horse, 2018

ISBN-13: 9781506706368

Available: Hardback, paperback, Kindle ebook

Burden Hill is a peaceful suburb like any other, with well-kept yards, families, and their adoring and loyal pets…some of whom happen to be paranormal investigators. Witches, demonic frogs, werewolves, and zombie dogs are a few of the problems these brave investigators face in Beasts of Burden: Animal Rites.

The main characters in this are a group of dogs and one sassy cat. Wise dogs are summoned by the neighborhood dogs when they need guidance, something these brave souls are always ready to give. There is a black cat “familiar” looking to redeem herself in the eyes of the animals she once tried to kill. Humans have very little influence on the story, and when they are interjected into the story, it is heartbreaking and powerful simply because of the choices the animals in the story make willingly or are forced to make at the power of the supernatural.

Dorkin expertly weaves tales about loyalty, courage, acceptance, personal accountability, and a host of other very human emotions all bundled in these animal bodies. Each creature has a distinct personality. They even have their own religion, which the reader gets a glimpse of when the dogs hold a funeral service for dogs who were killed because of careless drivers. Adding Thompson’s beautiful artwork makes Dorkin’s story even stronger. It’s easy to take a few minutes to get lost in some of the fine details she includes in the panels, especially regarding the story of Hazel needing help finding her lost puppies.

Award-winning comics creators Evan Dorkin (Milk & Cheese) and Jill Thompson (Scary Godmother) first introduced the characters of Beasts of Burden in The Dark Horse Book of Hauntings. They both won Eisner awards for Best Short Story (Dorkin) and Best Painter (Thompson). Animal Rites collects the earliest stories and the four-issue comic series Beasts of Burden. This isn’t exactly a kid-friendly read, so if you have young readers of Scary Godmother, be aware that there is content that may be disturbing. This would be a good read for YA and above depending on how well they do with such. I will say that there were a few times I had to take a few minutes between stories because of how much this team is able to call up emotions so effectively using animals as the storytellers. It’s truly beautiful, terrifying, heartbreaking, and hopeful all in one book. Highly recommended.

 

Contains: blood, brief nudity, mention of animal abuse

 

Reviewed by Lizzy Walker

Posted on May 28, 2018 by , Reply

Book Review: Clowders by Vanessa Morgan

Clowders by Vanessa Morgan

Amazon Digital Services, 2018

ASIN: B078GTVF7Z

Available: Kindle edition

 

Author Vanessa Morgan acknowledges that the real city of Clervaux, in Luxembourg, is not noted for supernatural events, or for being a haven for cats.  However, in the fictional world of Clowders, the human inhabitants of  Clervaux are vastly outnumbered by cats, a clowder of cats (“clowder” is the collective noun used to describe a group of cats). The story starts when an American couple, Aidan and Jess, move to Clerveaux with their young daughter, Eleonore. Aidan, a self-absorbed wanderer, has been hired to work in a veterinary practice in Clervaux, and Jess has agreed to the move to please him and save their marriage. What they have not been told, although it is common knowledge among the villagers, is that a tengu (a spirit of the mountain and forest found in Japanese folklore) protects the village’s cats, and if a human kills a cat, the tengu kills nine humans.

 

Aidan and Jess are driving home from an unsatisfying night with colleagues from the veterinary clinic, when Jess accidentally runs over and kills a cat.  The tengu stalks the family, although they are still ignorant of the curse.  Others, who have lived in Clervaux much longer, sense that they are all doomed, but still do not tell Jess and Aidan.  When the villagers learn about the accident, they turn against the newcomers, fearing that they will be among the nine victims.  When Jess and Aidan finally learn about the curse, they plan to leave.  But can they escape?

 

Morgan does a good job in describing the flaws and foibles of the characters.  Although the death of the cat was simply an accident, the characters’ weaknesses and actions contributed to it.  For example, although Jess had drunk the least, was her driving impaired by drinking more than usual because of worry and jealousy at Aidan’s flirting with another woman?

 

In the ebook version I reviewed, Morgan gives away the plot before the book before the book’s introduction. There is one instance of in which “of” is mistakenly used for “off”. Morgan has a good story here; Clowders is worth reading. Recommended.

 

Contains: moderate sexuality, moderate gore

 

Reviewed by Robert D. Yee

Posted on March 17, 2018 by , Reply

Musings: Drawing on the Walls: The Boy Who Drew Cats

The Boy Who Drew Cats adapted by Lafcadio Hearn and Margaret Hodges, and illustrated by Aki Sogabe

Holiday House, 2002

ISBN-13: 978-0823415946

Available:  Used hardcover and paperback, Audible audiobook

 

I had a reader request the name of a book about a little boy drawing all over the walls. The classic story about a boy drawing himself into a story is Harold and the Purple Crayon by Crockett Johnson, but that didn’t seem quite right. I finally remembered a Japanese folktale about a boy who drew all over the walls of a temple and drove a demon away, and was able to find what I think is really the answer to this question; it’s a story called “The Boy Who Drew Cats”, and it has been adapted and illustrated many times. The copy pictured above was adapted by Lafcadio Hearn and Margaret Hodges, and illustrated by Aki Sogabe, but there are MANY other versions.

The story follows a young man who is obsessed with drawing cats; he draws only cats, but he draws them amazingly well. Forced to leave home to find a trade, he spends the night in an abandoned temple, with empty screens all around, just begging to be painted with cats. After painting the walls, the boy falls asleep, waking in the night to hear a tremendous fight. In the morning, he discovers a terrible rat demon, dead, and notices the cats on the screens are not in the same positions he had painted them in. His cats have defeated the monster and saved his life, revealing his artistic ability and enabling him to become a professional artist.

Walls can be the source of creativity, as they are in the nonfiction picture book Painting for Peace in Ferguson, a story about the creative approach the community of Ferguson took to beautify  and inspire neighborhoods where the buildings had been boarded up or defaced following demonstrations against police brutality that turned violent. They can become a personification of insanity or paranoia, as they are in Charlotte Perkins Gilman’s “The Yellow Wallpaper”, in which the protagonist has delusions of a trapped woman creeping behind the room’s wallpaper, or the whispers from her dead mother that one character hears in Amy Lukavics’ The Women in the Walls.

Walls can be an “in-between” place, as they are in Neil Gaiman’s The Wolves in the Walls and Coraline,  in which the main characters have to make choices about whether they will be passive or active participants in their own lives. If you are on the outside, walls can be a barrier you look to cross that conceal a treasure inside, as in The Secret Garden, and if you are on the inside they can be a trap– a haunted house that won’t let go, a locked-room mystery you can’t escape, like the inhabitants of the island in Agatha Christie’s And Then There Were None. If you are the builder, like Hugh Crain in The Haunting of Hill House, you can make the walls be disorienting and disturbing to inhabitants to influence their minds, and if you want to keep people away, like Baba Yaga, you can decorate with human skulls.

Or you can follow your passion where it goes, and both protect and beautify the world by transforming walls into something new, like the boy who drew cats.

Posted on December 13, 2017 by , Reply