Home » Posts tagged "literary awards"

Book Review: The Loney by Andrew Michael Hurley


The Loney, by Andrew Michael Hurley

Houghton Mifflin Harcourt, 2016

ISBN: 9780544746527

Available: Kindle ebook, print, Audible audiobook

The Loney, set in 1976, is told in a series of recollections for a majority of the book by our narrator, Smith. It centers on what was supposed to be a pleasant trip to a small community, followed by a pilgrimage to a shrine in northern England. Father Wilfred, the priest of the local church, has passed away suddenly, and the bishop has selected Father Bernard as his replacement. Father Wilfred often took a small number of his parishioners, including the Smith family, to the shrine, during Easter. Father Bernard proposes a trip for his first Easter at his new post, much to the chagrin of the young Miss Bunce, who suggests a new locale; but the parishoners venture to the traditional place. This is a key theme throughout the novel: the “new” wanting to, according to traditionalists, encroach on the “old”, especially when it comes to religious practices and belief.

This trip with Father Bernard is meant to be special: a time for the new priest to engage with some of his new flock, for the parishoners and other guests to visit the shrine, and for God to heal Hanny, the narrator’s disabled brother. Hanny only communicates through objects, and only Smith knows how to translate his language of things. When the boys aren’t in prayer or at meals with the group, they wander out to the coastline known simply as the Loney.

Much of the story juxtaposes the old guard with the new, especially when it comes to the endless comparisons between Father Wilfred and Father Bernard by the matriarch of the Smith family. She is so used to how things had been done for years that she can’t seem to accept that things inevitably change. She is constantly telling Bernard exactly what the previous priest did, and when, and she expects tradition to be obeyed. She’s highly unlikable, from my perspective. While it can be argued that she is just doing what she thinks she needs to protect her fellow parishioners, that she knows how things need to be handled, her self-satisfied smirks make her an unsympathetic character. She “knows” that God will heal her son, even though it hasn’t happened in years previous. She “knows” the exact time when the priest is to lead the visitors in prayer, and where he is to stand. She just knows how everything is meant to be. When the religious pilgrimage happens, and they find the shrine uncared for, she can’t believe that the caretaker would have left it in such a state. When someone mentions that there may not be a caretaker, as shrines aren’t used as much anymore, she is in complete denial. How she treats Hanny, her own son, in this scene, is particularly heartbreaking.

There are times when the narrator discusses his time under Father Wilfred’s guidance as an altar boy, and his perception regarding his mother’s want for him to enter into the clergy when he graduates. One striking feature of Father Wilfred’s personality is his strictness. Given what happens to him during his last trip to the shrine, it makes me wonder about his religiosity from the very beginning. This is also a story of a priest in his seventies who loses his religion, and it terrifies him. With that realization, he tries to save a dead man from being pulled under the waves, finding there is nothing, just nothing. I can’t help but wonder of his strictness was more for himself than his congregation. Was he doubting, and not admitting it to himself, long before that time?

The last quarter of the book switches from the events at the shrine 40 years ago, to the present day. Smith, who abandoned his religion years ago after reading Father Wilfred’s diary, is now seeing a psychiatrist and working as a museum archivist. Hanny can now speak: he has a wife, children, and a career as a priest. Then a child’s remains are discovered during a winter storm on the Loney, and Hanny goes to Smith to try to piece his memories of the past back together.

The Loney is not fast-paced and plot-driven, but is more of an atmospheric, literary horror, although suspense is threaded very well throughout the story. The wet English coastline and small community create the perfect setting for a Gothic novel. The suspicious small town inhabitants and their behavior toward the visitors lends the story the perfect amount of tension. Things meant to frighten people away from certain areas are found in the wetlands, such the silhouette of what looks like a hanging man in the dark of the wetland forest, but turns out to be something else entirely. Horror also lies in relationships between some of the characters. It can also lie in the Catholic symbolism and the relation to various happenings in the novel.

I found this to be a very well written-work. The story was incredibly engaging, and lingers with me. Perhaps that, too, is where some of the horror lies. It haunts you for some time after you finish it.

Hurley won the Costa First Novel Award for The Loney in 2015.

Recommended.

Reviewed by Lizzy Walker


Posted on October 27, 2016 by , Reply

Katherine Applegate Wins the Newbery Award!

If you grew up in the 1990s, chances are that you’ve read something by Katherine Applegate, known then as K.A. Applegate, author of the incredibly popularAnimorphs series for middle grade readers. Those books are still around, so if you work as a children’s librarian or have a kid of the right age, you might still be familiar with them.

That series isn’t what won her the Newbery, but you might get a kid who liked (or likes) the Animorphs books curious enough to take a look at the book that won her the Newbery, The One and Only Ivan, which is based on the true story of a gorilla that lived in a glass box for many years as an attraction at a circus themed mall. It’s written from the gorilla’s point of view, and just as with the Animorphs books, explores what it’s like to feel like an animal (here’s a link to a Q&A she did with Publisher’s Weekly around the time of its publication).

It’s difficult to break out of your comfort zone, and make the jump from one kind of writing to another, but aren’t you glad she did? Congratulations, Katherine!

Posted on January 30, 2013 by , Reply

YA Fiction: Too Many Girls?

It’s common to hear that the reason boys don’t read is because they don’t want to read “girl books”, and that there is a tilt in publishing, writing, and marketing toward books for girls and by women. In fact, there is a book published by the American Library Association called Connecting Boys with Books (a second edition was published in 2009) which makes the argument that boys are drawn to “boys’ books” and specific genres, and that libraries need to make special efforts to meet those needs in order to close the literacy gap. Ana at Lady Business has written a very interesting (and very long) post called Gender Balance in YA Fiction. What’s great about this is that, while it isn’t comprehensive, it’s grounded in solid data, and provides a list of further reading at the end.

What Ana did was look at the award winners from 22 book awards that include YA fiction and categorize the books according to the gender of the protagonist(s) and the gender of the author(s), and draw some conclusions based on that. From her data it looks like there are more male protagonists than female protagonists in YA fiction award winners, which is pretty interesting. And there are more female authors in YA award winners than there are males. But Ana suggests that the difference in percentages is not enough to be significant (She also broke down the data for specific awards and THAT is pretty interesting, if you want to look at it).

Ana’s research doesn’t mean that there isn’t a literacy gap, or that boys aren’t reading predominantly “boys’books”. But the assumption that this is because there aren’t enough male protagonists in YA fiction, or males writing it, clearly deserves more examination. Ana says she addressed the question of whether interests are gendered in her MA thesis, and her research showed it didn’t. I think that’s true(although obviously my experiences are anecdotal). One reason this site was started was to provide choices that could attract reluctant readers, who are frequently boys… but I have encountered so many girls and women who love scary books and horror fiction that I don’t think horror can be described as a gendered interest (although I’d love to see statistics on the readership of horror fiction). And I have also helped boys find cookbooks, animal books, drawing books. and fairytales. To me, it suggests that this is a social issue, and a difficult one. How can we(and by we I mean everybody) get boys to read all kinds of books, and respect and encourage their interests, whatever they are? That, I think, is the question.

Ana did not include the YA category from the Stoker Awards in her analysis, She has said she’s open to including information on other YA awards. It would be great if someone from the HWA could provide her with the information, which could help inform her research.

Posted on October 10, 2012 by , Reply
12 » Last