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Book Review: End of the Road by Brian Keene

cover art for End of the Road by Brian Keene

End of the Road by Brian Keene

Cemetery Dance, 2020

ISBN-13 : 978-1587677939

Available: Paperback, Kindle edition Amazon.comBookshop.org )

 

End of the Road is a memoir consisting mainly of weekly columns horror writer Brian Keene wrote for the Cemetery Dance website to finance his 2016 signing tour, the “Farewell (But Not Really) Tour”,  which lasted from May to December of 2016. It also contains some additional material, including an introduction by Gabino Iglesias and a piece written by Tom Piccirilli, as well as epilogues going through about April 2017.  In addition to chronicling his journeys to bookstores and conventions across the country, Keene shares his experiences with grieving the recent deaths of three close friends including writers Tom Piccirilli and J.F. Gonzalez and his reflections on mortality. He attended the last World Horror Convention during the tour and recalls fond memories of past conventions and friendships, and, as a member of the planning committee for the charity weekend Scares that Care, gives that some space as well.  He writes about meeting up with friends and fans he’s made in the horror genre, the value of independent bookstores and local conventions, and the loss of individuality he sees in towns as he drives across America. His focus is definitely not on the controversies going on in the horror writing community at that time: he is looking back, not forward.

Keene also muses over his generation of horror writers (he had been a published writer and outspoken advocate for the genre for about 20 years at that time), touching on the changes in publishing and selling since he started as both a reader and a writer. From about 2000 on, I watched many of the changes from the sidelines, seeing the conversations on Shocklines on ebook vs. print, the effect of the failure of Dorchester Publications, the changes from almost entirely small-press limited editions to easier availability to a much wider variety due to ebooks.  He describes his own vision of the six “waves” of horror writers, putting himself in the fifth wave, and ready to let go for the and let the most current wave to take over the direction of the horror genre. His prediction is that independent niche bookstores and Amazon will take over and drive chain stores out of business. As a former public librarian, I think it’s telling that none of his signings were in libraries, who often feature local writers and midlisters: maybe neither of his publishers thought he would find buyers there, or lists his titles with wholesalers, but Pressure, the book he was promoting, is the only one of his books available in my public library (on a personal note, my husband, the founder of Monster Librarian, who died at the age of 40 in 2014, loved and reviewed many of Keene’s previous books, and recommended them for library collections).

Keene is at his best in this book when he writes about the people and places he cares about. His description of his grandmother, and of West Virginia, is nuanced and vivid, and his frustration over the lack of recognition for Hunter S. Thompson comes through pretty solidly. His self-proclaimed middle-of-the-road politics make the book pretty much an artifact of the times, but he really puts himself out there in speaking about his grief, his love for family and friends, and his feelings about the horror genre.

I’m not sure why it took so long for the book to come out, given that (according to Keene’s epilogue) the epilogue ends in February 2017 and the foreword was written in April 2017. While it is an interesting read ( and will be reflective of many interested readers’ experiences), it is not likely to be of wide interest outside the horror community. That said, current members of the horror community may enjoy his reminisces and appreciate his musings on the state of the horror genre circa 2016. Keene still has a blog, a newsletter, a Patreon, and does podcasts, so readers who are interested in what’s going on with him currently have many opportunities to do so. End of the Road is really a snapshot of his state of mind at that particular time, and a way to support a writer readers and friends want to support.

 

Reviewed by Kirsten Kowalewski

 

Editor’s note: End of the Road is a nominee on the final ballot for this year’s Bram Stoker Award in the category of Superior Achievement in Nonfiction.

Book List: Zombies Can’t Swim (Or Can They?)

        

Apparently, much discussion has been devoted to this topic. Honestly, I don’t see how there can be any right answer. Dylan, the original Monster Librarian, was a huge fan of zombies in movies and books, and he observed that there were many, many variations on a theme.  Zombies have been portrayed as fast, slow, smart, brainless (haha), almost human and about as far from human as possible. Given the many ways they’ve been written and imagined, there’s no reason they couldn’t be expected to swim… is there?

Well, I guess there is that issue of gross motor coordination, but we can’t let details get in the way of imagination. And there is at least one book with an author imaginative enough to create swimming zombies: Sadie Walker is Stranded by Madeline Roux.

There seems to be more evidence that zombies can travel underwater, though. In theory, the undead wouldn’t need to breathe, so there’s no reason they couldn’t just stroll along the ocean floor.  Underwater zombies appear in Max Brooks’ World War Z, and also in Brian Keene’s Dead Sea. In popular cinema, there’s evidence of this in Pirates of the Caribbean. And in not-so-popular cinema, but probably familiar to zombie lovers is this scene from the Italian zombie movie Zombi 2, which Dylan described to me over and over again.

 

To conclude this brief overview of the deep and meaningful topic of whether zombies can swim, I submit that if you would like to offer me your thoughts on the topic, along with your recommendations, you might just get someone new hooked on the zombie genre. Next up, we will try to address the question: is there such a thing as a “good” zombie?

 

Book List: The Dangers of Reality Television

People have been fearmongering about the dangers of television for decades. Before television became common in every household, they warned of the effects of comic books and rock and roll. More recently, criticism has been aimed at violent video games, heavy metal, and the Internet. But always there in the middle, media critics have had something to say about television, and usually it’s not good.

But as a culture, we got used to television. Then the same old thing, year after year, got kind of boring, and the question for the networks and the cable channels became “what do we do now?” Because we could record the shows and skip past commercials, television shows had to be edgy, to provide something different that would catch our attention enough to really grab us for long enough to get us to sit through an entire show, every week. And what’s more interesting than peeking into someone else’s life?

