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What Was I Scared Of? and Other Dreadful Tales

I’ve come to see that there is often a difference between what is marketed as children’s horror and what they find truly unsettling. Horror is an atmospheric medium, so illustrations and artwork(even those you might not expect) can terrify on their own or interact with language to create a sense of dread. Following R.L. Stine’s philosophy, it can be written to be so fantastical that it’s a thrilling scare, easily separated from the real, with a billboard on it letting kids know “Hey, this is scary!” Or, it can tap into real fears, but in unreal ways (some, I am sure, that the author never imagined), as this article suggests. The comments are surprising (or maybe not). What’s even more interesting is the adult perspective on reading these books not just as children but to them. The Story of Babar, for instance, is mentioned multiple times in the comments as scary and unsettling to both children and adults reading to children because of the scene in which Babar’s mother is killed, but I don’t remember that at all. From looking at the comments, it’s clear that what inspires dread or fear is often very individual… but certain authors and books do stick out. The Velveteen Rabbit, Love You Forever, Sylvester and the Magic Pebble, Der Struwwelpeter, The Giving Tree, Curious George, The Five Chinese Brothers, and The Runaway Bunny top the list, and it seems that the works of Dr. Seuss, Maurice Sendak, and Hans Christian Andersen should be handled with care.

Here are some of the titles (not specifically listed above) that people mentioned. Did, or do, any of these disturb you or your child?

The Little Match Girl, The Little Mermaid, The Snow Queen, and The Robber Bridegroom by Hans Christian Andersen
Madeleine by Ludwig Bemelmans
The Secret Garden and A Little Princess by Frances Hodgson Burnett
Olivia by Ian Falconer
Are You My Mother? by P.D. Eastman
The Duel by Eugene Field
Only One Woof by James Herriott
The Jungle Book by Rudyard Kipling
I Stink! by Kate McMullan
Winnie the Pooh by A.A. Milne
Amelia Bedelia by Peggy Parrish
We’re Going on a Bear Hunt by Helen Oxenbury
The Tale of Peter Rabbit and The Roly Poly Pudding by Beatrix Potter
Goodnight Gorilla by Peggy Rathmann
The Cat in the Hat, I Had Trouble Getting to Solla Sollew, and What Was I Scared Of? from The Sneetches and Other Stories by Dr. Seuss
Where the Wild Things Are, In the Night Kitchen, Outside Over There, Kenny’s Window and Higgelty, Piggelty, Pop! There Must be More to Life! by Maurice Sendak
A Bad Case of Stripes by David Shannon
The Starry Messenger by Peter Sis
Sylvester and the Magic Pebble and The Amazing Bone by William Steig
Goosebumps books by R.L. Stine
The Hobbit by J.R.R. Tolkien
Jumanji by Chris Van Allsburg
The Long Winter by Laura Ingalls Wilder
Mama? by Jeanette Winter
The Lonely Doll by Dare Wright

If none of these fit the bill for you or the kids you know, which ones did, and why? Comment below and let me know!

Posted on November 30, 2012 by , Reply

AAAAAAAHHHH! Horror is Dead!

At least, that’s what The Guardian says. Apparently the cool literary types haven’t reached out to touch the horror genre in a way that matters, which, according to this author, apparently means it needs to be drenched in literary theory and contemporary economic and political issues:

I’m convinced horror can raise its game. Our postmodern, capitalism-in-crisis, media-saturated world is ripe to describe it anew. Our very language seems to demand it. A mortgage, literally, is a death grip. Negative equity means being haunted by your own house. Corporations have legal personhood: they can be held responsible for criminal actions and claim “human” rights, but ironically they have no body. PR and political spin are referred to as “dark arts”.

.

To this, I can only say “Huh?” Look, if you really want to get down to the basics, great horror fiction crawls into your mind and moves in, or produces a physical, visceral response. It can be literary, but if it doesn’t do either of those things, it’s not horror. And you can call it whatever you want, but if a book does those things, you are reading a horror novel. Fear may nest in the great issues of our time, but horror is something experienced as intensely personal.

Marketing has more to do with what people are calling that book than what it actually is. I wrote about this a while back— “literary” books are seldom marketed as horror. Osama by Lavie Tidhar won the World Fantasy Award, but it gave me nightmares, and rightfully so. Chris Bohjalian doesn’t call it a horror novel, but The Night Strangers(reviewed here)still makes me uneasy. And Kelly Link, mentioned in the Guardian’s article as a refreshing literary voice in fantasy fiction, slips between genres, identifying with horror as well as sf and fantasy(read our interview of her here). And books published as horror, such as The Reapers are the Angels, by Alden Bell, can certainly be literary.

So, nope, horror isn’t dead. Can it be pulpy and commercial? Sure thing. Can it be predictable and badly written? Absolutely. Can it be original, unsettling, and downright terrifying? It better be.

Horror doesn’t die, folks. Pitch in Rise of the Guardians(which you should really see) makes that point effectively. You can banish the nightmares, but the bogeyman always rises again.

(Thanks to Rose Fox at Genreville for the link, and her spirited response).

Posted on November 27, 2012 by , Reply

Tell-Tale Art– Spooky Illustrations with the Power to Change Lives

How cool is this? I learned about it from a tweet from Jon Scieszka, the mind behind Guys Read. All kinds of well known children’s book illustrators are participating in an art auction that you’ll want to be sure to check out, called Tell Tale Art. It’s all original spooky art from these illustrators, and if you’ve ever picked up a children’s picture book some of these names ought to sound familiar. Maybe you’ve heard of Lane Smith, David Shannon, Brett Helquist, Mo Willems, Paul O. Zelinsky, Dav Pilkey, Adam Rex, or Tony DiTerlizzi? All of them have donated their own scary illustrations to this auction, which is a fundraiser for an organization called 826NYC.

826nyc.org is a nonprofit organization dedicated to supporting students ages 6-18 with their creative and expository writing skills, and to helping teachers inspire their students to write, structured around the belief that great leaps in learning can happen with one-on-one attention and that strong writing skills are fundamental to future success. With this in mind we provide free drop-in tutoring, field trips, after-school workshops, in-schools tutoring, help for English language learners, and assistance with student publications, intended to ultimately strengthen each student’s power to express ideas effectively, creatively, confidently, and in his or her individual voice (Most of that is straight from their mission statement)

Even if you can’t afford to participate, go look! It’s a great opportunity to see what children’s authors and illustrators can do with a spooky theme.

Posted on November 16, 2012 by , Reply
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