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Help a Reader Out: A Book List for Teenage Boys

Stephanie Ellis, a participant on Monster Librarian’s Facebook page, noted that right now there is a lot of great YA horror with girls as protagonists or major characters, but she’s having trouble finding any with boys as protagonists (writers, take note). I personally think it is lovely that we’re seeing more girls take on major roles in horror fiction, but in looking at this list by Kelly Jensen of YA horror fiction for the second half of 2019, 28 of the books have women as authors or editors (there is one anthology, slanted significantly toward women authors) and just three have men as authors. So many women writers getting published and lots of girls and women as protagonists or major characters is a great problem to have… unless you are looking specifically for YA horror with boys as protagonists and major characters. There are a lot of boys who are reluctant readers and an engaging YA read will grab them. Of course we shouldn’t all expect all books to be mirrors of our experiences, but there are now many more options for boys to read stories that showcase girls as protagonists and point-of-view characters, so there are more windows to look through, and doors to step through, in YA horror than ever before.  A note: I’d like to see alternatives to traditional depictions of masculinity in future YA horror. It makes for some pretty great writing when you see it!

A few things about teens who seek out horror. In a very small 2007 study, Sharon McKool discovered that there are many kids who jump straight from reading Goosebumps to reading Stephen King (this included her own son).  Based on my even earlier experience as a college student in the 1990s, I had more than one classmate who first engaged in reading when he first discovered Stephen King, and thought he was the greatest writer ever. A teenage boy was the first to hand me Anne Rice. My brother, not a reader, was gripped by In Cold Blood. YA is not a stopping point for these boys.

But many boys aren’t ready to make that jump and take the path that leads through YA fiction, and that’s awesome, because there are some great books available for them. There are even outstanding authors who first wrote for adults who have now also written YA horror, like Jonathan Maberry, Jeff Strand, and Steven Wedel (author of Murdered by Human Wolves, written for an adult audience, as well as co-author with Carrie Jones of one of the books Jensen mentioned as coming out later this year). These authors have the opportunity to introduce the adult horror genre to their young adult audiences craving more. However, since the current crop of upcoming YA horror fiction doesn’t seem to offer much in the way of boys as protagonists or major characters, here are a few older titles you can turn to. They are very different in tone, level of gore, age appropriateness, writing style, type of creature, and quality, so you can’t just hand the list over to any teenage boy and say “pick one.” But it is a starting place for making recommendations to the right kids. We’ve reviewed many, but not all, of these books. If the book was published before 2014, you’ll need to search the original MonsterLibrarian.com.com website to find it, but it should be pretty simple to find most of these reviewed elsewhere as well.

 

A Bad Day for Voodoo by Jeff Strand (2013) This Bram Stoker nominee is both funny and violent. Strand has written other books for younger readers that aren’t as violent, and comic horror for adults that can get very gory.

A Monster Calls by Patrick Ness (2011). This outstanding book should be in every collection. It is powerful and wrenching, and gorgeously illustrated.

Anna Dressed in Blood (2 book series): Anna Dressed in Blood (2011), Girl of Nightmares (2012) by Kendare Blake. Anna Dressed in Blood is consistently recommended as a “book to read” on recommendation lists for YA horror.

Escape from Furnace (5 book series): Lockdown (2009), Solitary (2010), Death Sentence (2011), Fugitives (2012), Execution (2012)  by Alexander Gordon Smith. This action-packed dystopian series about a brutal underground prison for delinquent teenagers has some really difficult torture and body horror scenarios.

Five Nights at Freddy’s (2 book series): The Silver Eyes (2016), The Twisted Ones (2017) by Scott Cawthorn and Kira Breed-Wrisely. These are based on the popular video game Five Nights at Freddy’s. 

