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Graphic Novel Review: Wingbearer (Wingbearer Saga #1) by Marjorie Liu, art by Teny Issakhanian

Cover art for Wingbearer (Wingbearer Saga #1) by Marjorie Liu

Wingbearer (Wingbearer Saga #1) by Marjorie Liu, art by Teny Issakhanian

Quill Tree, 2022

ISBN-13: 9780062741165

Available: Hardcover, paperback, Kindle, Comixology

Buy: Bookshop.org | Amazon.com

 

 

Marjorie Liu takes a step away from horror and dark fantasy with her middle grade graphic novel, Wingbearer. Zuli, raised in the Great Tree by mysterious bird spirits, is unique. She doesn’t look at all like the bird spirits, and she has never seen anyone like her. She has never left the safety of the branches of her home. When an evil magic begins to affect the new growth of the tree and bird souls are not returned to its branches for rebirth, Zuli sets out to spread her wings with her guardian owl, Frowly, to discover the problem and return the bird souls home. Zuli is also on a quest to discover who she is and where she comes from. Along the way, she meets new friends and foes, and perhaps comes face-to-face with her biggest threat or salvation, the Witch-Queen.

 

Upon seeing the world beyond the Great Tree, she finds the land ravaged, broken ruins everywhere. Her first encounter with any other living creature is when she is  attacked by giant spiders. She discovers this world is not what she was hoping and dreaming about in the safe branches of her home. Throughout her journey, she also finds that not everything is black and white: there are grey areas that she must grapple with.  A memorable scene is when she becomes distraught after she sees other goblins in her friend Orien’s camp chopping tree branches for building materials and fuel. She does not understand why the destruction of even one branch of a tree is necessary for others to live. Zuli grapples with other philosophical and identity-related themes, as well as having to learn new things.

 

Liu’s creative power is in her world building, and Wingbearer does not disappoint. She creates a complex world without bogging down the story with too much detail, and everything is cohesive and well-constructed. As with her Monstress series, she fills the world with compelling and driven characters, each with their own motivations and personalities shining through. For instance, Zuli’s friendship with the goblin Orien progresses in a very real way, with philosophical and cultural conflict, as well as learning more about each other.

 

Teny Issakhanian, an Armenian-American artist, provides lush and beautiful illustrations. She really brings the characters to life, the emotion in their facial expressions is so powerful. The bird spirits are particularly beautiful. Her previous work includes DreamWorks TV Animation, Disney TV Animation, and the Jim Henson Company.

 

Reading Wingbearer was like revisiting past Dungeons and Dragons games for me. High adventure, magic, good and evil butting heads, interparty conflict…all the great stuff from RPGs. For parents wanting to introduce their kids to the fantasy genre, Liu and Issakhanian would be a great first read. This is the first of the series, and I am very much looking forward to the second volume. Highly recommended.

 

Reviewed by Lizzy Walker

 

Book Review: Hollow Kingdom: A Novel by Kira Jane Buxton

Hollow Kingdom: A Novel  by Kira Jane Buxton

Grand Central Publishing, 2019

ISBN-13: 978-1538745823

Available: Hardcover, paperback, Kindle edition, audiobook, audio CD

 

Hollow Kingdom is literally a bird’s eye view of the apocalypse: it is narrated by a smartass domesticated crow S.T. (for Shit Turd). S.T.  was raised by Big Jim, and lives with him and his dog, Dennis.  S.T. is an independent-minded, educated bird who has watched plenty of television and is addicted to Cheetos: he has developed an admiration for humans, and affection and loyalty to Big Jim. One day Big Jim’s eyeball falls out, and he starts acting mindless. S.T. attempts to cure him with medicines he collects at Walgreens, to no avail, and on his trip to and from the drugstore, realizes that whatever has gone wrong with Big Jim has happened to the other humans as well, and it’s not looking good for the animals, either, especially pets. S.T. and Dennis leave Big Jim, braving a variety of hazards together, from angry bears and malicious crows to deadly tigers,  to visit Onida, a mysterious creature who is supposed to be able to tell them what is going on. S.T. learns that humankind has been attacked by a virus through their electronic screens after consuming more than their fair share of resources and losing touch with nature, so the world can return to balance.  He decides that it’s his mission to rescue other domesticated animals trapped in their houses now that the humans are gone. This is quite a challenge, since neither he nor Dennis have opposable thumbs, useful for opening doors.

The horrific thing about what’s happening to the humans is that they aren’t dying suddenly, or even slowly. They’re just deterioriating, still alive even when there’s nothing really left to animate, except for those who are evolving into something even more dangerous. Mostly aimless, they are triggered into action and violence by the appearance of a screen or the “ding” of a notification. S.T. can see a bigger picture than most of the other animals, but as a domesticated bird, he is not used to being in the outside world. What’s interesting is watching him balance his attachment to humans, and especially Big Jim, with his newly rediscovered relationship with nature, as trees, vines, and all kinds of animals retake the city.