Actual reality isn’t all that interesting to watch, and it’s also got some really disgusting moments. Who wants to stare at people watching TV, or clipping their toenails? No, it’s the drama of taking people out of their own reality and making them interact in a completely unreal, compressed, environment that is so fascinating. A show like Survivor is kind of like a nonlethal re-enactment of Lord of the Flies— you watch it knowing every episode will mean the end for one of the characters. Watching The Osbournes gives the viewer a window into a world that’s totally bizarre to the rest of us, but normal for the participants. You know it’s all edited to create a storyline that will fit into a half hour or an hour of television, but it gives you a thrill.  And it gives viewers a window that not only allows them see what’s going on, but to separate from it. It’s kind of like watching the gladiators in the ring at the Coliseum, from the stands. It’s a game, but it’s not.  And that’s what makes reality television the perfect setting for a horror story. Here are seven novels that take advantage of the worst aspects of reality television to create nightmares for their characters. As always, not every book on this list will be appropriate or appreciated by every person, so know your reader!

 

 A Head Full of Ghosts by Paul Tremblay (pre-order)

This book messed with my head. It holds a funhouse mirror up to the creepiness of media manipulation. At the center of the story is Merry. As a child, she witnessed unexplainable and disturbing behaviors from her older sister that became the center of a reality television show, and resulted in family tragedy. The novel itself approaches the story from many angles. Merry as as a young adult, years later; Merry as a child living through the events that changed her life; and a mystery blogger dissecting the show in minute detail all get their say. This was sent to us for review, and is not even out yet, but it falls in the category of “unforgettable” for me.  For the purposes of this list, though,  it succeeds tremendously as a mind-bender that indicts the media, and especially reality television, for altering events, and lives, to fit a predetermined narrative.

 

 The Running Man by Stephen King (writing as Richard Bachman)

The Running Man takes place in a dystopian future where the gap between the haves and the have-nots is so tremendous that the desperate are willing to put themselves in lethal, televised ‘games’ for others’ entertainment. It’s a fast-paced, gripping, terrifying, science fiction thriller. When Stephen King wrote The Running Man in 1982, I am sure he had no idea how prescient the book would be.  At that time 2025 must have seemed endlessly far into the future, and the first reality television show was years away from being created. And yet, as we approach that time, much of what he predicted has become reality– affordable health care still hasn’t made the scene, income inequality has become more and more severe, and people are still bloodthirsty, greedy, and selfish. King created a horrifying world that has become even more so as time marches us forward to his future, set in the year 2025. As a reader’s advisory note, there is also a movie, with Arnold Schwarznegger, and a great media tie-in to one of the lesser-known works of Stephen King.

 

Broken Monsters by Lauren Beukes

A gritty, desolate atmosphere pervades Broken Monsters. While it’s framed as a serial killer novel, it is bizarre from the very beginning, with the discovery of the first body. As you might expect with either a serial killer novel or a horror novel, there’s a fair amount of gore, but it doesn’t overwhelm the story. The plot follows the detective on the case, her daughter, a homeless man, an Internet journalist trying to get his YouTube videos to go viral, and the serial killer. This is a memorable book for me not just because of the storytelling, character development, originality, and atmosphere of the story but also because of the effect the Internet journalist and his videos have on the events of the story. While Beukes is taking a larger look at how social media affects our reality, it’s the journalist’s actions during the climax of events that really struck home with me.

 

 The Hunger Games by Suzanne Collins

For those who have never heard of The Hunger Games, it’s a YA dystopian novel in which a totalitarian government randomly chooses two candidates from each of its districts to participate in a televised competition in which the participants all attempt to kill each other in order to be the last one standing.   The wealthy can slant the competition by providing favorite competitors with gifts. This is media used as not just an opiate, but as a weapon. It’s gripping, suspenseful, and manages to effectively integrate both friendship and love into a very hostile and dangerous situation that most people really do see as a game. It is the first in a series that also includes Catching Fire and Mockingjay. All of the books have been made into movies. In a move that is painfully ironic, the CW is making a reality show based on the book.

 

 Kitty’s House of Horrors by Carrie Vaughn

This paranormal novel is the seventh title in the Kitty Norville series. Talk show radio host and werewolf Kitty Norville agrees to participate in an all-supernatural  reality television show, expecting it to be a typical reality show with a focus on the drama that emerges from forced interpersonal relationships. Anyone who has read Agatha Christie can probably guess what starts happening once the participants arrive in the remote mountain lodge where the show will be filmed. Fans of Kim Harrison may enjoy this one.
 Fragment by Warren Fahy

Scientists on a ship in the South Pacific who are participating in an “educational” reality television show, SeaLife, land on a remote island, only to be attacked by bizarre predators, with the cameras rolling. Is the footage real, or is it a hoax? The U.S.  government doesn’t wait to find out– it blockades the island to prevent the creatures from escaping, Botanist Nell Duckworth, one of the participants on the show, is on the team of scientists that is sent to investigate the giant, ferocious, arthropods that populate the island. Grounded in science, this frightening, fast-paced thriller has been compared to Jurassic Park.

Castaways by Brian Keene

Trigger warning for graphic rape, gore, and violence. There are a lot of horror readers who enjoy having these ratcheted up– and this novel does that. This is Keene’s tribute to the work of Richard Laymon. According to reviews I’ve read, it’s not Keene’s most original work, either in style or content, although it’s well-paced and reasonably suspenseful, so if you are looking for a good introduction to Keene’s work, you might want to try a different book. However, the plot certainly fits our theme: contestants on a Survivor-style reality show, Castaways, are trapped on the island by a storm. The island, originally thought to be deserted, is in fact populated with monstrous cannibals with horrifying plans for the women trapped on the island.