Gone (8 book series): Gone (2008), Hunger (2009), Lies (2010), Plague (2011), Fear (2012), Light (2013),  Monster (2017), Villain (2018) by Michael Grant

Heap House (The Iremonger Trilogy, #1) by Edward Carey (2014)

Lockwood & Co. ( 5 book series): The Screaming Staircase (2013), The Whispering Skull (2014), The Hollow Boy (2015), The Creeping Shadow (2016), The Empty Grave (2017)  by Jonathan Stroud. These will probably appeal more to younger teens and are slanted toward mystery.

Miss Peregrine’s Peculiar Children (6 book series): Miss Peregrine’s Home for Peculiar Children (2011), Hollow City (2014), Library of Souls (2015), Map of Days (2018), The Conference of the Birds (upcoming)  by Ransom Riggs. The use of vintage photographs and documents really sets these apart. A movie was made of the first book in 2016.

Peeps by Scott Westerfeld (2005)

Red Eye (10 book series): Flesh and Blood, Bad Bones, Savage Island, and Whiteout all have boys as protagonists. Tony Jones has done a summary of the 10 books in this UK series here.

Rot & Ruin (4 book series) : Rot & Ruin (2010), Dust & Decay (2011), Flesh & Bone (2012), Fire & Ash (2013). by Jonathan Maberry. This Stoker Award-winning series is essential. Bits & Pieces (2015) collects shorter pieces that take place in the same fictional world, and Broken Lands (2018) is the first book in a follow-up series.

Rotters by Daniel Kraus (2011)

Skeleton Creek (5 book series):  Skeleton Creek (2009), Ghost in the Machine (2009), The Crossbones (2010), The Raven (2011), The Phantom Room (2014) by Patrick Carman. Skeleton Creek is an interactive series that directs readers to YouTube videos and websites intended to give the story a feeling of realism.

Slasher Girls & Monster Boys edited by April Genevieve Tucholke (2015). This is on HWA’s “Summer Scares” list for 2019.

The Apprenticeship of Victor Frankenstein (2 book series): This Dark Endeavor and Such Wicked Intent by Kenneth Oppel (reprinted 2012) I fangirl these ones! Kenneth Oppel is a very talented writer.

The Abused Werewolf Rescue Group by Catherine Jinks (2019)

The Devil’s Engine (3 book series): Hellraisers (2015), Hellfighters (2016), Hellwalkers (2017)  by Alexander Gordon Smith

The Enemy (7 book series): The Enemy (2010), The Dead (2011), The Fear (2012),  The Sacrifice (2013), The Fallen (2014), The Hunted (2015), The End (2017) by Charlie Higson. This post-apocalyptic series begins after nearly all the adults have been turned into cannabilistic zombies, and the children and teens are banding together in gangs, in hopes of surviving.

The Graveyard Book by Neil Gaiman (2009). This Newbery Award-winning book is outstanding and covers a boy’s life from young child to young man. The artwork by Dave McKean is startling and effective.

The Graveyard Book (graphic novel) by Neil Gaiman and P. Craig Russell (2018)

The Illuminae Files: Illuminae (2015), Gemina (2016), and Obsidio (2018) by Amie Kaufman and Jay Kristoff. These look more intimidating than they actually are. The stories are set up as a series of chat logs, emails, video transcriptions, photos, sketches, maps, and impressive double page illustrations, so even though the books are substantial they don’t need to be intimidating. They have a futuristic science-fiction setting.

The Monstrumologist (4 book series): The Monstrumologist, The Curse of the Wendigo, The Isle of Blood, The Final Descent by Rick Yancey. Will is the 12 year old apprentice to a “monstrumologist,” both scientist and monster-slayer, writing of his experiences. Set in the Victorian era, the language can be difficult and flowery.  Although The Monstrumologist is a Printz Honor book, it is not for everyone. It will appeal most to readers with advanced vocabulary and a very strong stomach for gore and body horror.

The Thief of Always by Clive Barker (1992,  reissued 2014). Clive Barker takes a different tone in this story of a house where it’s always a holiday. Many, many horror fans and writers have mentioned this as a gateway title to adult horror.