In all the books of apocalyptic fiction I’ve seen, I’ve never come across one quite like this. Original, funny, and sometimes grisly or gross,  even though it takes place during and after an apocalypse it ends on a note of hope.  This bird’s eye view of the end of the world is definitely worth a look.

Contains: some animal harm and death.

Musings: Reading An Old Favorite With New Eyes

I’m still reading Watership Down with my daughter. I wrote before about how she predicted future elements of the plot based on previous knowledge (which I love to see with my educator’s heart), but now I want to write about how reading this aloud with her has affected me as a reader. If you read my previous post, you know this is one of my favorite books. I first read it, by myself, when I was maybe a year older than she is now, and over the past many years, I have read it over and over (although this is the first time in many years that I’ve picked it up). I know the plot and what to expect, but as an adult, having wider experience of the world, its impact doesn’t hit me as hard. And of course because I read it to myself and not with an adult to discuss it with me, I missed a lot on my first time through, especially because the structure is a little confusing, with stories inside stories.

As I explained before, she predicted some pretty unsettling elements of the book, and was excited to see if she was right. She was even waiting impatiently for the reveal. And then we reached it, but the thing is, intellectually knowing what is probably going to happen (she was still debating whether the rabbits in the new warren were cannibals or planned to sacrifice our brave band of adventurers) is different when things start happening, suddenly, to characters you’ve grown to love. Because I already previously spoiled this for you, I’ll say that a greatly-loved, if rather brusque member of our adventuring group is caught by surprise in what will probably be an unsurprising way to any adult reading this, but OH MY GOD it is terrifying, because the witnesses don’t actually see what’s happening but we, the readers, know this is the moment. And when the witnesses do see, because they’re rabbits, they see the peril, and they see what has happened to their friend, but they don’t have the ability to understand what is happening and they don’t know what to do. They are horrified and frozen by what they see. And as readers we have a choice– we can step back and look at the big picture, knowing what is probably going to happen and dreading it– or we can experience it through the rabbits’ eyes, trying to solve the problem without knowing what’s going on even as they are witnessing the terrible thing that is happening right in front of them. The smallest one, Fiver, rushes to the warren to say what has happened, and while our band of adventurers immediately gather and run to their friend, the warren rabbits ignore him, and when he tries to get their attention, they attack him.

Once the immediate crisis has ended, Fiver pulls all the facts together to explain to them why the warren rabbits refused to help (he is a very intuitive creature). An experienced reader has probably figured the situation out by this point, but the average rabbit (and maybe the first time reader who saw the story through the rabbits’ eyes) needs it laid out to them. It’s at this point that my daughter emerged from whatever deep place the story had taken her. Once she understood what had actually occurred (that one of her predictions was correct) she could go the step further that the author never does (because this, after all, is a tale of rabbit adventure and not a deep philosophical discussion) and say “How could the warren rabbits pretend nothing was happening? Why did they stay? How could they be so cruel?”  As a first time reader who lived the experience through the eyes of the rabbits, and felt it with them,  and then stopped to think about it, the cruelty, indifference, and unfairness of the warren rabbits are something she felt on not just an intellectual level, as an adult or experienced reader might, but on a visceral level. And yet at the end, that same deepness of feeling also showed her, and me through her, the power of mercy and of hope.

Don’t you sometimes feel jaded by the experiences you’ve lived through in this world? You learn that “nature is red in tooth and claw”, that unfairness and cruelty exist in the world everywhere, that people will sometimes turn their backs on those in need if there’s benefit to themselves, that there’s a willingness out there to trade freedom for security. Some kids learn those things the hard way, by living it, but there are some who are protected from having to know those things, until, for the first time, they see the world through rabbits’ eyes. Reading aloud doesn’t just benefit them. It peels back the layers between how so many of us now see the world, and the sharp vision and powerful feelings our children possess.

There are many reasons to read aloud to children: to teach them how stories work, to introduce them to new ideas and new worlds, to help them increase vocabulary, to learn to read with both fluency and comprehension, to engage them in reading independently, to help build emotional bonds, to prepare them to participate effectively in democracy and society. All of these are so important. I can’t emphasize enough the power of reading (and if you have a child of any age who says they’re too old for reading aloud, keep in mind that I read to my husband, as well as my children, until the night before he died).

But here is something many, many of us don’t take into consideration. The benefits of reading aloud are not one-way. There are reasons for adults to read aloud with children, and a very important reason is that is allows us to see our own world with new eyes and a refreshed heart.

Editor’s note: Next up, back to horror fiction. I promise.