The Thief of Always (graphic novel) by Clive Barker, adapted by Kris Obrisko, art by Gabriel Hernandez (2010)

Thirsty by M.T. Anderson (1997, reissued 2010) Published in the days when YA horror was a rare treat, nobody had heard of that Harry Potter guy, and Amelia Atwater-Rhodes was a big deal, Thirsty remains memorable to me.

 

 

 

 

 

 

 

Book Review/Booklist: Beyond Fifty Shades of Grey

“Why are you writing about Fifty Shades of Grey?” you ask. Good question. Fifty Shades is supposed to be erotic romance, and this is a review site focused on the horror genre. Well, first, it’s pretty much inescapable. The movie comes out here on Valentine’s Day, although it really doesn’t sound romantic at all. Second, I find them kind of horrifying. And, while before the books were published, most people were unlikely to ask for them at the library, as Sarah Dorrance-Minch points out below, they did make it a lot easier for the curious to admit an interest in learning more. So what’s a librarian to do?

However, there are a lot of people who find Fifty Shades of Grey disturbing on multiple levels. Beyond the bad writing, there are problems with presenting an abusive and frequently nonconsensual situation as a romantic one, and additional issues with the inaccuracy with which it depicts BDSM. The book has inspired some not-so-safe situations when readers try to put the actions into practice, and unfortunately the media has jumped on that bandwagon– as Redbook does here.

Sarah Dorrance-Minch is a freelance writer who has considered the many issues involved in the world of the book and movie, and has offered to share her thoughts on the books, followed by suggestions in both fiction and nonfiction for the curious reader.

Beyond Fifty Shades of Grey 

by Sarah Dorrance-Minch

The much-hyped movie of E. L. James’ best-selling Fifty Shades of Grey premieres this weekend; and despite the fact that most of the reviews seem to be in fifty shades of negativity, the movie will very likely be a box office smash. Like the books, the movie will most likely inspire extremes of love and hate on the part of its viewers.

In the interest of disclosure, I will admit up front to being one of the haters. As a reader, I dislike the prose, which does not seem to have ever been subjected to an editor, not even for basic copy editing. As a feminist, I dislike the relationship dynamics – and enough has been written elsewhere about the ubiquitous rape and abuse that I won’t go into detail here.
And as a dominant (in the BDSM community), I object to the way the sex scenes are written. Not only are they set up as coercive (coercion is not acceptable in the kink subculture) but when they do involve bondage or sensation play, they use set-ups that are extremely unsafe. The protagonist, Ana, is at one point suspended from a bedpost by her wrists in a way that would have resulted in tendon damage; in another scene, she is mounted on a St Andrew’s cross in a way that would have had her falling behind the cross due to being improperly positioned. The worst example of unrealistic, unsafe play is the “Spem in Alium” scene, which has Ana tied up, deprived of sight and ability to hear what is going on around her, disallowed the use of a safeword, and subjected to flogging on the genitals with a beaded cat-o-nine-tails prior to rough sex. This is described as intense but not painful. In real life, the beaded flogger would have not only hurt, it would have caused severe lacerations, because that is what beaded floggers are made for: causing intense pain and, if moderate force is used, breaking the skin. Do not try replicating that scene at home.

Some good has come of the Fifty Shades sensation, though, and that is mainstream visibility. It is becoming okay to admit to liking kink. Up to thirty six percent of Americans make use of bondage, discipline, sadism, masochism, and negotiated power exchange, according to one study conducted by Durex, at least to some extent , but until recently, it was seen as something extremely dangerous and edgy, and not at all acceptable to admit to enjoying. That has changed. When you can find Fifty Shades themed, limited-edition laundry detergent on a grocery store shelf, with complimentary souvenir handcuffs, BDSM must be a little more mainstream.

Also acceptable to talk about in public: enjoying reading erotica while being female. It used to be that people thought only men got into porn. E. L. James put an end to that. The readership of Fifty Shades of Grey, an overtly sexually explicit novel in the erotic romance genre, is overwhelmingly female.  Conclusion: yes, women do like smut. They like it a lot. Write it, and they will buy it.

But for those people who are interested in reading kinked erotica, or who are interested in reading up on the specifics of BDSM and don’t want to get their information from Fifty Shades of Grey, what alternatives are there?

Here are a few possibilities to explore. Please note that this list is not comprehensive, nor is it definitive.  It should, however, serve as a beginning point.

 

FICTION
       

Kushiel’s DartKushiel’s Chosen, Kushiel’s Avatar  by Jacqueline Carey. This is, among other things, a highbrow speculative fiction series about an alternate Earth in which medieval France has been colonized by Nephilim. The series actually has nine books in it, but the first three have the most sadomasochistic sex in them, because the protagonist is a spy and a courtesan who also happens to be an anguissette – an extreme submissive who was born with a divine gift of craving, and being able to handle and recover from, nearly anything that can be dished out. There is a lot more to the plot of the series than just sex, but there is a lot of sex. And it’s all negotiated and consensual.

Macho Sluts: Erotic Fiction by Patrick Califia. This is a book of extremely hard-core pornographic short stories, one of which (“Calyx of Isis”), ironically, impressed E. L. James when she read it decades ago. The characters are all lesbians, because the book was written for the kinked members of the lesbian community-– used copies may be advertised as being written by Pat Califia, because the book was written before he came out to himself as a transman. Most of the stories involve characters that consent enthusiastically to whatever happens to them, and Califia is careful to make his set-ups workable and safe. Exceptions occur when the setting of a story is obviously fantasy or science fiction and it is clear, from context, that the story is meant to be nothing more than titillation or indulging in fantasy. There’s also a sequel, Melting Point, that is a little harder to find, but there are some pretty hot short stories in there, too.

Venus in Furs – Leopold von Sacher-Masoch. Von Sacher-Masoch was the Stephen King of his era; then this novel got published, and his fortunes sank under a massive flood of public disapproval. This is unfortunate. At times, his prose is almost luminous. Venus in Furs is about a man who wants to be dominated and hurt by a woman, who he dresses in furs and worships as a goddess. It’s also the book that gave us the term “masochism.”

Justine, or the Misfortunes of Virtue (Oxford World’s Classics) by Donatien Alphonse Francois, the Marquis de Sade. I can’t mention a book written by von Sacher-Masoch without also mentioning something written by Sade. He was, after all, the fellow who inspired the term “sadism.” A mention is all I will give, though. I can’t give a recommendation. As a work of philosophy, and of dark humor, Justine is actually rather interesting – it reads like Voltaire channeling the as-yet-to-be-born Ayn Rand. However, as erotica, it leaves much to be desired, not least because the book is full of rape.

The  Sleeping Beauty Trilogy: The Claiming of Sleeping Beauty, Beauty’s Punishment, Beauty’s Release  by Anne Rice. This trilogy (written under the pen name of A. N. Roquelaure) is considered a classic mostly because it was written by Anne Rice. The quality of the writing is very good. The situations described are frequently coercive, and even more frequently unrealistic, but it’s a fairy tale setting, and nobody expects realism from a fairy tale. Rice also wrote a somewhat more real-world erotic novel, Exit to Eden, under the name of Anne Rampling, that involves a switchable female starting as a submissive and eventually becoming a professional dominatrix at an exclusive sex club, and a submissive male who becomes one of her clients at the club and winds up falling in love with her.

The Story of O by Pauline Reage. Another erotic classic involving female submission. The plot is full of coercive situations and involves the systematic breaking of a woman’s body and soul, ultimately ending in her death. (How romantic!) That the writing manages to be erotic anyway is a testament to the incredible skill of the author.

 

NONFICTION

Screw The Roses, Send Me The Thorns! by Philip Miller and Molly Devon. This is considered a classic guide to BDSM.

The (New) Topping Book  by Dossie Easton. What the title says it is. Also a classic.

The (New) Bottoming Book  by Dossie Easton. Again, you can probably guess what this book covers by looking at the title. And again, considered a classic.

Sensuous Magic by Patrick Califia – In addition to his erotica, Patrick Califia has written various nonfiction books on the pragmatics and psychology of BDSM, also numerous essays for The Advocate on kink, queer rights, and other sex-related topics. This particular book is a good introduction to the basics.

— Sarah Dorrance-Minch is a freelance writer who lives in Indianapolis.

 

Women in Horror Fiction: Romancing the Groan– A Valentine’s Day Guest Post by Tonia Brown

It’s Valentine’s Day! That makes it a PERFECT opportunity to talk about something problematic for women writing in the horror genre– the categorization of anything paranormal written by a woman, especially if it contains romantic elements, as part of the romance or urban fantasy genres.

Er, no. Take a look at this, inspired by a book written by a woman.

By definition, a romance novel has to have an HEA (happily ever after) at the end.

In spite of the hand holding and the bridal gown, this doesn’t qualify.

Yet it is an issue. In the recent discussion on sexism and horror, sponsored by the HWA, Sephera Giron made this comment:

“It’s always assumed I write romance no matter how much black I’m wearing in a bookstore or convention!!!! Where I said I write paranormal romance in the above post, I actually don’t but people perceived it as such because I wrote six books in a series for Ravenous Romance. The romance people wouldn’t read it because they thought it was horror. The horror people wouldn’t read it because they thought it was romance. It’s really erotica with a coven of witches (hey if you like Coven, you’ll probably like these) but everyone likes to pretend that since I’m a woman, it must be paranormal romance. I’m not sure I’ve ever written a happy ending yet.”

Can horror contain romantic elements? Absolutely. Psychology Today tells us that love is addictive, obsessive, and makes us prone to recklessness. We see plenty of all of that in horror fiction, from The Phantom of the Opera to Married With Zombies. And horror with romantic elements is hardly limited to women writers. Phantom was penned by a man, Gaston Leroux.  and adapted into a musical by Tim Rice and Andrew Lloyd Webber. If you’re looking for a more recent example, well, there’s this book called Lisey’s Story

 

So on that note, here’s a guest post by horror author Tonia Brown, that touches on just this topic. Warning, it’s NSFW.

Happy Valentine’s Day!

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Romancing the Groan

By Tonia Brown

    It only took a few seconds of prompting for Coil’s lust to kick his worry in the ass and take command. He pushed her to the couch again and continued toying with her. 

“If I wanted a gentleman,” she whispered, “I wouldn’t have worn my naughty undies.”

Coil growled in approval.

“Do you want to see ‘em?” she asked.

“Oh yeah,” he said and leaned back.

Laura  fluttered her dress over her hips, flashing him an eyeful of pink lace before sliding the fabric in place once more. “What do you want to see now?”

“Your naughty undies.”

“Again?” Laura grabbed the hem of her dress, ready to flash him a second time.

Coil snatched up her hand and shook his head, his grin as wild and mischievous as that of a horny teenager. “I wanna see ‘em, all right. I wanna see ‘em on the floor.”

Laura matched his smile with one just as dirty. “That’s more like it. Come here, you.”

Coil fell into her seduction with a joyful ease.

He considered it an hour well spent.

 

The above section is a snippet from my novel Sundowners. From the clip, you could imagine the book to be an erotic romance, or an urban romance, or even a period romance. Steampunk romance? Romantic comedy? The point being, one may assume it is a romance. But wait, here is another snippet from the same novel:

 

She took up the razor and turned it on herself. Naomi cut away her fair share with a few determined slices, not to mention a whole lot of wincing and hissing. Using the corner of the razor, she peeled back the edge of her square, just a bit. She grasped this loose end of flesh and yanked, pulling along the guidelines she had worked into her own calf. The bloody square came away in one piece, then slipped from her trembling fingers with a wet slop to the floor. No bother. A little dirt wouldn’t make it any worse for wear. She planned on washing the whole quilt when she was done anyway.

Lightheaded and nauseated, Naomi picked up her needle and went back to work.

The voice guided her tired hands, assuring her that this was the right thing to do.

For the community.

 

Wait up now? How can the first part be sexy and this be … horror? Simple enough, it is a horror novel with romantic elements. Two of the characters rekindle an old passion and end up exploring those feelings as well as each other all across the pages. Feelings? Romantic sex? Love? Those aren’t elements of horror! What are you thinking, woman!

When folks envision horror, they often forget that romance can play an important element of the story. Yet, many characters in horror novels are driven by romantic intentions. Whether it’s a young man trying to rescue his lady love from the undead, or a wife seeking her husband’s soul in hell, romance can be a valid and powerfully driving plot point. Regardless of this, there is a notion somewhere in the horror community that romance has no place in horror. As if you stop feeling just because there is a nameless terror chasing you down, ready to tear your heart out and eat it. If anything, you feel harder at these times. It is common knowledge that battling stress brings folks closer together, and when folks get close, they can easily develop feelings for one another. Just replace the word ‘stress’ with words like ‘demons’ or ‘zombies’ or ‘Cthulhian nightmares’ and you see how this can work.

More importantly, a romantic subplot brings you, the reader, closer to the characters. Romance brings out the vulnerability of a person. You think it’s hard to escape from the undead? Try opening up to a living person, trusting them with your heart and soul, much less finding the bravery it takes to get naked with them! When a writer gives a hard bitten, zombie fighting, gun slinging guy a romantic interest in the midst of his badassery, it creates a whole new dimension to his makeup. He isn’t just a gun toting killing machine anymore; suddenly he possesses real depth and emotion. Romance humanizes characters. Real people fall in love, why wouldn’t characters who are trying to be real?

Of course there are those who say that as a female writer it is inevitable that I add romance to a story. Believe it or not, I have been told that many, many times before. Recently someone said about my work, “You are a woman, so no surprise there is romance in the book.” It is true many women use romance in horror as a plot point or a driving emotion for their characters. In fact, the list Popular Horror Romance Novels on Goodreads is dominated by women. Authors such as Anne Rice, Karina Halle, and Poppy Z Brite. But romance in horror isn’t exclusive to females. Many male authors work love into the pages of blood soaked terror. Consider Stephen King, the Mack Daddy of horror. He often includes romantic elements in his tales. ‘Salem’s Lot featured a pretty hot and heavy romance between Ben and Susan all while they are battling a master vampire and his thrall. Hell, Lisey’s Story is a love letter to a happy marriage.

My point with all of this is to encourage readers to seek out romantic horror, and encourage other writers to explore romantic subplots.  Real characters deserve real emotions. We don’t stop loving when our lives get difficult. Why would they?

 

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Image of Tonia Brown   Tonia Brown is a southern author with a penchant for Victorian dead things. She lives in the backwoods of North Carolina with her genius husband and an ever fluctuating number of cats. She likes fudgesicles and coffee, though not always together. When not writing she raises unicorns and fights crime with her husband under the code names Dr. Weird and his sexy sidekick Butternut.

Tonia Brown’s short stories can be found in such anthologies as Horror Library, Vol. 5 (2013 Cutting Block Press), D.O.A. Extreme Horror Anthology (2011 Blood Bound Books), Best New Zombie Tales (Vol.3) (2011 Books of the Dead Press), and Bigfoot Terror Tales Vol. 1: Scary Stories of Sasquatch Horror (2012 Coscom Entertainment), among others.  Her novels and novellas include Badass Zombie Road Trip (2012 Books of the Dead Press), Lucky Stiff: Memoirs of an Undead Lover (2010, 2013 CreateSpace), the Railroad! Collection, and the Triple Shot collection.

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Interested in learning more about Tonia? Visit Tonia Brown’s Amazon page, her blog,  www.thebackseatwriter.com, or make friends with her at: www.facebook.com/backseatwriter.